Exploiting the Oboe to its full potential Fantaisie Pastorale is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the Oboe's possibilities. The piece begins with an emotional characterised cadenza portraying the pastoral title. However the tempo gradually increases through the piece evoking the fantasy aspect climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's Fantaisie Pastorale for Oboe and Piano is not only symbolic but also includes exciting challenges making for an imperative performance piece in the Oboe repertoire.
SKU: HL.48180963
UPC: 888680878313. 9x12 inches.
Exploiting the oboe to its full potential, Fantaisie Pastorale is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages, this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the oboe's possibilities. The piece begins with an emotional, characterised cadenza, portraying the pastoral title. However, the tempo gradually increases through the piece, evoking the fantasy aspect, climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's Fantaisie Pastorale for Oboe and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the oboe repertoire.
SKU: HL.48185976
UPC: 888680979928. 9.0x12.0x0.088 inches.
Fantaisie Pastorale Op 37 Arr Nicole Sop Sax/Pno.
SKU: HL.48186455
UPC: 888680828639. 9x12 inches.
“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano ' a free adaptation of the third movement of Johann Sebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoEphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoEphonists to carry out 'full-scale' practice.&rdquo.
