Matériel : PartitionLangue : Français
Par ARRIAGADA SERGIO. 1. Polo Margariteño : chant et rythme traditionnel de l'île Margarita (Vénézuéla). 2. Milonga : danse argentine cousine du tango. 3. Guajira : chant traditionnel des paysans de la région proche de Guantanamo (Cuba). 4. Vidala : chant rythmé du nord-ouest argentin. 5. Choro : style musical vif et joyeux du Brésil. Vieux de plus de 130 ans, le choro demande de la virtuosité et de la technique instrumentale. 6. Huapango : danse mexicaine très animée. Comme souvent en Amérique latine, le rythme est un mélange de 3/4 et 6/8./ Etude / Flûte Traversière et Piano
SKU: LM.29420
ISBN 9790230994200.
Etud e n. 1 (en rythme de Polo Margariteno venezuelien) - Etude n. 2 (en rythme de Milonga argentine) - Etude n. 3 (en rythme de Guajira cubaine) - Etude n. 4 (en rythme de Vidala argentine) - Etude n. 5 (en rythme de Choro bresilien) - Etude n. 6 (en rythme de Huapango mexicain).
SKU: BA.BA11854
ISBN 9790006576067. 31 x 24.3 cm inches.
One of Saint-Saëns' mature works, the Six Ã?tudes pour piano op. 52, appeared in 1877 around the same time as his opera Samson et Dalila. The second etude of the cycle was originally written in 1868 for the â??Ã?cole du pianisteâ?, the French edition of the piano method by Lebert and Stark. With his collection, the composer who had embarked on a compilation of piano etudes for the first time, evidently wanted to deliberately? distinguish the cycle from the character of the brilliant concert etude: Each of the etudes is devoted to one or more specific difficulties or compositional techniques, as in the fugues. He assigned the individual pieces to famous virtuosos of his time, such as Anton or Nikolai Rubinstein or Marie Jaëll.The new Urtext editions are based on the ground-breaking musical text of the Å?uvres instrumentales complètes by Camille Saint-Saëns, for which the editor has meticulously evaluated all known sources. A detailed Foreword provides information on the genesis and significance of the etudes. Readings and variants are precisely documented in the Critical Commentary (Eng). Notes on interpretation (Fr/Eng/Ger) as well as an elegant music engraving provide the pianist with optimal conditions for studying these virtuosic etudes.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding