Fantasia

Easier Piano Pieces 56-Telemann composed three dozen Fantasias which were published in 1732. He deliberately set out to juxtapose the French and Italian styles with the first and third (published here) dozen having Italian titles and tempo markings and the second dozen French. the editorial aim of these albums has been to present a text that allows as stylish a rendering as possible bearing in mind that the majority of players will be pianists rather than harpsichordists. Marks of dynamics and of articulation have been added and so have harmony notes of inner parts which would have been improvised by the player in an 18th-century performance.

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Arranged For Classical Guitar. Par TERZI GIOVANNI ANTONIO. Ces oeuvres sélectionnées par Giovanni Antonio Terzi, savamment arrangé d'ici 2011 GFA Winner Vladimir Gorbach, représentent un dernier floraison du luth fantasia dans un style motet-imitative. Ils se tiennent à un point à mi-chemin entre dépendant de formes vocales et d'être un produit de l'imagination instrumentale pure. Sur les seize morceaux avec 'fantasia' dans le titre, onze sont de sa propre invention de Terzi. Cinq fantasias sont attribués à d'autres compositeurs (n o 13-17), comme indiqué dans leurs titres, et a adopté pour luth solo par Terzi. Quand arrangé pour guitare, quelque chose de spécial au sujet du caractère de ces fantasias émerge à travers l'instrument. En outre, elles sont toutes les oeuvres merveilleuses qui offrent de nombreuses leçons musicales et techniques pour les guitaristes. / Niveau : Intermédiaire / Recueil / Guitare

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Miniature-Fantasias for Violin and Piano. Par PORTNOFF LEO. Miniature Fantasias by L. Portnoff, Russian Fantasia #4 E Minor, for Violin with Piano accompaniment. / Niveau : Intermédiaire / Rép Classique / Répertoire / Violon et Piano

Fantasias and Selected Works. Par BYRD WILLIAM. William Byrd is one of the great English composers of the late 16th and early 17th centuries. Today this creative Catholic at the Anglican court of Elisabeth I is known primarily for his masses, motets and madrigals. However, in addition to vocal music he also composed an impressive number of keyboard pieces that brook comparison in quality with those of his younger contemporaries Frescobaldi and Sweelinck. This edition contains a selection of his major works for keyboard instruments, some taken from such famous collections as the 'Fitzwilliam Virginal Book”, 'Parthenia” and 'My Ladye Nevells Booke”. In addition to five large-scale fantasias, including the monumental 'Fantasia in a”, there are smaller preludes and voluntaries and three contrapuntal hexachord settings. The Foreword offers a detailed overview and evaluation of the sources, brief descriptions of the pieces and valuable information on notation and performance practice./ Répertoire / Piano, Clavier ou Orgue

Miniature-Fantasias for Violin and Piano. Par PORTNOFF LEO. Fantasia russe #3 en la mineur dans la 1re position ou la position de 1er-3, par L.Portnoff pour violon avec accompagnement au Piano. / Niveau : Elémentaire / Rép Classique / Répertoire / Violon et Piano