Matériel : Partition
/ Trombone Et Clavier (Piano) / niveau : 4 / Partition
SKU: HL.48024505
UPC: 888680896737. 9.0x12.0x0.081 inches.
Fire engines have long had a romantic quality, evoking feelings of excitement and wonder! This piece takes us for a whimsical spin around the neighborhood – careening around turns, flying through intersections and over bumps, warning everyone to get out of the way of this magical machine! Recorded by the Ithaca College Concert Band (Ithaca, NY) – Benjamin Rochford, conductor. Dur: 3:45.
SKU: HL.14047918
ISBN 9781783059348. 9.25x12.0x0.45 inches.
Kaija Saariaho's True Fire for Baritone Solo and Orchestra was commissioned by the Los Angeles Philharmonic Orchestra, NDR Sinfonieorchester, BBC Symphony Orchestra and Orchestre national de France.
The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall, Los Angeles, performed by Gerald Finley (Baritone), with the Los Angeles Philharmonic Orchestra, conducted by Maestro Gustavo Dudamel.
SKU: HL.1152166
UPC: 196288119364. 6.75x10.5x0.029 inches.
This poem by Robert Frost reflects on the end of the world, musing whether it might be consumed in fire or ice, and comparing the two elements with the emotions of desire and hate. The composer's music captures the contrast of these elements and offers the singers a chance to experience these important musical concepts.
SKU: HL.14012764
UPC: 884088808310. 8.5x11.0x0.212 inches.
Brass Ensemble Score to George Frideric Handel's Music For The Royal Fireworks. Edited by Elgar Howarth.
SKU: HL.1135759
UPC: 196288113218. 6.75x10.5x0.019 inches.
Ideal for younger treble choirs, this piece compels the listener to learn from the firefly how to â??live in the momentâ? with joy. Fun, creative suggestions to imitate the firefly are included (using flashlights, LEDs, or other hand-held lights).
SKU: HL.289599
ISBN 9781540046758. UPC: 888680916367. 9.0x12.0x0.221 inches.
30 essential fireside favorites arranged for banjo, including: Brown Eyed Girl * The Campfire Song Song * Drift Away * Edelweiss * Folsom Prison Blues * God Bless the U.S.A. * Hallelujah * Hello Mudduh, Hello Fadduh! (A Letter from Camp) * I Walk the Line * Lean on Me * Let It Be * The Lion Sleeps Tonight * On Top of Spaghetti * Peaceful Easy Feeling * Take Me Home, Country Roads * This Land Is Your Land * Wagon Wheel * You Are My Sunshine * and more.
SKU: OU.9780193379770
ISBN 9780193379770. 12 x 8 inches.
Hollow Fires is a cycle of four songs, setting texts by Hardy and Housman on the subject of love and loss.
SKU: FJ.B1300S
English.
Create a musical fireworks show with this triumphant work that recalls the famous Yosemite Firefall in which glowing red embers were pushed off a cliff, creating a spectacular stream of sparks and fire as it plunged down the side of the mountain. Easy multimeter passages are fun to perform, while interesting percussion instruments such as water gong and brake drum add to the powerful nature of the work. Outstanding!
About FJH Concert Band
Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: CF.YAS9
ISBN 9780825844867. UPC: 798408044862. 8.5 X 11 inches. Key: A minor.
Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.Firewalk< /em> is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production ofA The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material forA Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax.A Firewalk is a diverse addition to any concert program.Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato.This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.FAS134
ISBN 9781491164778. UPC: 680160923687. Key: D major.
George Frideric Handel (1685–1759) is a German composer whose musical legacy has lasted over three hundred years. While most people know his Hallelujah Chorus from the oratorio Messiah, many of his other compositions are still performed around the world, including La Rejouissance from the Royal Fireworks Suite. The suite was commissioned by King George of England to celebrate the Treaty of Aix-La-Chapel. King George said he wanted only wind and percussion instruments, specifically requesting “no fiddles.†12,000 people attended the dress rehearsal of the concert. In contrast, the actual performance happened in the rain, which meant many of the fireworks did light, but managed to set the immense pavilion on fire. Handel later added strings to the Royal Fireworks Suite for a charity performance for The Foundling Hospital of London.For young students, the character of Handel’s music is defined by the types of bow strokes. Quarter notes should be played with a detached bow stroke with a hint of an accent. Eighth notes may be played more connected but will sound best with a slight détaché stroke. If more advanced students join the performance, a minimized vibrato is typical of music from the Baroque era. Terraced dynamics may be practiced by stopping just before the dynamic change and adjusting the weight of the bow arm, then proceeding in the new dynamic such as in mm. 37–39.
SKU: CF.FAS134F
ISBN 9781491165171. UPC: 680160924080. Key: D major.
George Frederic Handel (1685-1759) is a German composer whose musical legacy has lasted over three hundred years. While most people know his Hallelujah Chorus from the oratorio The Messiah, many of his other compositions are still performed around the world, including La Rejouissance from the Royal Fireworks Suite. The suite was commissioned by King George of England to celebrate the Treaty of Aix-La-Chapel. King George said he wanted only wind and percussion instruments, specifically requesting “no fiddles.†12,000 people attended the dress rehearsal of the concert. In contrast, the actual performance happened in the rain, which meant many of the fireworks did light, but managed to set the immense pavilion on fire. Handel later added strings to the Royal Fireworks Suite for a charity performance for The Foundling Hospital of London.For young students, the character of Handel’s music is defined by the types of bow strokes. Quarter notes should be played with a detached bow stroke with a hint of an accent. Eighth notes may be played more connected but will sound best with a slight detachè stroke. If more advanced students join the performance, a minimized vibrato is typical of music from the Baroque era. Terraced dynamics may be practiced by stopping just before the dynamic change and adjusting the weight of the bow arm, then proceeding in the new dynamic such as in measures 37-39.
SKU: CF.CAS142
ISBN 9781491160596. UPC: 680160919185.
This fiery piece for String Orchestra depicts the ferocity of an out-of-control blaze. Constantly alternating between 4/4 and 3/4, the melody is passed throughout the orchestra like a fire jumping across an asphalt road. An unrestrained staccato ostinato continues relentlessly under the wildly fluctuating melody, building intensity with crescendos and accented rhythms. Students and audiences alike will be left breathless in the wake of this explosive tour de force.This fiery piece for string orchestra depicts the ferocity of an out-of-control blaze. Constantly alternating between 4/4 and 3/4, the melody is passed throughout the orchestra like a fire jumping across an asphalt road. An unrestrained staccato ostinato continues relentlessly under the wildly fluctuating melody, building intensity with crescendos and accented rhythms. Students and audiences alike will be left breathless in the wake of this explosive tour de force.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
