Fantasia On The Opera Rigoletto

By Francesco Pontillo. Edited by Donald Martino. For Bb Clarinet, Piano. This edition: Score - Piano, Clarinet Part. 19th Cent Opera Fantasy. Level: Grade 5-6. Sheet Music. Published by Dantalian, Inc.

Piano

SKU: HL.50480628

Piano Solo. Composed by Giuseppe Verdi. Edited by Michele Chiesa. Piano Solo (no lyrics). Classical, Italian, Opera, Romantic. 4 pages. Ricordi #R109087. Published by Ricordi (HL.50480628).

UPC: 073999806281. 9.0x12.0x0.018 inches.

Piano

SKU: BT.EMBZ12400A

EMB New Listz Edition. Book Hardcover. Composed 2004. 192 pages. Editio Musica Budapest #EMBZ12400A. Published by Editio Musica Budapest (BT.EMBZ12400A).

English-German.

Volume 23, the penultimate volume in Series II of the Complete Edition contains free arrangements by Liszt dating from between 1859 and 1861. The best-known among these are the three Verdi opera fantasias: the Miserere du Trovatore, Ernani and Rigoletto, together with the two Wagner transcriptions: the Spinnerlied aus Der fliegende Holländer and the Fantasiestück über Motive aus Rienzi. The volume also contains two transcriptions each from Berlioz and Lassen, and one each from Bach, Meyerbeer and Dietsch. An interesting addition is the early version included in the appendix, which represents an important basis for study of the genesis of Ernani.

Chamber Music Piano

SKU: PR.510036740

Composed by Franz Liszt. New Liszt Edition, Series II. 'A'. Hardcover. With Standard notation. Editio Musica Budapest #510-03674. Published by Editio Musica Budapest (PR.510036740).

ISBN 9790080300299. UPC: 680160532056.

Volum e 23, the penultimate volume in Series II of the complete edition contains free arrangements by Liszt dating from between 1859 and 1861. The best-known among these are the three Verdi opera fantasias: the Miserere du Trovatore, Ernani and Rigoletto, together with the two Wagner transcriptions: the Spinnerlied aus Der fliegende Hollander and the Fantasiestuck uber Motive aus Rienzi. The volume also contains two transcriptions each from Berlioz and Lassen, and one each from Bach, Meyerbeer and Dietsch. An interesting addition is the early version included in the appendix, which represents an important basis for study of the genesis of Ernani.