Matériel : Vocal Score
As publishers and musicians ourselves we understand the financial restraints faced by many choir directors.So here's our contribution to the solution: several pieces for the price of one. Even if you use just one of thepieces in the set you are paying only the usual price of a single choral piece. If you use two you’re getting double value and if you use three four or more you’re quids in!Five Latin Motets - Set 1includes Ave verum corpus (Edward Elgar) In paradisum (Gabriel Faure) Haec dies (Colin Mawby) Laudate Dominum (Giuseppe Ottavioo Pitoni) and Panis angelicus (Cesar Franck) forunison 2-part and 3-part Voices.
SKU: HL.48024592
ISBN 9781784540685. UPC: 888680931285. 9.0x12.0x0.226 inches.
This 17-minute choral sequence is scored for mixed chorus and organ, with optional percussion, and presents five of the Latin motets’which occur at the end of movements in MacMillan's St John Passion (2007): Astiterunt reges terr, Judas, mercator pessimus, Peccantem me quotidie, Crucifixus etiam pro nobis, Stabat Mater. In the last of these, MacMillan quotes Bach's Passion Chorale; Bach's original is therefore included as an optional opening movement in the sequence, to be sung in German or English. The sequence was selected by Nigel Perrin (Bath Camerata), who comments, “I chose these movements because they stand on their own and are effective as 'motets' with organ accompaniment. The order of movements forms a sort of chronological sequence. Although the keys do not relate I felt that this did not matter as each movement is completely different, creating its own sound-world and emotion. I have not added to the original settings; rather, I have removed material so that the choral construction can stand alone.†A Choral Sequence from the St John Passion represents a significant addition to the repertory of devotional works for Passiontide and is appropriate for church and concert performance alike.
SKU: BA.BA25143
ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerou s gems such as the “Cantique de Jean Racine†or the “Messe basse†are published in performing editions based on the musical text of the “Gabriel Faur – Å’uvres complètesâ€.< /p>
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.ALHE33720
French.
Composed by Gabriel Fauré and André Messager during their holidays in Villerville in 1881, Fishermen Mass in Villerville is a mass dedicated to the fishermen of this city located in Normandy. Initially for Female choir, Harmoniumand solo Violin, it was arranged by the authors in 1882 for Female choir and Chamber Orchestra. These scores, based on the two manuscripts, are the arranged version for Female choir and Piano by Odette Gartenlaub. Written inLatin, this mass features five parts which had been distributed in-between the two composers: 1. Kyrie - Messager 2. Gloria _x001A_ Fauré 3. Sanctus _x001A_ Fauré 4. O Salutaris (motet) - Messager 5. Agnus Dei - Fauré This mass isreally soft, melodious and delicate, reminding sometimes of the motets by Gounod.
