Matériel : Livre
Soirées à l'Opéra: Une exploration du répertoire de base est un recueil d'essais basés sur des conférences Jeffery Langford à la Manhattan School of Music et inspiré par sa pré-performance des entretiens à la Metropolitan Opera Guild. Il présente une vue unique sur l'évolution stylistique de près de 200 ans d'histoire de l'opéra (de Mozart à Britten), avec une attention particulière à la question de savoir comment les composants concurrents du genre d'action, la musique et le texte se combinent pour rendre le drame musical efficace. Prendre une thématique (plutôt que purement historique) approche de cette exploration des oeuvres sélectionnées à partir du répertoire standard, Langford engage le lecteur dans la question fondamentale de savoir comment passer l'esthétique de l'opéra d'un compositeur à l'autre, un pays à l'autre, et un époque à l'autre ont donné lieu à beaucoup de solutions différentes au problème de comment faire un dramma per musica (drame en musique), comme les inventeurs du premier opéra italien a appelé. Au-delà de la simple résumé de l'intrigue, il guide le lecteur à travers l'analyse des questions spécifiques de la forme musicale, le style et la technique d'éclairage nouveau sur l'éternelle question du 'comment l'opéra (parfois) fonctionne.' / Livre
SKU: BR.EB-8873
ISBN 9790004184639. 9 x 12 inches. German / English.
,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8872
ISBN 9790004184622. 9 x 12 inches. German / English.
Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8871
Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.
ISBN 9790004184615. 9 x 12 inches. German / English.
SKU: CA.265300
ISBN 9790007165628.
The collection includes 19 opera choruses by Wolfgang Amadeus Mozart and Joseph Haydn, arranged for choir with piano accompaniment. The most beautiful choruses from the most popular of Mozart's operas are published in one volume, together with opera choruses by Joseph Haydn. While since they were first composed it would be difficult to imagine the opera repertoire without most of Mozart's operas, in the case of Haydn there are still unknown treasures waiting to see the light of day. But even among Mozart's works it is still possible to make new discoveries. All of the choruses in this varied collection of both known and unknown works by these two great masters contain piano accompaniments and the original singing texts, as well as German translations (where applicable). The piece for four-part mixed choir range from easy to mid-level difficulty. A supplementary economical edition for choir (editionchor, without piano accompaniment) has also been published. All the choruses in this colorful mixture of well known and unknown by the two great masters have piano accompaniment and the original text, as well as German singing translations (where applicable).
SKU: HL.14015279
ISBN 9780711995796.
This new Opera was first performed in 1998 in Huddersfield by Opera North. Designed for the modern stage, it utilises only a small cast and orchestra - albeit one with a good variety of percussion! The libretto is adapted by the composer from the play 'The Love of Don Pemperlin for Belisa in the Garden' by Feredico Garcia Lorca, translated into English by David Johnston. The plot revolves around the ill-fated marriage of Don Pemperlin, an ageing bachelor and his beautiful neighbour Belisa, which was suggested by Pemperlin's maid. Tricks and misunderstandings abound and because of them, Pemperlin ends by stabbing himself and dying even as Belisa proclaims her love for him.
