SKU: CL.011-4742-01
A Fond Farewell is a warm retrospective work for developing bands, which musically expresses the mixed emotions felt by the departure of a retiring teacher, coach or graduates. It begins with two lush melancholy melodies, evoking feelings of sadness over leaving, that build to a dramatic climax with stirring lines. These opening themes shift to a joyous celebration of starting an exciting new chapter in life through a lively change in tempo and meter for an uplifting ending!
SKU: CL.011-4742-00
SKU: HL.49003264
ISBN 9790220118159. UPC: 884088061487. 8.25x11.75x0.39 inches.
I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument's lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music's character.One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony's first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.Gavin Bryars.
SKU: HL.4002925
UPC: 884088469290. 9.0x12.0x0.83 inches.
Written in memory of Don Caneva, director of the acclaimed Coastal Communities Concert Band for nearly 20 years, Reflections is a stirring and descriptive work from composer Sammy Nestico. Including three movements entitled Mio Amico (My Friend), Danielle and A Fond Farewell, this is a wonderfully crafted and sophisticated work for mature bands. Recorded by the Coastal Communities Concert Band - Robert Fleming, conductor.
SKU: CL.011-4742-75
SKU: BT.DHP-1196115-020
English-German-French- Dutch.
Hora Est! (Latin for ‘it is time!’) was composed to bid adieu to Sjoerd de Boer’s following forty years as conductor of the Chr. Fanfare Band, based in the town of Wjelsryp in the Netherlands. In the Netherlands, this small phrase, hora est, is traditionally said upon awarding a university doctorate at graduation ceremonies. The composition was written with Sjoerd de Boer firmly in mind, mirroring various aspects of his life. The main motif of the work consists of three notes, forming his initials: S (Eb) D B. At a certain point, the music is interrupted by a thunderstorm and heavy rain (forever a bad omen: the debut for this work took place a day after such a deluge, but fortunately their open-air concert was met with clear blue skies.) The fanfare then plays an Italianesque march, with the motif of de Boer’s initials interwoven throughout. The work re-uses this motif twice towards the end of the piece as one might expect, by the saxophones to create a festive, driven and virtuosic atmosphere. Finally, the work comes to an end with the initials motif played across the ensemble in complete unison. The powerful closing chords symbolise a fond farewell to de Boer: a driven and extremely capable conductor whose musical mark on Concordia will be felt for years to come. Hora Est! is suitable as a contest piece and would be a definite highlight for any upcoming concert.Hora Est! is gecomponeerd ter gelegenheid van het afscheid van Sjoerd de Boer als dirigent van Chr. Fanfarekorps Concordia uit Wjelsryp (Friesland), na maar liefst veertig jaar. Hora Est! is Latijn voor ‘Het is tijd!’. Het zinnetje wordt traditioneel uitgesproken bij een promotie tot doctor op de universiteit, op het moment dat de vastgestelde tijd voor verdediging van het proefschrift om is. De pedel komt dan binnen en stampt met zijn staf op de grond terwijl hij deze woorden roept. In dat opzicht verwijst de titel naar de voormalige universiteitsstad Franeker, de woonplaats van Sjoerd en de stad waar hij jaren lang leraar muziek was aan de christelijke scholengemeenschap. Anderzijds verwijst de titel naar zijn afscheid van Concordia: ‘Het is tijd!’.
SKU: BT.DHP-1196115-120
SKU: ST.EM39
ISBN 9790220209895.
CONT ENTS A wise man poor (SAATB) As sudden death (SSAATB) But when himself (SSATB) Farewell, false love (SSAB (or T)) From the Tarpeian Rock (SSATB) Mourn now, my Muse (SSAATB) My lady wept (SSATB) My mistress is a paragon (SAATB) O help, alas (SSAATB) O Jesu, look (SSATB) O shall I die (SSAATB) O When my love (SSAATB) See, what is life (SAATB) Sleep aye, fond Hope (SSATB) That man that climbeth (SAATB) The ivy green (SSATB) The tyrant Love (SAATB) Unkind, alas (SSAATB) Use thyme whose tender plant (SAATB).
SKU: HL.14025870
8.25x11.75x0.265 inches.
The world's most popular classical melodies, arranged for easy instrumental solo with piano accompaniment. Includes the music of Bach, Brahms and Saint-Saens.
