SKU: CF.YAS158F
ISBN 9781491143735. UPC: 680160901234.
Feuerfest was written to commemorate the sale of a fireproof safe for a famous Vienna safe company. The piece has a distinctive Austrian flare like that of more famous marches like the Radetzky March, but is much more playable for young orchestras. Carl Strommen has set this polka for use in festival performance. It will be a refreshing change for any concert.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YPS177F
ISBN 9781491144176. UPC: 680160901678. 9 x 12 inches.
Feuerfest was written to commemorate the sale of a fireproof safe for a famous Vienna safe company. The piece has a distinctive Austrian flare like that of the Radetzky March, but is much more playable for young bands. Carl Strommen has set this nice little march for use in festival performance. It is a refreshing change from the standard American march fare.
Feuer fest was written to commemorate the sale of a fireproof safe for a famous Vienna safe company. The piece has a distinctive Austrian flare like that of more famous marches like the Radetzky March, but is much more playable for young orchestras. Carl Strommen has set this polka for use in festival performance. It will be a refreshing change for any concert.
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: KJ.WB111F
Also called Fire Festival Polka, this transcription captures all the sparkle of the original. With captivating melodies and creative percussion (including an anvil!), this lively polka will delight band members and audiences alike!
SKU: CL.012-4611-00
If you've been looking for an anvil solo with band accompaniment – and even if you haven’t - this is it! A delightful Strauss polka provides the background to feature your best percussionist (or your principal, or the mayor, or any other special dignitary or friend of your band) on the anvil! Lots of fun for the band and the audience.
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: TM.08128SC
Transposed: Cl 1&2, Tpt 1-4. Tbn 1&2 originally in Bass clef, Hn 1-4 originally in F. Score is manuscript; parts are engraved.
SKU: TM.08128SET
SKU: CL.012-4611-01
SKU: CL.012-4611-75
SKU: GI.G-527
Text by Noel Goemanne.
Conversat ional Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5 John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.
SKU: BT.DHP-1155605-140
English-German-French- Dutch.
The orchestration of NOBILITAS is full of warmth and sonority, illustrating the dignified character of the piece. it seems to emanate the solemnity and nobility of an ‘éminence grise’ such as Yoshihiro Kimura, on whom’s character the composer was inspired by. De orkestratie van Nobilitas is vol warmte en sonoriteit, eigenschappen die de waardigheid van dit werk benadrukken. De componist lijkt hierbij ge nspireerd door het plechtige en adellijke voorkomen van een ‘éminance grise’ zoals Yoshihiro Kimura. Das noble und feierliche Werk des berühmten belgischen Komponisten Jan Van der Roost ist ein ideales Erö nungsstück für jede Gelegenheit. Die Orchestrierung ist nicht so sehr auf Farbigkeit ausgerichtet, sondern vielmehr auf volltönende, warme Klänge, wodurch der würdevolle Charakter des Stückes insgesamt noch besser zur Geltung kommt. L’orchestr ation de Nobilitas est pleine de chaleur et de sonorité, illustrant la dignité du caractère de ce morceau. On dirait qu’il émane la solennité et la noblesse d’une éminence grise telle que l’est Yoshihiro Kimura, dont le caractère inspira le compositeur. L’orchestr azione di Nobilitas (Nobilt ) è piena di calore e sonorit , e illustra il carattere maestoso del brano, che sembra emanare la solennit e la nobilt di una “eminenza grigia†come Yoshihiro Kimura, personaggio che ha ispirato il compositore.
SKU: BR.MN-9595
ISBN 9790004790649. 8.5 x 11.5 inches.
Ein humorvolles Stuck von impressionistischer Farbigkeit in der Form eines dreiteiligen Marsches angelegt. Eine Hommage a Francis Poulenc.
SKU: HL.49037099
Jongliertuch aus 100% Nylon. Leicht schwebend und fallend fur Bewegungsspiele, Tanze, zum Spielen, als Dekoration usw.Waschbar bei 30 Grad, farbecht.Beaufsichtigung durch Erwachsene empfohlen.
SKU: BT.DHP-1155605-010
SKU: HL.49037098
SKU: HL.48024227
9.0x12.0x0.273 inches.
Vierzig Jahre nach seiner Version der Kunst der Fuge für vier Quartette und Orgel hat Heribert Breuer nun auch das Schwesterwerk in ähnlicher Weise bearbeitet für zwei Trios und Harfe. Durchhörbarkeit und Farbigkeit waren dabei sein Ziel: Im Verlauf des Zyklus wird die Einteilung in Bläsertrio hier und Streichtrio immer öfter zugunsten von Mischbesetzungen unterbrochen, verschiedenartige Spieltechniken, Artikulationen und Phrasierungen werden je nach Charakter der einzelnen Variationen einbezogen. Um Konzertbesuchern von heute den Zugang zu erleichtern, hat der Bearbeiter dem sehr breit angelegten Gesamtwerk ausserdem an einigen Stellen als literarischen Kontrapunkt Lesungen aus den Essays von Montaigne interpoliert.
SKU: HL.49037097
SKU: DB.01-00608
Man stelle sich suggestive Landschaften unbestimmter Grosse und Farbigkeit vor und lasse diese feste Vorstellung in die Interpretation mit einfliessen. (Der Komponist uber sein Werk).
SKU: HL.49037096
