Festive Baroque

SKU: HL.153580

UPC: 888680096427. 6.75x10.5 inches.

This joyful da capo aria by Telemann with violin will showcase developing vocal skills for treble singers in middle school or community children's choir. A delightful introduction to Baroque style!

SKU: HL.44002510

ISBN 9789043119627. UPC: 073999484908. 9.0x12.0x0.138 inches. International (more than one language).

For this publication, Robert van Beringen has selected twelve elegant and expressive pieces from the Baroque period and arranged them appropriately for a variety of instruments. The pieces are demonstrated on the accompanying CD which also includes accompaniment-only tracks for each piece. Includes works by Telemann, Purcell, Handel, Bach, Hasse, Rameau, Tartini, and Lully.

SKU: HL.35015742

UPC: 747510049876. 6.75x10.5 inches.

Based on “Ritorni al nostro cor la bella pace” from Salustia by Giovanni Battista Pergolesi (1710-1736), “O Sing This Festive Day!” is a majestic opening number for school programs or church services. Incorporating optional hand drum and trumpet (parts are included in the choral), it is also a good supplement for music history studies. “O Sing This Festive Day!” gives singers an excellent taste of Baroque music without being difficult to learn.

SKU: M7.APUE-516063

ISBN 9781875516063.

This is the second method book in The Young Flute Player series and it's packed with a huge amount of repertoire! The music includes everything from Baroque masterpieces by Bach to Ragtime music by Joplin. There are also traditional folk tunes, exercises, studies, festive music and a section of longer concert pieces. The progressive units introduce new material gradually, and the exercises and scales are directly related to the pieces. Words are included for some of the song tunes to assist with understanding breathing and phrasing. Italian words for style and tempo are illustrated with fun cartoon pictures to help students remember the meaning of terms. To help students practise, there are FREE YOUTUBE recordings for every piece, as well piano backing tracks and duet recordings. The Young Flute Player also features: Easy-to-read fingering charts for every note of the flute Manuscript paper Practice charts Scales charts Theory reference section Music puzzles Graduation Certificate - FREE download from website www.theyoungfluteplayer.c om.

SKU: CA.3124885

The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a separate CD containing each choir part is available. The CD is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions: - Original recording - Coach: each part is accompanied by the piano, with the original recording sounding in the background - Coach in slow mode: the tempo of the coach slows down to 70% of the original version - through this reduction passages can be learned more effectively. Bach's Christmas Oratorio is undeniably the number ONE in the Christmas repertoire of choirs as well as in popularity with audiences. The Christmas story, according to the Gospels of St. Luke and St. Matthew, combined with free poetry and individual chorale stanzas attains, together with the clearly structured, festive Baroque music, an eloquent radiance of timeless beauty. To confidently keep up with the frequent, sometimes very rapid sixteenth-coloraturas - for example in the herrliche Chore (no. 1), the Wohlgefallen (no. 21, Vivace!), and the Schnauben der stolzen Feinde (no. 54) - practicing with the Slow Mode of the app is particularly recommended. Score available separately - see item CA.3124800.

SKU: LO.30-1952L

UPC: 000308096514.

Set in a festive Baroque style, the anthem is a refreshing presentation of the angelic proclamation of Christ's birth. The contrasting middle section is a chorale-like setting of the text Peace on earth, good will from heaven before returning to the opening melody.

SKU: CA.5030519

ISBN 9790007145477. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500.

SKU: BT.DHP-1084632-404

ISBN 9789043164542. English-German-French-Dut ch.

SKU: CA.5030549

ISBN 9790007223762. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.

SKU: BR.OB-32119-19

ISBN 9790004349489. 10 x 12.5 inches.

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat.

SKU: BR.OB-32119-26

ISBN 9790004349502. 10 x 12.5 inches.

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat.