Matériel : PartitionLangue : Deutsch
Ger. Vocal Score Full Score available for purchase / Opéra
SKU: BR.PB-5307-07
For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
ISBN 9790004212318. 6.5 x 9 inches.
Urtext virgin territory: the Fidelio OvertureTo this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings.For the new Fidelio Overture, which was written at lightning speed in 1814 for the reprise of the opera (and was performed with a slight delay), there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition. This manuscript, in which one finds countless indications of corrections and completions in Beethoven's hand, is the only extant source that was examined by the composer himself.For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
SKU: CF.SAS1F
ISBN 9781491157510. UPC: 680160916092. 9 x 12 inches.
Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 - 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven's writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 – 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven’s writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.
SKU: CF.SAS1
ISBN 9781491157718. UPC: 680160916290. 9 x 12 inches.
SKU: LM.27706
ISBN 9790230977067.
Sona tine en Sol maj. - Pour Elise WoO 59 - Nel cor piu non mi sento WoO 70 - Lustig / Traurig WoO 54 - Sonate Au clair de lune (1er mouvement) - Concerto pour piano n. 3 et 5 - Concerto pour violon - Marche funebre (Symphonie n. 3) - Symphonie n. 5 (1er mouvement) - Symphonie n. 8 (2eme mouvement) - Hymne a la joie (Symphonie n. 9) - Die Ehre Gottes aus der Natur op.48 n. 4 - Sonate pour violon et piano Le Printemps (1er mouvement) - Tochter Zion, freue dich WoO 45 - Ich Liebe dich WoO 125 - O welche Lust, in freier Luft (Fidelio).
SKU: BT.ALHE31488
French.
Ludwig van Beethoven: Ouverture de 'Fidelio' Op.72c (PH88) (Orchestra).
SKU: HL.48187692
UPC: 888680849207. 5.5x7.5x0.195 inches.
SKU: BR.OB-5142-16
ISBN 9790004329528. 10 x 12.5 inches.
Despite the numbering, the overture Leonore No. 2 was Beethoven's first effort to precede his only opera with an adequate introduction. It had been composed last minute and in between the rehearsals for the premiere of the opera Leonore oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love) on 20 November 1805 at the Theater an der Wien. This comprehensive, programmatic work was met with incomprehension at first performances just like the opera itself. Beethoven felt compelled to re-write Leonore completely and presented it under its new title Fidelio. In 1806 he revised the overture to such an extent that a symphonic sonata movement emerged; with another incorrect numbering, Leonore No. 3 has gone down in music history and above all it has achieved a regular place in concert repertory. And in order to complete the confusion: written in 1806/07, only Overture No. 1 is Beethoven's chronologically last effort to write an overture for Leonore, before he - many years later - put an end to this infinite subject with the so-called Fidelio overture for the third version of the opera. After all, thanks to the search after a dramaturgically convincing beginning of the opera, the music world has been enriched by four quite different orchestra scores.The music text of the present score is based on Volume 11 of the Supplements to the Complete Edition. The performance material of the Fidelio and Leonore No. 3 overtures is available in Breitkopf Urtext editions..
SKU: BR.OB-5142-27
ISBN 9790004329559. 10 x 12.5 inches.
SKU: BR.PB-5142
ISBN 9790004208878. 10 x 12.5 inches.
SKU: BR.OB-5142-19
ISBN 9790004329535. 10 x 12.5 inches.
SKU: BR.OB-5142-30
ISBN 9790004329566. 10 x 12.5 inches.
SKU: BR.OB-5142-15
ISBN 9790004329511. 10 x 12.5 inches.
SKU: BR.OB-5142-23
ISBN 9790004329542. 10 x 12.5 inches.
SKU: CL.026-4793-00
Beethoven†s March of the Guards from the opera Fidelio has been adapted for flexible-instrumentation bands by Andrew Glover. This stately processional march maintains an air of dignity and solemnity throughout, and adapts well to the five-part Build-A-Band instrumentation. Careful scoring and minimal percussion requirements make this an excellent choice for very small ensembles, or those with awkward instrumentations. An excellent choice!