Matériel : PartitionLangue : Français
Par GEORGE CAMILLE. 2’00’’ / Niveau : Préparatoire / Répertoire / Flûte Traversière et Piano
SKU: FH.FLE01
ISBN 978-1-55440-300-4.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Slavo nic Dances, op. 46, no. 1 Antonin Dvorak Symphony No. 100 in G Major (Military): II Franz Joseph Haydn Le carnaval des animaux: Aquarium Camille Saint-Saens HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan La forza del destino: Overture Giuseppe Verdi Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel Symphony No. 100 in G Major (Military): III Franz Joseph Haydn Ma Vlast: II Bedrich Smetana HMS Pinafore: When I Was a Lad Arthur Sullivan Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky Symphony No. 6 (Pastoral): III Ludwig van Beethoven Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak Faust: Soldier's Chorus Charles Gounod Peer Gynt Suite No. 1, op. 46: I Edvard Grieg Symphony No. 102 in B flat Major: I Franz Joseph Haydn Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach Carmen: La garde montante Georges Bizet Petite suite: Ballet IV Claude Debussy Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart Symphony No. 5: IV Ludwig van Beethoven Carmen: Act 1, Prelude Georges Bizet Faust Ballet Music: Danse antique Charles Gounod Symphony No. 102 in B flat Major: IV Franz Joseph Haydn Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven Symphonie fantastique: V Hector Berlioz Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart Bolero Maurice Ravel Scheherazade, op. 35: I Nicolai Rimsky-Korsakov Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach Symphonie fantastique: I Hector Berlioz Carmen: Entr'acte (Prelude) Georges Bizet Symphony No. 1 in C Minor: IV Johannes Brahms Die Zauberfloete: Overture Wolfgang Amadeus Mozart Symphony No. 8 in G Major: IV Antonin Dvorak Leonore Overture No. 3, op. 72a Ludwig van BeethovenSymphony No. 4 in E Minor: IV Johannes BrahmsLa mer: I, II, III Claude DebussySymphony No. 4 (Italian): IV Felix Mendelssohn Symphony No. 1 (Classical): II Sergei Prokofiev Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven Prelude a l'apres-midi d'un faune Claude Debussy Sinfonie Mathis der Maler: I, II Paul Hindemith Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn Petroushka (1947 revision): Part 1 Igor Stravinsky Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky Capriccio espagnol, op. 34: IV Nicolai Rimsky-KorsakovSympho ny No. 1 (Classical): IV Sergei Prokofiev Concerto for Orchestra: I, II, III, IV, V Bela Bartok Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith Das Lied von der Erde: VI Gustav Mahler Peter and the Wolf, op. 67 Sergei Prokofiev Le carnaval des animaux: 10. Voliere Camille Saint-Saens Daphnis et Chloe: Troisieme partie Maurice Ravel Guillaume Tell: Overture Gioachino Rossini Till Eulenspiegel's Merry Pranks Richard Strauss Firebird Suite (1919 version) Igor Stravinsky Symphony No. 9: IV Ludwig van Beethoven Concerto for Orchestra: III Bela Bartok Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov Semiramide: Overture Gioachino Rossini Symphony No. 5, op. 47: I, II Dmitri Shostakovich.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: HL.50602118
ISBN 9781540064455. UPC: 888680966515. 9.0x12.0x0.854 inches.
VINCENZO BELLINI I Capuleti e i Montecchi Se Romeo t'uccise un figlio * GEORGES BIZET Carmen L'amour est un oiseau rebelle (Habanera) * Pres des remparts de Seville (Seguedille) * Voyons, que j'essaie - En vain, pour eviter (Air des cartes) * GAETANO DONIZETTI Anna Bolena E sgombro il loco - Ah! parea che per incanto * La favorite O mon Fernand * Maria Stuarda Deh! tu di un'umile preghiera * Di un cor che muore - Ah! se un giorno da queste ritorte * GEMINIANO GIACOMELL Bajazet Sposa son disprezzata * CHRISTOPH WILLIBALD GLUCK Orfeo ed Euridice Che faro senza Euridice? * CHARLES GOUNOD Faust Faites-lui mes aveux * Romeo et Juliette Depuis hier - Que fais-tu, blanche tourterelle * GEORGE FRIDERIC HANDEL Alcina Sta nell'ircana pietrosa tana * Ariodante Dopo notte * Giulio Cesare Presti omai * PIETRO MASCAGNI L'amico Fritz O pallida, che un giorno * JULES MASSENET Werther Va ! laisse couler mes larmes * GIACOMO MEYERBEER Les Huguenots Nobles seigneurs, salut ! * CLAUDIO MONTEVERDI L'incoronazione di Poppea Addio, Roma * WOLFGANG AMADEUS MOZART La clemenza di Tito Parto, ma tu ben mio * Cosi fan tutte Ah, scostati - Smanie implacabili * Le nozze di Figaro Non so piu cosa son * Voi che sapete * HENRY PURCELL Dido and Aeneas Thy hand, Belinda - When I am laid in earth * GIOACHINO ROSSINI Il barbiere di Siviglia Una voce poco fa * La cenerentola Nacqui all'affanno e al pianto - Non piu mesta La donna del lago Tanti affetti in tal momento * L'italiana in Algeri Cruda sorte! * Maometto II Giusto ciel, in tal periglio * Semiramide Bel raggio lusinghier * CAMILLE SAINT-SAENS Samson et Dalila Printemps qui commence * Samson, recherchant - Amour ! viensaider ma faiblesse ! * Mon cur s'ouvre a ta voix * JOHANN STRAUSS Die Fledermaus Ich lade gern mir Gaste ein (Chacun a son gout) * PYOTR IL'YICH TCHAIKOVSKY Pikovaya dama Da! Vspomnila... Podrugi milye * GIUSEPPE VERDI Un ballo in maschera Re dell'abisso, affrettati * Don Carlo O don fatale * Il trovatore Stride la vampa! * Condotta ell'era in ceppi * ANTONIO VIVALDI Orlando finto pazzo Andero, volero, gridero.
SKU: BR.EB-11238
In Cooperation with G. Henle Verlag
ISBN 9790201812380. 9.5 x 12 inches.
Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.
SKU: BR.OB-15155-27
ISBN 9790004344972. 10 x 12.5 inches.
SKU: HL.50566024
ISBN 9781705190432. UPC: 196288126201.
Throu ghout his career, Camille Saint-Saens composed nearly 150 songs. A short while before his death, in 1921, he bade farewell to songwriting with the delivery of Trois Vieilles Chansons. Along with the Cinq Poemes de Ronsard, composed in the same year, this final collection shows Saint-Saens returning to the poetry of the 15th and 16th centuries, a source from which Charles Gounod, Georges Bizet and Jules Massenet had already drawn.
