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| Felix Mendelssohn
Bartholdy: Complete
Lieder: Voice: Vocal
Album
Voix moyenne, Piano [Partition]
Peters
Edition Peters presents Felix Mendelssohn's Complete Songs for Medium voice and...(+)
Edition Peters presents Felix Mendelssohn's Complete Songs for Medium voice and Piano accompaniment. This impressive collection of Mendelssohn's works includes Abendlied 'Das Tage Werk ist' (J H Voss) Op. 8 No. 9 Allnächtlich im Traume (Heine) Op. 86 No. 4 Altdeutsches Frühlingslied 'Der trübe Winter ist vorbei' Op. 86 No. 6 Altdeutsches Lied Op. 57 No. 1 An die Entfernte (Lenau) Op. 71 No. 3 Auf der Wanderschaft Op. 71 No. 5 Auf Flügeln des Gesanges Op. 34 No. 2 Bei der Wiege Op. 47 No. 6and many more!
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| Felix Mendelssohn
Bartholdy: Complete
Lieder: Voice: Vocal
Album
Voix haute, Piano [Partition]
Peters
Edition Peters presents Felix Mendelssohn's Complete Songs for High voice and P...(+)
Edition Peters presents Felix Mendelssohn's Complete Songs for High voice and Piano accompaniment. This impressive collection of Mendelssohn's works includes Abendlied 'Das Tage Werk ist' (J H Voss) Op. 8 No. 9 Allnächtlich im Traume (Heine) Op. 86 No. 4 Altdeutsches Frühlingslied 'Der trübe Winter ist vorbei' Op. 86 No. 6 Altdeutsches Lied Op. 57 No. 1 An die Entfernte (Lenau) Op. 71 No. 3 Auf der Wanderschaft Op. 71 No. 5 Auf Flügeln des Gesanges Op. 34 No. 2 Bei der Wiege Op. 47 No. 6and many more!
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Bartholdy: St. Paul
Op.36: SATB: Score
Divers [Partition]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36...(+)
Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36 – in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigratedMendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music. This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version. The full score and vocal score (BA9071-90) include the German and English texts of the oratorio. The vocal score is by Mendelssohn. Urtext edition representing the latest musicological research Includes all numbers from the original version for the first time Vocal texts in German and English Straightforward Piano reduction
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| Felix Mendelssohn
Bartholdy: Complete Piano
Works for Two Hands Book
2: Piano:
Piano Facile
Breitkopf & Härtel
Mendelssohn: Caprices Nos 1-3 Op. 33 (Complete) Mendelssohn: Kinderstücke (6)...(+)
Mendelssohn: Caprices Nos 1-3 Op. 33 (Complete) Mendelssohn: Kinderstücke (6) Op. 72 'Christmas Pieces' Mendelssohn: Preludes and Fugues (6) for piano Op. 35 (complete) Mendelssohn: Variations in B flat major Op. 83 Mendelssohn: Variations in E flat major Op. 82 Mendelssohn: Variations sérieuses in D minor Op. 54
Délais: En Stock |
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Bartholdy: Complete Organ
Works Volume III: Organ:
Orgue [Partition]
Novello & Co Ltd.
Mendelssohn produced an early work for Organ in 1837 but it was a London music ...(+)
Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.
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| Felix Mendelssohn
Bartholdy: Complete Works
For Pianoforte Solo
Volume 1: Piano:
Piano seul
Dover Publications
in Two Volumes-Mendelssohn's complete works for pianoforte solo are now containe...(+)
in Two Volumes-Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf and Hartel edition. Included in volume one are: 'Capriccio In F Sharp Minor Op.5' 'Sonata In E Major Op. 6' and 'Rondo Capriccioso Op. 14'.
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Bartholdy: Complete Works
For Pianoforte Solo
Volume II:
Piano seul
Dover Publications
in Two Volumes-The second volume of the outstanding Breitkopf and Hartel edition...(+)
in Two Volumes-The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano.
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Bartholdy: Complete Songs
Without Words For Piano:
Piano:
Piano Facile
Dover Publications
Mendelssohn's Lieder Ohne Worte or 'Songs without Words ' is among the most lov...(+)
Mendelssohn's Lieder Ohne Worte or 'Songs without Words ' is among the most loved most played collections in the Romantic Piano repertoire. Reproduced from the authoritative Breitkopf & Härtel edition this volume contains all of these popular compositions ? more than 40 pieces including such favourites as Spinning Song Spring Song and Venetian Gondola Song.Composed at various points throughout his life Mendelssohn compiled this collection of short works for the amateur pianist looking for high quality yet not-to-difficult music. Still practiced and performed today 'Songs withoutWords' is often considered to be Mendelssohn's greatest legacy as a composer. For study or play this work represents and admirable addition to any music library.Reprint of the Breitkopf & Härtel Leipzig edition.
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Bartholdy: Complete
Chamber Music For
Strings: String
Orchestre de chambre
Dover Publications
All of Mendelssohn's chamber music Octet two Quintets six Quartets and four pi...(+)
All of Mendelssohn's chamber music Octet two Quintets six Quartets and four pieces for String Quartet. Breitkopf & Hortel edition.
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| Felix Mendelssohn
Bartholdy: Symphony No.4
In A Op.90 - Italian:
Score
Orchestre [Partition]
Barenreiter
In 1832 the Royal Philharmonic Society of London honoured the young German comp...(+)
In 1832 the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony the ?Italian? based on Mendelssohn?s experiences in Italy in 1830 and 1831. The work was premiered in 1833 conducted by the composer.Today the Italian Symphony has a firm place in the canon of classical masterworks though at its premiere and both the following performances the work was not entirely positively received.Mendelssohn himself was unhappy with it. In 1834 he revised the last three movements but didnot complete this revision. To this day the early version of the ?Italian? is the one played everywhere whilst the revised version has remained to a large extent unknown. Bärenreiter?s critical new edition edited by Christopher Hogwood includes all the performance material for the complete version of 1833 together with the last three movements in the composer?s revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version.- A famous work for the Mendelssohn anniversary year in a new Urtext edition.- With the well-known early version and the composer?s revised version.- Includes an informative foreword in English and German.- With facsimile pages.- Full score & performance material (BA9094) available for sale.
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Bartholdy: St. Paul
Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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| Felix Mendelssohn
Bartholdy: St. Paul
Op.36: SATB: Vocal Score
Piano, Voix [Vocal Score]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
Délais: En Stock |
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| Felix Mendelssohn
Bartholdy: St. Paul
Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Einzelstimme(n) - Violoncello]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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| Felix Mendelssohn
Bartholdy: St. Paul
Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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| Felix Mendelssohn
Bartholdy: St. Paul
Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Bartholdy: Cello Works
Complete Volumes 1 & 2:
Cello:
Violoncelle, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Bartholdy: My Soul Doth
Magnify The Lord Op.69:
SATB: Vocal
Chorale SATB
SATB, Orgue [Chorpartitur - Gemischter Chor (SATB) und Orgel]
Barenreiter
My soul doth magnify the Lord Op.69Mendelssohn’s Three Motets Op.69 and ...(+)
My soul doth magnify the Lord Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the original Germantext and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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| Felix Mendelssohn
Bartholdy: O Be Joyful In
The Lord Op.69: SATB:
Vocal Score
Chorale SATB
SATB, Orgue [Vocal Score]
Barenreiter
O be joyful in the Lord Op.69Mendelssohn’s Three Motets Op.69 and Three ...(+)
O be joyful in the Lord Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the original Germantext and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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