3 Equali

When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to 'compose socalled Equali for 4 trombones for All Souls' Day [2 November]?. Beethoven readily complied - and it was to be his own funeral music. For in 1827 the Equali were sung in an arrangement for male choir as a 'dirge for Beethoven's funeral procession?. The original instrumental version is today a core work in the trombonist's repertoire. Our Urtext edition is based on the musical text in the Beethoven Complete Edition and contains a score and single parts (both in the original C and in modern bass clef). / 4 Trombones

L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre 3 Equali. C'est une partition musicale composée par Beethoven/King et qui est destinée aux joueurs de Trombone. Le détail de l'instrumentation 4 Trombones vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / 4 Trombones / Partition Et Parties

Ce songbook dispose d'arrangements pour piano facile de 11 compositions de John Williams dans le film oscarisé, Lincoln. Les chansons incluent: The American Process - The Battle Cry of Freedom - Blue and Grey - Elegy - Equality Under the Law - Freedom's Call / Piano

10 superbes compositions de John Williams ce film oscarisé, le tout dans Hal Leonard célèbre EZ Play ® notation.Les chansons incluent: The American Process - Blue and Grey - Elegy - Equality Under the Law - Freedom's Call - Getting Out the Vote / Piano

Throughout their history African American spirituals have been sung in a variety of contexts from plantation fields to places of worship to concert halls. The genre has served the purpose of communicating messages of faith hope inspiration equality and freedom. This setting has special significance related to the Civil Rights Movement and the struggle for justice and equality.

Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. Book 1 is a complete guide to everything the beginner violinist needs in order to develop a secure technique. It is packed full of fun and engaging pieces, with helpful photos to guide technical aspects of playing. It includes 4 beautifully recorded CDs containing backing track arrangements for students to play along with, plus demonstration tracks of all the pieces included in the book. 'It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original' - James Murphy Director, Southbank Sinfonia / Violon

Josef Rheinberger (b. 1839 d. 1901) was a prolific composer in almost every field but he found in the Organ the medium best fitted to his genius and temperament. This seems to be proved by the fact that his reputation as an Organ composer has grown and is now firmly established whereas his position in other branches has declined. His twenty sonatas and his numerous shorter pieces (about a hundred) make up one of the most important contributions to the Organ repertory. It may indeed be claimed that in the maintenance of a high level of quality and interest throughout a long series of works of both large and small scale his position as an Organ composer issecond only to that of Bach. Sonata No. 19:The G minor Sonata is one of a small proportion of the twenty - No. 15 in D is another - concerning whose merits players are divided. It does not meet one half-way. It is the longest of the twenty: some monotony inevitably results from the use of the key of G for all its movements : its difficulties are of the ungrateful type : and the vigour of its first movement is often rough-even harsh. Yet it appears to be among the favourites of those who know it well; the late Dr. G. J. Bennett (a pupil of Rheinberger's and a devotee of the Sonatas) placed it among the best of the later numbers. Sonata No. 20:In spite of some inequalities No. 20 makes a worthy end to a fine series. Rheinberger's failing health at the time of its composition is no doubt responsible for a few moments of indecision especially in the Finale. The invention shows little if any falling off. In all the sonatas there are few better themes of the broad diatonic type than that which opens the first movement ; and the pleasant tunes of the Intermezzo and Pastoral and the swinging subject of the Finale are in the true Rheinberger vein. But the lack of a substantial fugal section is felt: it might well have come as a central portion of the Finale which

Par KNOCKAERT PETER. The future of our fragile world is in our hands. As Sir David Attenborough stated on the Climate Conference in Glasgow on November, 1st, 2021: ?... We are already in trouble. The stability we all depend on is breaking. This story is one of inequality, as well as instability. Today, those who?ve done the least to cause this problem, are being the hardest hit. Ultimately, all of us will feel the impact, some of which are now unavoidable. ... We?re going to have to learn together, how to achieve this, ensuring none are left behind. We must use this opportunity to create a more equal world and our motivation should not be fear, but hope. ...? . We must be more caring about the wonderful place we live in... our unique home: Planet Earth. This music is both a shoutout to take care of our planet and a hymn to the beauty of this place. The composition is suited for stage as well as for the enjoyment in music school orchestral practice. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes