SKU: MN.30-901
UPC: 688670309014.
Origi nal composition with festive flair. 3-5 octaves; 25, 34, 40 bells used.
SKU: MN.30-900
UPC: 688670309007.
Origi nal composition with festive flair makes full use of 2-octave set. 2 octaves (18 bells).
SKU: CL.012-4818-00
Sun Valley Flourish is Steven Reineke at his best! Originally composed for orchestra in 2008 as the opening piece for the Erich Kunzel’s Sun Valley Festival Orchestra, it has been masterfully adapted for concert band by Steven’s first composition professor, David Shaffer. Written in the style of a fanfare/overture, this exciting work opens with brass fanfares and woodwind flourishes. Typical of Steven’s writing, the main theme of the piece is a beautiful and flowing melody complimented by masterfully written counter melodies and spectacular in-your-face brass punctuations. The lyrical middle section is simple but quite musically effective leading into the fast and powerful finale. If you are fan of Steven Reineke’s music, Sun Valley Flourish is a must-have!
SKU: CL.012-4818-01
SKU: CL.011-3946-01
Based upon a simple but lush harmonic chorale, the introduction quickly builds into a dramatic brass driven fanfare. The rhythmic flourish is introduced in the saxophones and moves between the choirs of instruments throughout the piece. Effective rhythmic writing compliments the flowing melodies building to a dramatic and exciting finale that is a signature of David Shaffer’s festival music. An exceptional choice for contest or festival.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: HL.35031282
UPC: 888680645304. 5.0x5.0x0.155 inches. Arr. Joseph M. Martin/David Angerman.
Uses: Concert, Patriotic Scripture: II Chronicles 7:14; Psalm 33:12 From the American songbook, here is a festival edition of one of our most beloved national songs. Filled with all the fanfare and flourish you would expect, this sparkling arrangement has a cinematic sweep and color. Brilliant orchestrations add a towering impact to the whole, and the gigantic ending makes this setting an excellent choice as a service or concert closer. Majestic! Score and Parts (fl 1-2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn, tba, timp, perc 1-3, glock, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: CF.FPS162
ISBN 9781491161548. UPC: 680160920198.
Music for a Noble Gathering captures the pomp and dignity of a regal celebration. The composition opens with a percussion flourish to a fanfare. Perform this passage at a stately tempo with marked separation. A legato, lyrical theme appears (m. 17) that contrasts the opening passage. Emphasize the ritard and crescendo in m. 24 in preparation for the return of the opening theme (m. 25) that completes the A section. Although thematically related to the fanfare, the B section (m. 35) provides contrast in tempo, key, and style. Strive for a connected and sustained presentation with careful attention to the shaping of the phrases. Proper balance between the melody and countermelody at m. 45 is paramount. The climax in m. 53 quickly subsides but immediately rebuilds for a lively percussion feature. The restatement of the A section (m. 61) leads to a final climax (m. 91), a brief coda (m. 93) and a dynamic closure. William Harbinson is Professor Emeritus and former Dean of the Hayes School of Music at Appalachian State University. He has received nine J.W. Pepper Editors' Choice Awards that identify the very best of the new music available. His compositions for band appear on contest/festival literature lists of several states and are performed worldwide. .Music for a Noble Gathering captures the pomp and dignity of a regal celebration. The composition opens with a percussion flourish to a fanfare. Perform this passage at a stately tempo with marked separation. A legato, lyrical theme appears (m. 17) that contrasts the opening passage. Emphasize the ritard and crescendo in m. 24 in preparation for the return of the opening theme (m. 25) that completes the A section. Although thematically related to the fanfare, the B section (m. 35) provides contrast in tempo, key, and style. Strive for a connected and sustained presentation with careful attention to the shaping of the phrases. Proper balance between the melody and countermelody at m. 45 is paramount. The climax in m. 53 quickly subsides but immediately rebuilds for a lively percussion feature. The restatement of the A section (m. 61) leads to a final climax (m. 91), a brief coda (m. 93) and a dynamic closure.William Harbinson is Professor Emeritus and former Dean of the Hayes School of Music at Appalachian State University. He has received nine J.W. Pepper Editors’ Choice Awards that identify the very best of the new music available. His compositions for band appear on contest/festival literature lists of several states and are performed worldwide. .
SKU: CF.CPS148
ISBN 9780825895791. UPC: 798408095796. 9 x 12 inches.
This piece drives from the start with bold trumpet flourishes and interjections from the rest of the band. After the exciting first section, a lyrical second theme departs to something beautiful and lush in harmonic structure. The development section is based on the opening theme, eventually leading the piece back, followed by a dynamic brass flourish in the coda. A solid choice by a known composer for contests and festivals.
SKU: CF.CPS148F
ISBN 9780825896415. UPC: 798408096410. 9 x 12 inches.
SKU: XC.VJE2102
UPC: 812598038095. 9 x 12 inches.
As you probably guessed from the title, Kris Berg has taken hints from some Miles Davis classics and turned them into a brilliant, up-tempo swing composition. Your band will get to show off their dynamic flexibility with some wonderful soft ensemble sections that lead into a shout chorus with awesome Saxophone lines filling in. Be sure to stay tuned in to the end of the chart...Kris adds some clever harmonic and rhythmic movement that wraps up the chart with a flourish.
SKU: XC.VJE2102FS
UPC: 812598037876. 9 x 12 inches.
SKU: HL.4006633
UPC: 840126924978. 9.0x12.0x0.088 inches.
Richard's exciting overture captures feelings of adventure and daring as we look towards a new frontier and flourishing future. The percussion section is featured at the start, as layers of patterns build up to a vibrant full band statement of the main theme. The lyric middle section features short solos for clarinet and trumpet accompanied by lush background harmonies from the ensemble. The fast pace returns introduced by a playful baritone sax solo followed by a full band recap of the opening theme and a rousing finish.
SKU: OT.21125
ISBN 9789655051117. 8.27 x 11.69 inches.
The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication. As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument. The piece was composed at the request of Hagai Yodan, who performs it with great skill. Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school. Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.
SKU: CL.012-4150-01
Written as a tribute to Mike Bandman, Ruth Moore and Jeff Worth, band directors in Gurnee School District 56 Gurnee, Illinois in recognition of their 94 years of combined service to the band and music programs, The Eternal Journey opens with a strong brass flourish and delightfully simple melodic statement which is developed throughout the composition. The slower middle section is a powerful hymn-like setting written as an expression of gratitude from a grateful music community, leading us into a dramatic and powerful conclusion. The Eternal Journey is a perfect festival piece and is sure to be one of your student’s favorite.
