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PARTITIONS CHORALE - CHANT ⮞ EGLISE - SACRE ⮞

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For I Am Called by Thy Name

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Matériel : Octavo

By Crawford Gates. Text: Jeremiah 15:16. For SSATB Choir. Level: Medium Difficullt. Published by Jackman Music Corporation.

Instrumentation :

Chorale SSATB

Sous-instrumentation :

SSATB, Orgue

Editeur :

Jackman Music Corporation

Niveau :

Voir articles de même classement et même niveau

Thy words were found and I did eat them, and thy word was unto me the joy and rejoicing of mine heart: For I am called by thy name, O Lord God of Hosts. This number which is based on the text from Jeremiah 15:16 is from Crawford Gates' "Three Songs for the Young Heart," Op. 49. Piano or organ may be used.

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John Emerson Blackstone: House of Dance: Brass Band: Score
Ensemble de cuivres
Gobelin Music Publications

In imitation of the huge â€˜House rageâ€™ (at the end of the eighties) ...(+)

6.99 GBP - vendu par Musicroom GB

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John Emerson Blackstone: House of Dance: Fanfare Band: Score & Parts

Couverture
John Emerson Blackstone: House of Dance: Fanfare Band: Score & Parts
47.50

John Emerson Blackstone: House of Dance: Fanfare Band: Score & Parts
Fanfare [Conducteur et Parties séparées]
Gobelin Music Publications

In imitation of the huge â€˜House rageâ€™ (at the end of the eighties) ...(+)

47.50 GBP - vendu par Musicroom GB

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Download the audio samples here: track 1, track 2, track 3 In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3 The Book of Urizen ist Jacob de Haan seine erste Symphonie fÃ¼r Blasorchester, Gesang (Sopran) und (mÃ¤nnliche) Sprechstimme, in welcher Botschaften durch GerÃ¤uschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des groÃŸen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhÃ¤ltlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhÃ¤ltlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3 En 1794, lâ€™Ã©crivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dÃ©nonce dans The Book of Urizen (Le Livre dâ€™Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la premiÃ¨re symphonie de Jacob de Haan pour Orchestre dâ€™Harmonie, Soprano et un rÃ©citant - des collages sonores sont utilisÃ©s. The Vision, la premiÃ¨re partie et The Creation, la deuxiÃ¨me partie de TheBook of Urizen sont disponibles sous le numÃ©ro d'Ã©ditionsuivant: DHP 1043551. The Web, la troisiÃ¨me partie de The Book of Urizen est disponible sous le numÃ©ro d'Ã©dition suivant: DHP 1125252. TÃ©lÃ©charger lesextraits audio ici: track 1, track 2, track 3 The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in â€œThe Net of Religion,â€ which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths â€œcome together.â€ In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the â€œEternals.â€ His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, â€œthe flames of eternal fury,â€ and enwombs himself in his own world. Whenthe Eternals see Urizen in his â€œstony sleep,â€ they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizenâ€™s world concrete form. In thesecond movement, The Creation, Urizenâ€™s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizenâ€™s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the â€œfallen world.â€ Orc is fed at Enitharmonâ€™s breast,which makes a girdle of jealousy restrict Losâ€™ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. 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