L'Estro Armonico, Concerto no 7, RV 567

Ce portefeuille comprend les plus célèbres chefs-d'oeuvre d'Antonio Vivaldi, dont ses célèbres Concertos pour violon et, bien sûr, les mouvements des Quatre Saisons. Contient à la fois les partitions et audio complet sur CD. Chaque pièce a été composée, ou spécialement aménagé, pour piano solo et est accompagné par des spectacles de démonstration de haute qualité sur un CD de musique spécialement commandée. Un ajout essentiel à votre bibliothèque de piano. / Piano

Instrumentation : 4Vln Soli?Str?Bc Title : Concerto in E minor RV550'L'Estro Armonico' Concerti Op. 3Full Score

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Viola I Part/ Répertoire / Parties Orchestrales

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Full Score / oeuvre solo et Orchestre / Répertoire / Partition D'Orchestre

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Viola I Part/ Répertoire / Parties Orchestrales

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Double Bass Part/ Répertoire / Parties Orchestrales

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Viola Part / oeuvre solo et Orchestre / Répertoire / Parties Orchestrales

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Solo Violin and Piano/ Répertoire / Conducteur

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Cello Part/ Répertoire / Parties Orchestrales

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Full Score / oeuvre solo et Orchestre / Répertoire / Partition D'Orchestre

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

aus 'LEstro armonico' op. 3. Par VIVALDI ANTONIO. L'Estro Armonico Op. 3 or 'Harmonic Invention' is a collection of 12 concertos published in 1712 and dedicated to Ferdinand III. The music quickly became well-known throughout Europe and helped establish Vivaldi 's reputation./ Répertoire / Violon, Instruments à Cordes et Basse Continue