SKU: HG.SK-66
ISBN 9790202840450.
Nur in Chorstarke, ab 20 Stuck.
SKU: M2.MOS-62009
ISBN 9790203760092.
SKU: M2.MOS-62005
ISBN 9790203760054.
SKU: CA.1235100
ISBN 9790007165543. Language: English. Text: Moses, Brian.
Commissioned by Europa Cantat Festival 2015, Pecs.
SKU: HL.49044792
ISBN 9790001123983. UPC: 841886027084. 7.5x10.5 inches. English.
A composition for six-part women's choir, soloist and harp which juxtaposes open fifths and romantic sounds. For this work, the young Belgian composer Maarten van Ingelgem received a special mention at the European Award for Choral Composers 2014/2015 as part of Europa Cantat 2015 in Pecs/Hungary.
SKU: HL.49017674
ISBN 9790001150217. UPC: 841886009929. 7.5x10.75x0.012 inches. English.
Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Cantat Mainz 2006'. The English song 'Early One Morning' and the secret national anthem of Wales 'All Through The Night' are available in equally sentimental arrangements for mixed choir.
SKU: CA.230500
ISBN 9790007302108.
Swis s up your choir! The choral collection Swiss Choral Music is a real treasure trove of recent choral music from Switzerland. As diverse as the country itself, this volume of 29 choral settings of varying levels of difficulty includes not only a range of musical styles, but all the Swiss national languages (Romansh, French, Swiss/German and Italian) as well as English and Latin. For pure listening pleasure or as an aid to pronunciation, all works have been sung by the Swiss Youth Choir under the direction of Nicolas Fink. Pronunciation aids for the Rhaeto-Romanic and Swiss-German texts can be accessed via a QR code. In creating their musical excursion through this mountainous country, the editors and renowned choral conductors Johannes Meister and Patrick Secchiari have not only selected familiar names such as Beat Furrer or Heinz Holliger but also up-and-coming young composers such as Sara Bucher or Grégoire May. The collection includes a number of previously unpublished pieces. •,28 choral settings of varying levels of difficulty•,for mixed choir a cappella•,As a cost-effective edition for the choir, the choral collection WITHOUT CD is available at an attractive bulk price•,Exciting compilation of contemporary choral music from Switzerland For orders from Switzerland: Members of the SCV (Swiss Choral Association) or the SFEC (Swiss Federation Europa Cantat) please order via Éditions musicales Henry Labatiaz Sà rl, St-Maurice.https: //editions-henry-labatiaz .ch/en/shop.html?id=28698
SKU: BT.EMBZ14949
German.
SKU: CA.230510
ISBN 9790007302115.
SKU: CA.1235105
ISBN 9790007165550. Language: English. Text: Moses, Brian.
Commissioned by Europa Cantat Festival 2015, Pecs. Score available separately - see item CA.1235100.
SKU: BT.DHP-1226427-130
English-German-French- Dutch.
Four roads lead to Santiago, so begins the Book of the Pilgrim. Written in the 12th century, the Codex Calixtinus opened the way for pilgrimage from most cities in Europe and North Africa to Santiago de Compostela, in Spain. Compostela - The Way of St James describes the pilgrims' journey. After a slow introduction, a brilliant theme announces the start of the journey. The arrival in Spain is indicated by incantatory chants and majestic chords. Finally, the music softens as the pilgrims venerate St James. ‘Er leiden vier wegen naar Santiago’ zo begint het boek der pelgrims. De Codex Calixtinus, geschreven in de 12e eeuw, effende indertijd de weg voor pelgrimages vanuit de meeste steden in Europa en Noord-Afrika naar het Spaanse Santiago de Compostela. Compostela - The Way of St James (Compostela de weg van de heilige Jakobus) is een beschrijving van zo’n pelgrimstocht. Na een langzame inleiding kondigt een stralend thema het begin van de reis aan. De aankomst in Spanje wordt gemarkeerd door bezwerende melodieën en majestueuze akkoorden. Tot slot wordt de muziek zachter om de diepe eerbied van de pelgrims voor de heilige Jakobus te verklanken. Vier Wege führen nach Santiago“, so beginnt das Pilgerbuch. Der im 12. Jahrhundert verfasste Codex Calixtinus ebnete den Weg für Pilgerreisen aus den meisten Städten Europas und Nordafrikas nach Santiago de Compostela in Spanien. Compostela - The Way of St James beschreibt die Pilgerreise auf dem Jakobsweg. Nach einer langsamen Einleitung kündigt ein brillantes Thema den Beginn der Reise an. Die Ankunft in Spanien wird durch religiöse Gesänge und majestätische Akkorde angezeigt. Schließlich wird die Musik leiser, während die Pilger den Heiligen Jakob verehren. « Quatre chemins vont Saint-Jacques », ainsi commence le Livre du Pèlerin. Écrit au XIIe siècle, le Codex Calixtinus ouvre la voie du pèlerinage qui va de la plupart des villes d’Europe et du nord de l’Afrique vers Saint-Jacques de Compostelle, en Espagne. Compostela - Sur le chemin de St Jacques de Compostelle (The Way of St James) décrit la marche des pèlerins. Après une lente introduction, un thème brillant annonce qu’il faut prendre la route. L’arrivée en Espagne est indiquée par des chants incantatoires et des accords majestueux. Enfin, la musique d’adoucit alors que les pèlerins vénèrent St Jacques.
SKU: BT.DHP-1226427-030
SKU: BT.DHP-1094652-010
9x12 inches. English-German-French-Dut ch.
This arrangement of the popular Polovtsian Dances by Russian composer Borodin contains seven dances from the original manuscript, some of which have been used in the musical Kismet, as well as being performed by such famous names as Tony Bennett and Bing Crosby. Includes a solo for snare drum! Masamicz Amono bewerkte de ´Polovetser Dansen´ van de rus Alexander Borodin voor harmonieorkest. Borodin begon in 1869 aan de opera, Prins Igor, volgens sommigen zijn voornaamste werk. De opera bevat deze Polovetser Dansen,die meestal als een zelfstandig stuk wordt uitgevoerd en in deze vorm waarschijnlijk zijn meest bekende compositie is. Bij zijn dood was de opera niet volledig, daar hij onvoldoende tijd had voor componeren, gezien zijn werkals scheikundige. De opera werd postuum afgemaakt door Nikolaj Rimski-Korsakov en Aleksandr Glazoenov.Masamic z Amano nahm sich die beliebten Polovetzer Tänze des russischen Komponisten Alexander Borodin vor, die auch schon im Musical Kismet verwendet und als Lied von Tony Bennet, Bing Crosby und den Four Aces interpretiert wurden. Amano schuf daraus ein überzeugendes Arrangement für Blasorchester, in dem die Snare Drum solistisch glänzen darf. Les Danses polovtsiennes offrent l’exemple le plus spectaculaire de l’exotisme musical russe, d’une sensualité pre, sauvage, et d’une rare virtuosité orchestrale. Ce divertissement dansé et chanté en plusieurs épisodes, quintessence de l'opéra Le Prince Igor (1879), contient tout ce qui suscita la faveur de l'Europe fin XIXe : désir d'ailleurs, attraction pour un Orient plus rêvé que réel. Masamicz Amano en a réalisé une version étonnante pour Orchestre d’Harmonie avec un délicieux solo de caisse claire.Le Polovtsian Dances offrono l’esempio più spettacolare dell’esotismo musicale russo, fatto di una sensualit selvaggia e di una rara virtuosit orchestrale. Questo divertimento ballato e cantato in vari episodi, quintessenza dell’opera Il Principe Igor (1879), contiene tutto ciò che l’Europa del XIX secolo adora: desiderio di posti lontani, attrazione per un oriente più sognato che reale. L’arrangiamento di Masamicz Amano propone un delizioso assolo per rullante.
SKU: BT.DHP-1094652-140
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: BT.EMBZ14553
English-German-Hungari an.
Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sándor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet GyulaIllyés (Óda Európához - Ode to Europe, based on the poem by Illyés), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932). Der zweite Band der gesammelten Ausgabe der Chorwerke von Sándor Veress umfasst sieben ungarische Volkslied-Zyklen, bzw. Kantaten, ein Chorpoem in ungarischer Sprache und einen englischen Chorzyklus. In der ersten Schaffensperiode seines Lebens (1929-1939), die er in Ungarn verbrachte, nimmt sein unmittelbarer Kontakt zur ungarischen Volksmusikforschung eine entscheidende Rolle ein: Das Volkslied-Erlebnis seiner persönlichen Sammeltätigkeit kam in der ersten Periode seiner Kompositionen für gemischten Chor unmittelbar zur Geltung. In der Emigration, während der sechziger Jahre, kehrte er noch zweimal zur Gattung gemischter Chor a cappella zurück: 1962 komponierte ereinen gemischten Chor zum 60. Geburtstag des großen ungarischen Dichters Gyula Illyés (nach einem Gedicht von Illyés) unter dem Titel Ode an Europa. 1967 schrieb er im Auftrag der Australischen Rundfunkgesellschaft, für den Kammerchor 'Adelaide Singers' einen siebensätzigen Madrigalzyklus (Songs of the Seasons).
SKU: HL.50490228
ISBN 9790080145531. UPC: 884088531638. 7.5x10.75x0.365 inches. Hungarian, English, German. Sandor Veress; Melinda Berlasz.
Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sandor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet Gyula Illyes (Oda Europahoz - Ode to Europe, based on the poem by Illyes), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).
SKU: M2.MOS-64549
ISBN 9790203760351.
Als Camino de Santiago, dem Jakobsweg, werden die verschiedenen Pilgerweg zur vermuteten Grabstatte des Apostels Jakobus dem Alteren im spanischen Santiago de Compostela bezeichnet. Die Pilgerwege - heute europaische Kulturstrassen - sind seit dem Mittelalter bekannt und im Liber Sancti Jacobi, einer Handschriften des 12. Jh. beschrieben. Die vorliegende kleine Kantate betrachtet den Pilger auf dem Jakobsweg aus heutiger Sicht, greift aber auch auf die Geschichte des Pilgerweges zuruck; die verbindenden Texte wechseln sich mit den Chorsatzen ab. Die Chorsatze sind - mit Ausnahme des abschliessenden Vox nostra resonet, der nach Belieben auch fortgelassen werden kann - in deutscher Sprache.