/ Instruments A Vent (Piccolo, 3 Flûtes Traversières, 3 Hautbois, Cor Anglais, 3 Clarinettes, Clarinette De Basset, 3 Bassons, Contrebasse, 4 Cors, 3 Trompettes, 3 Trombones , Tuba), Percussions Et Piano
SKU: FP.FDC08
ISBN 979-0-57050-051-2.
This grand tour of ten of Britain's beauty spots catches the atmosphere of each delightfully. This album is suitable for both young and older beginners. Suggested grade 2.
SKU: CF.CAS108
ISBN 9781491151273. UPC: 680160908776. 9 x 12 inches.
Thomas Jefferson's Fiddle Tunes is inspired by Thomas and Martha Jefferson's musical evenings after dinner at Monticello. Composer James Meredith has taken three reels from the colonial period in American history and put them together into a potpourri setting that students will enjoy playing.Good music played well inspires the imagination. In the evenings after dinner at Monticello Thomas and Martha Jefferson enjoyed nothing better than to play music. Each was an accomplished musician. Jefferson would play the violin, and Martha would often accompany him at the piano. He especially enjoyed the music of Corelli. Thomas Jefferson’s Fiddle Tunes is an effort to depict what a musical evening might have been at the farm with guests joining in, clapping, stomping, or dancing to the lively tunes. Three reels of the Colonial period are featured in this medley. Jefferson and Liberty, Smash the Windows, and The White Cockade. Each jig is introduced by a solo violin then the whole section joins in.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS108F
ISBN 9781491151648. UPC: 680160909148. 9 x 12 inches. Key: D minor.
SKU: HL.49046935
ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.
SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.
SKU: CA.1810000
ISBN 9790007100322.
SKU: OU.9780193950269
ISBN 9780193950269. 12 x 8 inches.
For SSAATB and organ William Turner was inspired by the acoustic of Wren's new St Paul's Cathedral and fully exploits it in this sumptuous anthem, which is the companion to his Evening Service in A (CMSR 109). Also in The Restoration Anthem Volume 2 (1688-1714).
SKU: CA.206600
ISBN 9790007006365.
SKU: XC.ISO1910
UPC: 812598030570. 9 x 12 inches.
“The color is faint but the setting sun still has the power to light up the sky. Yukiko Nishimura’s unique harmonic style and beautifully fresh melodic lines will inspire the best out of any performer.
