Evolving Drumming

SKU: BT.MUSME0243

English.

This method is designed for all Drummers, from beginners to advanced, willing to practise their instrument cleverly, whether alone or supervised, in order to refine both their independence, coordination and, above all, musicalskills.

Through a simple and progressive logic, any Drummer will indeed find what he or she is looking for among the 400 evolving Drum beats & breaks featured in this method. The beginners will spend some time workingon the first pages while the more advanced Drummers will quickly go to the next pages to discover and practise rhythms matching their level.

The MP3 CD features the 400 examples of the book in order. For each audioindex,you will at first hear the Bass/Drum pair for several bars before the Drums are muted to let you take the place.

SKU: PR.416414210

UPC: 680160602049. 8.5 x 11 inches.

Composed for violinist Baird Dodge in 1995-97, SLEEP is a 25-minute concerto in three movements. Thefirst movement (Twitching) is dramatic in character, full of contrasts, pitting the violin against the orchestra in more or less romantic fashion. The second (Breathing) is comprised of overlapping layers of simple harmonies accompanying a freely evolving, lyrical melody in the violin. In the third movement (Sweating), the soloist and ensemble initially work together to create a rising line. They soon diverge, and an increasing layering of multiple lines throughout the ensemble leads to a very high point of density which is then abruptly cut off by the virtuosic frenzy in the violin which ends the work.

SKU: PR.41641421L

UPC: 680160602056. 11 x 17 inches.

Composed for violinist Baird Dodge in 1995-97, SLEEP is a 25-minute concerto in three movements. Thefirst movement (Twitching) is dramatic in character, full of contrasts, pitting the violin against the orchestra in more or less romantic fashion. The second (Breathing) is comprised of overlapping layers of simple harmonies accompanying a freely evolving, lyrical melody in the violin. In the third movement (Sweating), the soloist and ensemble initially work together to create a rising line. They soon diverge, and an increasing layering of multiple lines throughout the ensemble leads to a very high point of density which is then abruptly cut off by the virtuosic frenzy in the violin which ends the work.