My First Concert

Par HANNICKEL MIKE. Beginners LOVE to feel like they are playing 'REAL MUSIC', even at that first winter performance. These simple arrangements of well-known carols let your students do just that. AND - the 'suite' format let's you draw the beginning band's entire share of that first concert from one arrangement, if you like, saving on scarce music library funds. The sound of “Good King Wenceslas” and “Oh Come Little Children” belies the simplicity of the arrangements, and “Jolly Old St. Boogie-Claus” is just plain 'riff-style' fun! They'll love this one!! / Niveau : 0.5 / Répertoire / Concert Band

Here's a whimsical concert march your beginning band will be ready to perform after only a few weeks! John O'Reilly has taken four of the beginning band repertoire's 'greatest hits' including 'Hot Cross Buns,' 'Lightly Row,' 'Go Tell Aunt Rodie' and 'Merrily We Roll Along' and cleverly worked them into a delightful medley, ideal for your band's very first concert! The familiar tunes work their way throughout the band so each section gets a shot at the melody! (Easy) / Concert Band

Par JORGENSEN AXEL. Axel Jørgensen was the solo viola in The Royal Danish Orchestra, and as a composer he had a large output, especially for brass. His Romance for trombone and orchestra is one of his most performed pieces, and was first performed by Anton Hansen, the famous teacher. In this arrangement for wind band has Eriksen kept the beautiful late romantic colours. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Your students will feel the power as they perform this exciting beginning level piece by Rob Grice. The audience is sure to be impressed as your young instrumentalists perform music that makes them sound mature but actually requires very limited technical ability. Great writing and a wonderful chance to get your students out of the method for their first concert! (1:10)

Explorer Level (correlates with Book 1 p. 11) Here is a terrific sounding easy march that is sure to build confidence in your young players. With interesting parts for all sections this is music for beginning bands at its best.A perfect opener forthat all important first concert!

My First Concert-Following the great success of Look Listen and Learn Michiel Oldenkamp and Jaap Kastelein are now focussing their attention on teaching material that can be used in both instrumental lessons and the class band or wind ensemble. They have developed in close collaboration with professionals from the class band scene music schools and academies in the Netherlands and Germany a completely new method for young wind players and percussionists aged eight and above. Learning Music Together is a combined method for instrumental lessons and class bands. Instrumental technique is introduced and developed in the student books and this supports thelearning pathway for the class band. The emphasis in the class band pieces is on playing together group dynamics general musical education and having fun making music together. Integrating these two components produces the complete method. The extensive website offers all kinds of supplementary materials such as demos and accompaniment tracks for all pieces additional playing material and instructional videos. The logical structure with carefully planned skill progression and child-friendly layout ensures that this method will prove to be motivating for students teachers and conductors.

Score-Commissioned by the Michigan State University Alumni Band this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983.Previously available only in rental we are proud to offer this important work for publication.A note from the composer: Divided into three movements this work is a display of virtuoso passages given to solo instrumentsas well as to the groups of the ensemble. In the Fanfare of the first movement the brass section “concertizes” in groups of four brass quintets (2 trumpets horn trombone and tuba or baritone) spread from left toright in back. The saxophones (S A T B) are placed in front of the brass quintets and the woodwinds occupy the front of the stage with percussion on the left and right side. These groups like the brass quintets play in theconcertante style particularly in the first and last movements. At the same time each movement contains individual solo passages (for example timpani and flute in Movement I – “Drum Ceremony” andEnglish horn and other low woodwinds in Movement II – “Elegy”). The composition of this piece was prompted by the excellence of wind and percussion players today and by the incredible growth of wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.

Score-Samuel Barber's First Essay arranged by Joseph Levey for Concert Band. Full score. Previously only available on rental this new publication of Barber's FirstEssay (ca. 1930) is a welcome addition to the literature. This edition includes newly discovered historical information on Barber's personal edits and revisions - including adding original music - to thearrangement prior to his approval for publication. Set in the original orchestral key this arrangement by Joseph Levey has been performed by several of the most prestigious concert bands. This deserves a seriouslook for mature groups.