Facing Death

SKU: HL.48024645

ISBN 9781784544034. UPC: 888680949099.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.

SKU: HL.48024644

ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.

SKU: CF.DRM137F

ISBN 9780825885570. UPC: 798408085575. 9 x 12 inches.

Using text from Franz Kafka's short parable A Message from the Emperor, this work describes, in the composer's words, a glorious being, never seen by his countless lowly subjects, who, from his death bed, dispatches an indefatigable messenger (a prophet perhaps) with a most important message - just for you. For various practical reasons however the message cannot possibly be delivered. And even if it finally arrived the one who sent it will have died long ago. A Message from the Emperor is played and recited by two percussionists facing each other at a slight diagonal angle, with the marimba placed audience left and the vibraphone at audience right. For advanced players.

SKU: CF.DRM137M

ISBN 9780825885563. UPC: 798408085568. 9 x 12 inches.

Using text from Franz Kafka's short parable A Message from the Emperor, this work describes, in the composer's words, a glorious being, never seen by his countless lowly subjects, who, from his death bed, dispatches an indefatigable messenger (a prophet perhaps) with a most important message - just for you. For various practical reasons however the message cannot possibly be delivered. And even if it finally arrived the one who sent it will have died long ago. A Message from the Emperor is played and recited by two percussionists facing each other at a slight diagonal angle, with the marimba placed audience left and the vibraphone at audience right. For advanced players.