Explorations Score And Parts

Concert Band/Harmonie/Fanfare - Grade 3

SKU: HL.44002438

Composed by Johan Nijs. De Haske Concert Band. Concert Piece. Score Only. Composed 1995. De Haske Publications #950653. Published by De Haske Publications (HL.44002438).

UPC: 073999024388. 6.75x10.5 inches.

High quality solo pieces for young musical explorers with orwithout piano accompaniment. The CD contains each work playedby a professional soloist together with a pianist, followed by thepiano accompaniment for you to play along to. The pianoaccompaniment is also available in a separate book.

1.Introduction 2.Arietta 3.Festival Explorations ist ein dreiteiliges Werk des belgischen Komponisten Johan Nijs. Im ersten Teil wird ein Thema in allegro vorgestellt und dann auf schwungvolle Art ausgearbeitet. Darauf folgt ein langsamer Mittelteil mit einem Trompetensolo und einer uberraschenden Tutti-Passage. Im dritten Teil sorgen beschwingte Melodien und flotte Rhythmen fur einen festlichen Abschluss dieser Komposition. Eine musikalische Entdeckungsreise fur Ihr Blasorchester!

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0950653-015

Composed by Johan Nijs. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950653-015. Published by De Haske Publications (BT.DHP-0950653-015).

High quality solo pieces for young musical explorers with orwithout piano accompaniment. The CD contains each work playedby a professional soloist together with a pianist, followed by thepiano accompaniment for you to play along to. The pianoaccompaniment is also available in a separate book.

1.Introduction 2.Arietta 3.Festival Explorations ist ein dreiteiliges Werk des belgischen Komponisten Johan Nijs. Im ersten Teil wird ein Thema in allegro vorgestellt und dann auf schwungvolle Art ausgearbeitet. Darauf folgt ein langsamer Mittelteil mit einem Trompetensolo und einer überraschenden Tutti-Passage. Im dritten Teil sorgen beschwingte Melodien und flotte Rhythmen für einen festlichen Abschluss dieser Komposition. Eine musikalische Entdeckungsreise für Ihr Blasorchester!

Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotali, Glockenspiel, gr, Trommel, vibraphonerafon - 1 Spieler), strings (7, 1)

SKU: PE.EP14445

Composed by Bernd Franke. Full Scores. Edition Peters. Score. 52 pages. Duration 00:20:00. Edition Peters #98-EP14445. Published by Edition Peters (PE.EP14445).

ISBN 9790014135041. 297 x 420 mm inches. German.

ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.

Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.

Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.

In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).

Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.

In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!

Bernd Franke. Leipzig, 11.10.2019

W01476|C|Y 0.0000 Sheet Music _x000D_ 9780193556799 Y 23.50 X556799 357665 9780193556799 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556799 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 Low voice & piano Low voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556799

• Young: A babe is born
• Rutter: Angels' Carol
• McDowall: Before the paling of the stars
• Rutter: Candlelight Carol
• Rutter: I sing of a maiden
• Chilcott: Mid-winter
• Todd: My Lord has Come
• Bullard: Scots Nativity
• Quartel: Snow Angel
• Todd: Softly
• Chilcott: Sweet was the song
• Chilcott: The Shepherd's Carol
• Quartel: This endris night
• McGlade: What child is this?

for low voice and piano
This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home.
Also available in a volume for high voice and piano.

• 14 songs for solo voice
• Well-loved composers, including John Rutter and Bob Chilcott
• Wide selection of Christmas texts
• Accessible accompaniments
• Includes backing tracks downloadable from a Companion Website
• Available in volumes for high and low voice

MISC|AU|Y 0.0000 Paperback _x000D_ EP73308R Y 0.00 73308R P73308R 1 ORCHA 8000 0.00 Hover A (LARGE) BEAMISH EP73308R GP:ORCHESTRAL HOVER ONLY RENTAL SALLY WORKS NONE ORCHA P 303000 EP73308R 0.0000 Sheet Music _x000D_ EP14437A Y 22.95 14437A P14437A FRANKE, BERND C 9790014137199 52A1 8000 0.00 AGNI A 9790014137199 AGNI BASS BERND CLARINET EP14437A FRANKE PHOTOPRINTS W01476 English / German 00:12:0 Instrumental Score 232 x 303 mm Bass clarinet 20 DETNT NEW PR43 23/04/2021 P 303006

AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:

Every flame, every fire, every light, every warmth is AGNI.

AGNI is omnipresent, establishing everything and ending everything.

AGNI is often depicted with seven tongues which represent different aspects of his being.

These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.

Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.

This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.

W01476|C|Y 0.0000 Sheet Music _x000D_ EP68686 Y 165.00 68686 P68686 LEWIS C 9790300761299 97 8000 0.00 Ikons A 9790300761299 CONTEMPORARY ENSEMBLE EP68686 GEORGE IKONS LEWIS PHOTOPRINTS SMALL W06652 English 00:14:0 Conductor Score & Parts 303 x 232 mm Fl (A-fl in F).Cl.Bsn (Cbsn).Tbn.Perc.Vln.Vlc.C b 132 NEW PR43 USTNT 21/04/2021 P 303006

Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.

The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.

W06652|C|Y 0.0000 Sheet Music _x000D_ EP73531 Y 31.95 73531 P73531 PANUFNIK, ROXANNA C 9790577020976 61 8000 0.00 Sonnets without Words A 9790577020976 EP73531 HORN PANUFNIK PHOTOPRINTS PIANO ROXANNA SHAKESPEARE SONNETS W03578 WILLIAM WITHOUT WORDS English Score & Instrumental Parts 232 x 303 mm Horn and piano 28 NEW PR43 UKTNT 21/04/2021 P 303006

Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.

Score and horn part.

• Contempo rary work for Horn in F and piano
• Settings of Sheakespeare's Sonnets 8, 24 & 29 in instrumental form

W03578|C|Y W06737|LY|N 0.0000 Sheet Music _x000D_ EP73571 Y 15.95 73571 P73571 MCNEFF, STEPHEN C 9790577021317 20 8000 0.00 Trig for Solo Cello A 9790577021317 (SOLO) CELLO EP73571 MCNEFF PHOTOPRINTS SOLO STEPHEN TRIG W03150 English 00:07:0 Instrumental Score 232 x 303 mm Solo Violoncello 8 NEW PR43 UKTNT 21/04/2021 P 303006

Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.

Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.

• Contemp orary piece for solo cello
• Written for the Royal Academy of Music's bicentennial

W03150|C|Y 0.0000 Sheet Music _x000D_ EP14528 Y 34.95 14528 P14528 SAUNDERS, REBECCA C 9790014136796 3 8000 0.00 to an utterance - study A 9790014136796 (SOLO) AN EP14528 PHOTOPRINTS PIANO REBECCA SAUNDERS STUDY TO UTTERANCE W04191 English Instrumental Score 420 x 297 mm Piano Solo 16 DETNT NEW PR43 21/04/2021 P 303006

to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.

W04191|C|Y 0.0000 Sheet Music _x000D_ EP71880 Y 75.00 71880 P71880 PANUFNIK, ROXANNA C 9790577008332 82 8000 0.00 Spirit Moves for Brass Quintet A 9790577008332 BRASS ENSEMBLE EP71880 MOVES PANUFNIK PHOTOPRINTS QUINTET ROXANNA SPIRIT W03578 English 00:15:0 Score & Instrumental Parts 232 x 303 mm Trumpet 1 in B flat (doubling Piccolo Trumpet), Trumpet 2 in B flat (doubling Flugel Horn), Horn in F, Trombone, Tuba 84 NEW PR43 UKTNT 21/04/2021 P 303006

Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.

This product consists of score and parts.

W03578|C|Y 0.0000 Sheet Music _x000D_ EP73585 Y 4.00 73585 P73585 369282 WILLIAMS, RODERICK C 9790577021591 1 151 8000 0.00 Eriskay Love Lilt A 9790577021591 (SECULAR) CHORAL EP73585 ERISKAY HALSTAN-USA LILT LOVE RODERICK TRADITIONAL W05152 WILLIAMS WORKS English 00:03:0 190 x 272 mm SATB (divisi) and piano 16 NEW PR30 UKTNT 20/05/2021 P 377788

A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.

• Commiss ioned by The Sixteen choir and recorded on their 2021 album 'Goodnight Beloved'
• Roderick Williams is a composer/arranger and also a world-renowned baritone
• The arrangement is described by Williams as 'having a little nod to Ravel and Grieg'

W05152|C|Y W04819|LY|N 0.0000 Sheet Music _x000D_ 9780193556782 Y 23.50 X556782 357665 9780193556782 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556782 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 High voice & piano High voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556782

• Young: A babe is born
• Rutter: Angels' Carol
• McDowall: Before the paling of the stars
• Rutter: Candlelight Carol
• Rutter: I sing of a maiden
• Chilcott: Mid-winter
• Todd: My Lord has Come
• Bullard: Scots Nativity
• Quartel: Snow Angel
• Todd: Softly
• Chilcott: Sweet was the song
• Chilcott: The Shepherd's Carol
• Quartel: This endris night
• McGlade: What child is this?

for high voice and piano
This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home.
Also available in a volume for low voice and piano.

• 14 songs for solo high voice
• Well-loved composers, including John Rutter and Bob Chilcott
• Wide selection of sacred and secular Christmas texts
• Accessible accompaniments
• Includes backing tracks downloadable from a Companion Website
• Available in volumes for high and low solo voice

MISC|AU|Y 0.0000 Paperback _x000D_ 9780193559066 Y 4.25 X559066 357665 9780193559066 YOUNG C 1 444 8030 0.00 O splendour of God's glory bright PAPER 9780193559066 BRIGHT CHORAL GLORY GOD'S MIXED OF OXFORD SACRED SPLENDOUR TOBY VOICES W06576 YOUNG C 00:03:30 SATB & organ Vocal score 254x178 SATB 20 NONE P 355580 9780193559066

for SATB and organ
This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.

W06576|C|Y 0.0000 Paperback _x000D_ 9780193554399 Y 2.60 X554399 357665 9780193554399 LASSUS, ORLANDO DE C 1 445 8030 0.00 Oculus non vidit PAPER 9780193554399 CHORAL DE KEANE LASSUS MARK NON OCULUS ORLANDO OXFORD SACRED UPPER VIDIT VOICES W02750 B 00:01:30 SA unaccompanied Vocal score 254x178 Upper Voices - 3 parts or more 4 NONE 10/06/2021 P 355580 9780193554399

for SA unaccompanied
This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

W02750|C|Y W06960|E|N 0.0000 Paperback _x000D_ 9780193954298 Y 3.35 X954298 357665 9780193954298 TALLIS, THOMAS C 1 448 8030 0.00 Honor, virtus et potestas PAPER 9780193954298 CANTICLES DUNKLEY ET HONOR OXFORD POTESTAS SALLY SERVICES TALLIS THOMAS VIRTUS W04705 C 00:06:0 SAATB unaccompanied Vocal score MSER00020 SATB 12 NONE 28/05/2021 P 355580 9780193954298

for SAATB unaccompanied.
This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.

W04705|C|Y W01184|E|N 0.0000 Paperback _x000D_ EP73527 Y 6.95 73527 P73527 BEAMISH, SALLY C 9790577020891 50 8000 0.00 The Parting Glass A 9790577020891 (SOLO) BEAMISH CLARINET EP73527 GLASS PARTING PHOTOPRINTS SALLY W00306 English Score 232 x 303 mm Clarinet 4 NEW PR43 UKTNT 12/12/2020 P 303006

Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.

Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.

But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.

I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.

The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.

The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.

It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.

W00306|C|Y 0.0000 Sheet Music _x000D_ EP73516 Y 6.95 73516 P73516 BEAMISH, SALLY C 9790577020747 20 8000 0.00 Maple A 9790577020747 (SOLO) BEAMISH CELLO EP73516 MAPLE PHOTOPRINTS SALLY W00306 English 00:06:0 Score 232 x 303 mm Contemporary cello solo 8 NEW PR43 UKTNT 12/12/2020 P 303006 Seed; Spinning Seed; Roots, shoots; Leaves ; Flowers; Tree ; Autumn ; Cello

Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.

The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.

The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.

Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.

W00306|C|Y 0.0000 Sheet Music _x000D_ EP73508 Y 39.95 73508 P73508 DILLON, JAMES C 9790577020648 3 8000 0.00 echo the angelus A 9790577020648 (SOLO) ANGELUS DILLON ECHO EP73508 JAMES PHOTOPRINTS PIANO W01097 English 00:25:0 Score 232 x 303 mm Piano Solo 44 NEW PR43 UKTNT 12/01/2021 P 303006

First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.

Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra string orchestra - Grade 1

SKU: KJ.SO170F

Composed by William Dyson. Score. Neil A. Kjos Music Company #SO170F. Published by Neil A. Kjos Music Company (KJ.SO170F).

Designed as a teaching piece, this 5-movement work increases in difficulty, with additional techniques added to each movement. Piano is required. Fun interdisciplinary teaching tools are included in the score and student parts.

Jam Wuth the Rock and Pop Recordings, Play Musical Games, Play Melodies and Chords, Play Bass and Drum Set Parts On the Keyboard, Learn to Play the 12-Bar Blues. By Debbie Cavalier; Ludwig Van Beethoven. Arranged by Andy Selby. For Keyboard. Text. 31 pages. Published by Carl Fischer.

Brass Band - Grade 6

SKU: BT.DHP-1196183-030

Composed by Paul Raphael. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196183-030. Published by De Haske Publications (BT.DHP-1196183-030).

English-German-French- Dutch.

Composed by Paul Raphael, Explorers on the Moon, the sequel to his 2017 work Destination Moon, was composed in 2019 to commemorate the 50th anniversary of the 1969 Moon Landings. It is inspired by the Belgian author Hergé and his most famous creation, Tintin. The music uses Hergé’s story from 1950 almost twenty years prior to the first ever moon landing - following Tintin and his fellow adventurers as they become the first humans on the Moon. This fantastic piece is split into three parts, titled ‘Space’, ‘Nightmare Land’ and ‘The Journey Home’ and is one of the most spectacular contest pieces in recent years.

Explorer s on the Moon is een vervolg op Paul Raphaels eerdere werk Destination Moon uit 2017. Het werd in 2019 gecomponeerd ter gelegenheid van de vijftigste gedenkdag van de maanlanding in 1969. De inspiratiebron was Kuifje de beroemdste creatie van de Belgische auteur en striptekenaar Georges Remi, die bekender is onder zijn pseudoniem Hergé. Het uitgangspunt voor de muziek is diens verhaal uit 1950 waarin Kuifje en zijn medeavonturiers de maan bezoeken, bijna twintig jaar voor de eerste échte maanlanding. Dit fantastische werk, dat uit drie delen ‘Space’, ‘Nightmare Land’ en ‘The Journey Home’ bestaat, is een van de meest spectaculaire wedstrijdwerken uitrecente jaren.

Explorers on the Moon, komponiert von Paul Raphael, entstand 2019 anlässlich des 50. Jahrestages der Mondlandung (1969) und ist die Fortsetzung seines 2017 erschienenen Werkes Destination Moon. Das Stück wurde von dem belgischen Autor Hergé und seiner berühmtesten Erfindung, Tim und Struppi, inspiriert. Die Musik orientiert sich an Hergés Geschichte aus dem Jahr 1950, in der Tim und seine Begleiter als erste Menschen den Mond betreten fast zwanzig Jahre vor der ersten Mondlandung. Dieses fantastische Stück besteht aus drei Sätzen: Space“, Nightmare Land“ und The Journey Home“. Es zählt zu den spektakulärsten Wettbewerbsstücken der letzten Jahre.

Écrite par Paul Raphael en 2019 pour marquer le 50e anniversaire des premiers hommes sur la lune, en 1969, Explorers on the Moon fait suite Destination Moon, du même compositeur. Cette nouvelle œuvre s’inspire de l’auteur belge Hergé et de sa création la plus célèbre, Tintin. La musique est fondée sur l’histoire de On a marché sur la Lune, qui fait suite Objectif Lune, histoire écrite en 1950 anticipant la réalité de près de vingt ans , qui raconte l’aventure de Tintin et de ses compagnons sur notre satellite. Cette œuvre remarquable en trois mouvements (« Space », « Nightmare Land » et « The Journey Home ») est une des pièces de concours les plusspectaculaires de ces dernières années.

By Michael Story. By Mike Story. For Concert Band. Concert Band. Belwin Young Band. Level: Easy (grade II). Conductor Score & Parts. 204 pages. Published by Alfred Publishing.

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44011136

Composed by Hayato Hirose. De Haske Concert Band. Concert Piece. Set (Score & Parts). Composed 2011. De Haske Publications #1114967010. Published by De Haske Publications (HL.44011136).

UPC: 884088672614. 9.5x13.5x1.6 inches. English-German-French-Dut ch-Japanese.

Hayato Hirose composed this dramatic piece based on the great journey of Marco Polo, Italian traveller and one of the first Europeans ever to visit Asia. In the 13th century, he made a long journey from Venice to Mongolia with his father. After his arrival, he was sent to the various regions in Asia by the Mongolian government to take notes about the culture, the people, and the way of life in those areas. Celebrate the life of this great explorer with this dynamic new concert work.

Captain Marco is het eerste werk van Hayato Hirose voor blaasorkest. Hij componeerde het in 1998. Met dit dramatische werk smeedt de Japanse Hirose een muzikale band tussen Europa en Azie, waarbij de grote zeevaarder Marco Polo deverbindende factor is. Marco Polo was niet alleen een van de eerste grote ontdekkingsreizigers ooit, hij hield ook een logboek bij van zijn avonturen. In zijn tijd deed het letterlijk een boekje open over het verre Oosten. Nog steedsspreekt deze roemruchte kapitein tot de verbeelding. In ieder geval tot die van de componist, die er een mooie compositie aan wijdde...

Capta in Marco ist Hayato Hiroses erstes Werk für Blasorchester und wurde im Jahr 1998 komponiert. In diesem dramatischen Werk knüpft der Japaner Hirose ein musikalisches Band zwischen Europa und Asien, indem er das Leben des berühmten Handelsreisenden Marco Polo vertont. Kapitan Marco war nicht nur einer der ersten grossen Seefahrer und Entdecker überhaupt, sondern er hinterliess auch seine Erfahrungen in einem Buch, das den Europaern damals das ferne Asien erklarte und offensichtlich auch heute noch sehr inspirierend ist.

Captain Marco est la premiere oeuvre pour orchestre d'harmonie d'Hayato Hirose, ecrite en 1998. Le compositeur nous emmene sur les traces du celebre aventurier et marchand venitien, Marco Polo, qui fut l'un des premiers Europeens a se rendre en Extreme-Orient. Hayato Hirose nous livre une oeuvre expressive, intense et epique.

Captain Marco, composta nel 1998, e la prima opera per banda di Hayato Hirose. Un brano espressivo ed intenso, omaggio a colui che ancora oggi e considerato uno dei piu grandi esploratori di tutti i tempi: Marco Polo.

By Richard Meyer. Orchestra. For String Orchestra. String Orchestra. String Explorer. .5 (grade .5). Score. 16 pages

Composed by Deborah Baker Monday. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 3 minutes, 36 seconds. Published by Carl Fischer

Composed by Dave Hall. Percussion Ensemble. For Percussion Ensemble (Crotales (2 octaves) Vibraphone 1 Vibraphone 2 Bells (Double Seconds (Steel Pan) Tam-Tam) Marimba 1 (4-octave) (Small Triangle, Suspended Cymbal (shared with Marimba 3) Marimba 2 (4.3 or 5-octave) (Large Triangle, Suspended Cymbal (shared with Marimba 4) ). Medium difficult. Score and parts. Duration 9:30. Published by C. Alan Publications

Composed by George Sweet. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 3 minutes, 12 seconds. Published by Carl Fischer

Composed by Keith Sharp. Orchestra. Score; String Orchestra. Belwin Intermediate String Orchestra. Grade 2.5. 12 pages. Published by Belwin Music

Composed by Keith Sharp. Orchestra. Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Grade 2.5. 148 pages. Published by Belwin Music

Grade 1.5 - Score Only. Composed by Stephen Bulla. Curnow Music Concert Band. Concert. 20 pages. Curnow Music #15197140. Published by Curnow Music

For Concert Band. (Score). Curnow Concert Band Full Set. Level: Grade .5. 20 pages. Duration 1:50. Published by Hal Leonard.

By James Pierpont. Arranged by James D. Ployhar. By James Pierpont / arr. James D. Ployhar. For Concert Band. Concert Band. Belwin Beginning Band. Level: Very Easy (grade I). Conductor Score, Parts & CD. 96 pages. Duration 1:57. Published by Alfred Publishing.

By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: Medium Easy to Medium (grade III-IV). Conductor Score & Parts. 78 pages. Duration 5:10. Published by Alfred Publishing.

By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orchestra. Conductor Score & Parts. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Saxophone Quartet

SKU: BT.DMP116033

Composed by Robert van Aerschot. Set (Score & Parts). Composed 2017. Digital Music Print #DMP116033. Published by Digital Music Print (BT.DMP116033).

By Vaclav Nelhybel. By Vaclav Nelhybel. For Concert Band. Concert Band. Belwin Classic Band. Level: Medium Easy (grade III). Conductor Score & Parts. 234 pages. Duration 6:34. Published by Alfred Publishing.

Concert band - Grade 3

SKU: CL.026-4541-00

Composed by Huckeby. Concert Band. Build-A-Band. Score and set of parts. Composed 2017. Duration 4 minutes, 2 seconds. C.L. Barnhouse #026-4541-00. Published by C.L. Barnhouse (CL.026-4541-00).

An impressive piece at this grade level featuring syncopation and mixed meters. The lush and beautiful slow section adds contrast to the exciting rhythmic drive. Skillfully arranged for bands with less than ideal instrumentation, this outstanding piece is perfect for concert and festival use and is sure to make your band sound its best! Highly recommended!

About Build-A-Band Series

The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)

Concert band - Grade 3

SKU: CL.026-4541-01

Composed by Huckeby. Concert Band. Build-A-Band. Extra full score. Composed 2017. Duration 4 minutes, 2 seconds. C.L. Barnhouse #026-4541-01. Published by C.L. Barnhouse (CL.026-4541-01).

An impressive piece at this grade level featuring syncopation and mixed meters. The lush and beautiful slow section adds contrast to the exciting rhythmic drive. Skillfully arranged for bands with less than ideal instrumentation, this outstanding piece is perfect for concert and festival use and is sure to make your band sound its best! Highly recommended!

About Build-A-Band Series

The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)

By Ed Huckeby. Bestseller. Concert Band. Level: Grade 3. Score and set of parts. Composed 1994. Duration 0:04:26. Published by C.L. Barnhouse.

Horn and Orchestra

SKU: HL.14021017

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Studyscore. Composed 2001. 78 pages. Chester Music #CH61757. Published by Chester Music (HL.14021017).

ISBN 9780711984677. 5.5x7.5x0.082 inches.

This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre, London, conducted by Peter Maxwell Davies. Duration c.23 minutes. Peter Maxwell Davies: The horn writing is extremely virtuoso throughout - not least in exploring the full range of the horn, from the deepest notes in the bass, normally exclusive to an orchestral fourth horn player, to the highest, most exposed sostenuto of a first horn soloist, presenting here challenges of embouchure and sheer stamina I should think fairly unprecedented. Solo part and piano reduction on sale (CH61758), Conductor's score and orchestral parts available for hire.

Concert Band

SKU: HL.49015105

An American Folk Dance. Composed by Wolfgang Fortner. Edition Schott. Classical. Study Score. Composed 1952. 60 pages. Schott Music #HL50486775. Published by Schott Music (HL.49015105).

ISBN 9781423442103. UPC: 884088247980. 305 X 229 inches. Latin.

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed ina variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publicationbrings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0910329-010

Composed by Jan Van der Roost. Inspiration Series. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910329-010. Published by De Haske Publications (BT.DHP-0910329-010).

This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an ad libitum organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.

Dieses ruhige Stück mit seinen breiten Tönen wurde ursprünglich für Brass Band geschrieben, im Auftrag von Robert Leveugle, dem Vorsitzenden der Brass Band, dem der Komponist angehört: die Brass Band Midden Brabant (Belgien). Später orchestrierte JanVan der Roost das Stück neu für Symphonisches Blasorchester, wobei er die reichhaltige Klangfarbenpalette dieser Formation voll ausnutzte. Neben Solo-Abschnitten für verschiedene Instrumente gibt es einige massive Tutti-Passagen, die dasBlasorchester wie ein riesiges Organ klingen lassen. Übrigens: Eine optionale Orgelstimme verleiht diesem Stück noch mehr Klangfülle, -farbe und Kraft, sodass es noch breiter und großartiger klingt.

Jan Van der Roost a composé Canterbury Choral la demande de Robert Leveugle, président du Brass Band Midden Brabant. Cette œuvre, empreinte de sérénité et de solennité, s’inspire de la beauté majestueuse de la célèbre cathédrale de la villede Canterbury, haut-lieu, de la culture musicale anglaise. Canterbury Choral alterne des passages en solo et des phrases en tutti. Les sonorités sont amples et rondes. Les courbes sont fluides, légères et brillantes. Les tutti, puissants etsoutenus, rappellent la richesse sonore et la générosité de l’orgue d’église.
Canterbury Choral est dédié Robert et Annie Leveugle.

Uno dei più bei pezzi lenti mai scritti. Ideale per un momento di tranquillit del vostro concerto.

Concert Band - Grade 2

SKU: KJ.WB532F

Composed by Ryan Nowlin. Band/Repertoire. Excellence in Performance - Repertoire. Score. Neil A. Kjos Music Company #WB532F. Published by Neil A. Kjos Music Company (KJ.WB532F).

UPC: 084027053133.

With a tip of the hat to Gustav Holst and Mars from The Planets, composer Ryan Nowlinâ??s Mission to Mars depicts the fear, anxiety, and exhilaration of discovery and exploration that future astronauts might experience on their way to the Red Planet. This energetic tone poem in ¾ sits securely under the fingers of each instrument and allows each section of your developing band to showcase their abilities. Correlates with Tradition of Excellence Book 2, page 22.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

Saxophone Sextet

SKU: SU.90920032

Composed by Julius Hemphill. Score & Parts. Subito Music Corporation #90920032. Published by Subito Music Corporation (SU.90920032).

Book 2 contains contains scores and parts to 10 more compositions by jazz master and leader of the World Saxophone Quartet, Julius Hemphill. Newly engraved edition. Edited by Marty Ehrlich.Julius Hemphill formed his Saxophone Sextet in 1989, composing new music for concert performances and his celebrated dance and theatre collaborations. The wide history of African-American music is heard in these pieces, all shaped by Hemphill's rich imagination and compositional acumen. The instrumentation is three altos with soprano doubles, two tenors, and baritone sax. The two volumes presented here mirror each other in the range of musical worlds Hemphill evoked as he explores the rich harmony and counterpoint possible with the six- saxophone choir. Also available: Book 1 (Cat. #90920031) CONTENTS 1. Fat Man 2. Tribute/Closer (from Long Tongues: A Saxophone Opera) 3. Floppy/Blued-UP 4. The Answer 5. Georgia Blue 6. Holy Rockers 7. Mr. Critical 8. The Glide 9. Revue 10. The Hard Blues Saxophone Sextet Composed: 1992 Published by: Subito Music Publishing.