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PARTITIONS ORCHESTRE ⮞ JAZZ ⮞

First Jazz Performance - Flute / Oboe

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Edited by Dean Sorenson. For Flute / Oboe. Standard of Excellenece. 10 easy jazz ensemble charts that can also be played in a concert band setting. The perfect introduction to jazz performance!. Level: Grade 0.5. Music Book. Published by Neil A. Kjos Music Company.

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Jazzin' The Blues (COROZINE VINCE)

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Jazzin' The Blues (COROZINE VINCE)
26.13

Jazzin' The Blues (COROZINE VINCE)
Piano seul
Mel Bay

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...(+)

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

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James Rae: Jazz Zone: Flute: Instrumental Tutor

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Arcadia is a work for Violin, Soprano Saxophone and Piano, inspired by the paint...(+)

Arcadia is a work for Violin, Soprano Saxophone and Piano, inspired by the painting 'Pastoral for E.W.' by John Craxton. As a painter, John was sometimes dubbed a 'neo-Romantic', but much preferred the term 'Arcadian' - hence the title of the piece. Pastoral for E.W. was painted in 1948 in St John's Wood after one of John's early trips to the island of Crete, and is a homage to Peter Watson, (co-founder of the magazine 'Horizon' and the Institute of Contemporary Arts), who was one of John's early mentors. In a letter in 1986, John recounted that: ''Pastoral for P.W.': was a celebration of the power of music. My sister (the distinguished oboist Janet Craxton) was learning the oboe on the same floor at the time, and the house was full of her scales and exercises coupled with my discovery that goats, which seem to be daemonic, willful and undisciplined, are held in thrall by the sound of a flute - or have I gone a step further and frozen them into my geometry with a paint brush? I suppose the flautist was in origin myself, but a very emblematic me!' Ian Collins in his book 'John Craxton' (2011 Lund Humphries) says of Pastoral for E.W.: 'A pipe-player and a herd of goats are held in a rugged grid of semi-cubist triangles. While references to Dionysus and Orpheus may be noted, it is essentially a fanfare for the ongoing life, light and landscape of Greece'. The music of Arcadia is also Grecian in inspiration. The traditional folk melodies Skaros Epirotikos, Vari Pogonisio, Ouzak To Tragoudhi Tis Xentias and Pentozalis - Pentozalis are present in Arcadia, after I researched the type of music that John would have heard in Crete in the late 1940's. In a letter of 3rd May 1984, John said that he was also listening to Stravinsky's Symphony in 3 Movements 'over and over again at the same time when I first started the painting', and aspects of the beginning of the last section of Arcadia (Allegro Moderato) pay homage to the Stravinsky, in an attempt to create something of the aural landscape that John would have been experiencing during his painting of Pastoral for E.W. As a personal friend, John was always encouraging and colourful in his comments about the music I played at the Craxton house in Hampstead (where I continue to rehearse and teach), and some of the jazzier themes and tonalities in Arcadia are simply the sort of music that would get him enthused, and (almost) dancing. ARCADIA is written for and dedicated to the memory of John Craxton RA (1922 - 2009). JOHN HARLE. The first performance of Arcadia was given by Pavel Spørcl (Violin) John Harle (Soprano Saxophone) and Steve Lodder (Piano) In a concert for The Craxton Trust on September 23rd 2012 at Craxton Studio, Hampstead, London. A recording is available on Sospiro Records. / Violon, Soprano Saxophone Et Piano

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Barrientos C. - Mambo For Mo - Guitare

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Barrientos C. - Mambo For Mo - Guitare
8.00

Barrientos C. - Mambo For Mo - Guitare
Guitare
Guitare classique
Editions Orphee

The composer says: Several musical threads led to my writing this piece of musi...(+)

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

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Barrientos C. - Periwinkle Memories - Guitare

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Barrientos C. - Periwinkle Memories - Guitare
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Barrientos C. - Periwinkle Memories - Guitare
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The composer says: For years, my fellow guitarists have been asking me to compo...(+)

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

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Détails Détails	My Groove, Your Move Ensemble Jazz [Conducteur et Parties séparées] - Débutant Alfred Publishing Composed by Hank Mobley. Arranged by Terry White. Jazz Ensemble; Performance M...(+) Composed by Hank Mobley. Arranged by Terry White. Jazz Ensemble; Performance Music Ensemble; Single Titles; SmartMusic. First Year Charts for Jazz Ensemble. Jazz. Part(s); Score. Duration 3:00. Alfred Music #00-49201. Published by Alfred Music $42.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Ecouter Détails	Jordu Ensemble Jazz [Conducteur et Parties séparées] - Débutant Alfred Publishing Composed by Duke Jordan. Arranged by Mike Story. Jazz Ensemble; Performance Musi...(+) Composed by Duke Jordan. Arranged by Mike Story. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Part(s); Score. 70 pages. Duration 2:59. Alfred Music #00-45062. Published by Alfred Music (AP.45062). $42.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Ecouter Détails	Caracas Ensemble Jazz [Conducteur et Parties séparées] - Débutant Alfred Publishing Composed by Lou Donaldson. Arranged by Terry White. Jazz Ensemble; Performance M...(+) Composed by Lou Donaldson. Arranged by Terry White. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Latin. Score. 12 pages. Duration 2:43. Alfred Music #00-47026S. Published by Alfred Music (AP.47026S). $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Ecouter Détails	Centerpiece Ensemble Jazz [Conducteur et Parties séparées] - Débutant Alfred Publishing By Harry "Sweets" Edison. Arranged by Mike Story. Jazz Ensemble; Performance M...(+) By Harry "Sweets" Edison. Arranged by Mike Story. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Swing. Part(s); Score. 46 pages. Alfred Music #00-47024. Published by Alfred Music $44.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails	Aguas De Marco [Waters Of March] Orchestre [Conducteur et Parties séparées] Jazz Lines Publications By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by ...(+) By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Claus Ogerman. For studio orchestra (English Vocal, Portuguese Vocal, Woodwind 1: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute, Woodwind 2: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 3: Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 4: Bass Flute). Recorded by Antonio Carlos Jobim. Bossa Nova. Medium. Score and parts. Published by Jazz Lines Publications $50.00 - Voir plus => Acheter Délais: 2 to 3 weeks Articles Similaires

Détails Détails	My First Concert Flûte traversière [Partition + CD] - Facile Schott 24 Easy Concert Pieces from 5 Centuries. Woodwind. Softcover with CD. 58 pages...(+) 24 Easy Concert Pieces from 5 Centuries. Woodwind. Softcover with CD. 58 pages. Schott Music #ED22129-50. Published by Schott Music $23.99 - Voir plus => Acheter Délais: 24 hours - In Stock Articles Similaires

Détails	A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+) Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsalis. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7420). $150.00 - Voir plus => Acheter Délais: 2 to 3 weeks Articles Similaires

Détails Détails	My Groove, Your Move Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.49201S Composed by Hank Mobley. Arranged ...(+) Jazz Ensemble - Grade 1 SKU: AP.49201S Composed by Hank Mobley. Arranged by Terry White. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 12 pages. Duration 3:00. Alfred Music #00-49201S. Published by Alfred Music (AP.49201S). ISBN 9781470647087. UPC: 038081566313. English. A moderate swing played around 132 BPM. A fine jazz classic with a catchy melody, written-out solos for trumpet 1 and trombone 1, the lead trumpet range is to written E top space, plus a few sax solis. Optional parts include flute, clarinet, vibes, and more. This very playable swing chart will be a success at every performance. My Groove, Your Move is arranged by Terry White. (3:00) This title available in MakeMusic Cloud. $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	French Quarter Funk Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1.5 SKU: AP.48214S Composed by Charlton Underwood. ...(+) Jazz Ensemble - Grade 1.5 SKU: AP.48214S Composed by Charlton Underwood. Arranged by Zachary Smith. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Funk; Jazz. Score. 24 pages. Duration 4:10. Alfred Music #00-48214S. Published by Alfred Music (AP.48214S). UPC: 038081556994. English. Oh yeah, you are in New Orleans! French Quarter Funk arranged by Zachary Smith is very hip, funky, and simple to rehearse and perform. Played around 168 BPM, written solos are provided for alto 1, trumpet 1, and the trumpet 1 range is written to F top line. Optional flute and vibes parts too. This is the coolest and funkiest easy chart you'll find anywhere! (4:10) This title available in MakeMusic Cloud. $9.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Play 'em Right Jazz - Vol. 1 Flûte traversière De Haske Publications Flute - easy-intermediate SKU: HL.44003311 Composed by Erik Veldkamp. De ...(+) Flute - easy-intermediate SKU: HL.44003311 Composed by Erik Veldkamp. De Haske Play-Along Book. Play Along. Book [Softcover]. Composed 1998. 24 pages. De Haske Publications #981250. Published by De Haske Publications (HL.44003311). ISBN 9789043101448. UPC: 073999808186. English-German-French-Dut ch. The Play 'em Right collection is aimed at musicians who wish to familiarise themselves with jazz, rock and Latin styles. Each of the solo books contain many unaccompanied pieces together with keyboard and guitar chords which explore the particular genre. In Play 'em Right - Jazz, Volume 1 you will find 10 exercises and 8 pieces to perform. These are aimed at wind players who would like to become acquainted with jazz at home. Although graded in difficulty, it is not necessary to first study all the exercises before being able to play the pieces. . De serie Play 'em Right is bedoeld voor blazers die in de populaire stijlen jazz, latin en rock willen spelen. Play 'em Right Jazz, Play 'em Right Latin en Play 'em Right Rock bestaan telkens uit twee delen en bevattende fundamentele ritmes en articulaties van verschillende muziekstijlen, in oefeningen en songs. De oefeningen zijn in oplopende moeilijkheidsgraad geschreven. Er komen steeds een of twee ritmes aan bod met duidelijke articulatietekens,waardoo r precies de juiste speelmanier wordt aangeleerd. In de songs wordt het aangeleerde toegepast en verwerkt.In Play 'em Right - Jazz, Volume 1 staan 10 exercises en 8 speelstukken, bedoeld voor blazersdie thuis willen raken in de Jazz-stijl. Hoewel de moeilijkheidsgraad oploopt, is het niet noodzakelijk eerst alle exercises door te nemen om de speelstukken te kunnen spelen. Die Bucher der Reihe Play 'em Right, Band 1 und 2 vermitteln in speziellen Ubungen und Songs die fundamentalen Rhythmen und Artikulationsweisen von Pop/Rock, Latin und Jazz. Die Ubungen sind in ansteigendem Schwierigkeitsgrad geschrieben. In den Songs wird das Gelernte unmittelbar umgesetzt und vertieft. Die mitgelieferte Akkordbegleitung fur Tasteninstrumente und/oder Gitarre macht es moglich, mit Begleitung zu spielen. Play 'em Right ist sowohl fur den Instrumentalunterricht als auch das Selbststudium geeignet.Band 1 enthalt 10 Ubungen und 8 Spielstucke. Dans chaque ouvrage de cette collection, les intrumentistes touveront des exercices et morceaux diverses leur offrant la possibilite de se familiariser avec les techniques d'interpretation du jazz, du rock et des musiques latines. Le degre de difficulte des exercices est progressif. Les indications sont claires et le contenu technique de chaque exercice reste limite. Les morceaux qui suivent mettent immediatement en pratique les techniques apprises. Les indications d'accords (pour claviers/guitare) permettent de se faire accompagner. Play'em Right peut etre utilise dans le cadre du cours individuel ou pour la pratique quotidienne. Dans Play'em Right, vol. 1vous trouverez 10 exercices et 8 pieces a jouer, pour des musiciens d'instruments a vent qui veulent se familiariser avec le style `Jazz`. Bien que le degre de difficulte soit progressif, il n'est pas necessaire d'etudier tous les exercices pour pouvoir jouer les pieces. La collana Play'em Right e destinata a quei musicisti che vogliono familiarizzare con la musica jazz, rock e latin. Per ognuno di questi generi, Erik Veldkamp ha realizzato un metodo suddiviso in due livelli differenti, specificamente strutturato per rendere accessibili a tutti i musicisti i segreti di questi frizzanti generi musicali. Affronterete quindi dapprima brevi esercizi che vi svelano la giusta interpretazione del rock, della musica latina e del jazz, per poi cimentarvi in veri brani musicali. Fatevi affascinare da questi moderni generi musicali, ed il jazz, il rock e la musica latina non avranno segreti per voi. $16.00 - Voir plus => Acheter Délais: 2 to 3 weeks Articles Similaires

Détails Détails	(What Did I Do to Be So) Black and Blue Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.45066 By Harry Brooks and Thomas Fats Wal...(+) Jazz Ensemble - Grade 1 SKU: AP.45066 By Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score and Part(s). 86 pages. Duration 3:41. Alfred Music #00-45066. Published by Alfred Music (AP.45066). UPC: 038081519739. English. Thomas Fats Waller; Harry Brooks. (What Did I Do to Be So) Black and Blue arranged by Victor LÃ³pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41). $42.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Alone Together Ensemble Jazz - Intermédiaire Alfred Publishing Jazz Ensemble - Grade 3.5 SKU: AP.49211S Composed by Arthur Schwartz. Arr...(+) Jazz Ensemble - Grade 3.5 SKU: AP.49211S Composed by Arthur Schwartz. Arranged by Mike Kamuf. Jazz Ensemble; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz. Score. 24 pages. Duration 5:30. Alfred Music #00-49211S. Published by Alfred Music (AP.49211S). ISBN 9781470647285. UPC: 038081566511. English. A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The development section features trombones plus the other sections as well. Vibes and flute optional parts. A first-class chart! Alone Together is arranged by Mike Kamuf. (5:30). $11.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails	Alone Together Ensemble Jazz - Intermédiaire Alfred Publishing Jazz Ensemble - Grade 3.5 SKU: AP.49211 Composed by Arthur Schwartz. Arra...(+) Jazz Ensemble - Grade 3.5 SKU: AP.49211 Composed by Arthur Schwartz. Arranged by Mike Kamuf. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz. Score and Part(s). 106 pages. Duration 5:30. Alfred Music #00-49211. Published by Alfred Music (AP.49211). ISBN 9781470647278. UPC: 038081566504. English. A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The development section features trombones plus the other sections as well. Vibes and flute optional parts. A first-class chart! Alone Together is arranged by Mike Kamuf. (5:30). $52.00 - Voir plus => Acheter Délais: 24 hours - In Stock Articles Similaires

Détails Détails	Contents Under Pressure Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.45064S Composed by Vince Gassi. Jazz Ense...(+) Jazz Ensemble - Grade 1 SKU: AP.45064S Composed by Vince Gassi. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 16 pages. Alfred Music #00-45064S. Published by Alfred Music (AP.45064S). UPC: 038081510446. English. Here's a funky rock chart by Vince Gassi called Contents Under Pressure for young band. It's played at 120 BPM and features a written solo for tenor sax, accessible brass ranges, a catchy melody, clear articulation, and optional parts to include flute, clarinet, and vibraphone. (3:00) This title is available in MakeMusic Cloud. $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Midnight Snack Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.47510 Composed by Rick Hirsch. Jazz Ensem...(+) Jazz Ensemble - Grade 1 SKU: AP.47510 Composed by Rick Hirsch. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Swing. Score and Part(s). 86 pages. Alfred Music #00-47510. Published by Alfred Music (AP.47510). UPC: 038081547206. English. A very clever chart for a younger band featuring a few sound effects. An easy swing played around 132 BPM with written solos cued for all saxes and trumpets. Trumpet 1 range is to written E-flat top space, optional flute, clarinet, and vibes parts too. This title is available in MakeMusic Cloud. $42.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Moondance Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.49202S Composed by Van Morrison. Arranged...(+) Jazz Ensemble - Grade 1 SKU: AP.49202S Composed by Van Morrison. Arranged by Mike Story. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 12 pages. Duration 3:15. Alfred Music #00-49202S. Published by Alfred Music (AP.49202S). ISBN 9781470647100. UPC: 038081566337. English. The favorite classic rock shuffle---to know it is to love it! Played around 134 BPM with written-out solos for alto, tenor, trumpet 1, and trombone 1. No worries for trumpet 1 range which is to written D fourth line. All the standard optional parts to include flute, clarinet, and vibes. Moondance is arranged by Mike Story. (3:15) This title available in MakeMusic Cloud. $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails	Uptown Throwdown Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.49203 Composed by Zachary Smith. Jazz Ens...(+) Jazz Ensemble - Grade 1 SKU: AP.49203 Composed by Zachary Smith. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score and Part(s). 81 pages. Duration 4:05. Alfred Music #00-49203. Published by Alfred Music (AP.49203). ISBN 9781470647117. UPC: 038081566344. English. This is a very cool shuffle-swing groove by Zachary Smith is played around 140 BPM. Written solos are provided for trombone 1 and alto 1, a stop-time interlude, a big shout chorus, and an optional vocal shout-out too! Optional parts for flute, clarinet, and vibes and more. Uptown Throwdown is a powerful chart that everyone will enjoy! (4:05). $42.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Angel Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1.5 SKU: AP.43669S Composed by John L. (Wes) Montgo...(+) Jazz Ensemble - Grade 1.5 SKU: AP.43669S Composed by John L. (Wes) Montgomery. Arranged by Les Sabina. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 16 pages. Alfred Music #00-43669S. Published by Alfred Music (AP.43669S). ISBN 9781470665364. UPC: 038081499079. English. Montgomery 's Angel is a bossa-rock groove at 145 BPM with a melody line played by tenor 1 and trumpet 2. Solos are written out for tenor and piano, and the lead trumpet range is to written E top space. This chart includes parts for optional vibes, flute, clarinet, and more. (3:11) This title is available in MakeMusic Cloud. $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Uptown Throwdown Ensemble Jazz - Débutant Alfred Publishing Jazz Ensemble - Grade 1 SKU: AP.49203S Composed by Zachary Smith. Jazz En...(+) Jazz Ensemble - Grade 1 SKU: AP.49203S Composed by Zachary Smith. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 20 pages. Duration 4:05. Alfred Music #00-49203S. Published by Alfred Music (AP.49203S). ISBN 9781470647124. UPC: 038081566351. English. This is a very cool shuffle-swing groove by Zachary Smith is played around 140 BPM. Written solos are provided for trombone 1 and alto 1, a stop-time interlude, a big shout chorus, and an optional vocal shout-out too! Optional parts for flute, clarinet, and vibes and more. Uptown Throwdown is a powerful chart that everyone will enjoy! (4:05). $8.00 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires