SKU: MN.20-436
UPC: 688670204364.
A useful collection of four Easter hymns to enrich congregational singing.
SKU: AU.9781506496061
ISBN 9781506496061. 8.5 x 11 inches.
The fourth collection in this series by Anne Krentz Organ features four Easter hymn tunes set for piano and four handbell or hand chime ringers. These joyful settings can easily be learned by most ringers, yet the writing is engaging and gratifying for both ringers and pianist. Tunes included are EASTER HYMN, NOËL NOUVELET, PUER NOBIS, and a medley of VRUECHTEN/EARTH AND ALL STARS.
SKU: CA.1902400
ISBN 9790007311650.
T he choral collections Tagzeiten mit dem Gotteslob tap into the rich treasures of the sections on the Divine Office in the German Catholic hymnal Gotteslob. They encourage lively worship services which can be created and celebrated together by choir and congregation. Compiled by experienced church musicians, these collections offer many specific suggestions for this type of worship, as well as selected choral settings for three or four voices in a variety of styles. Most of these compositions are new works.All three conductors’ volumes are now available to purchase in one cost-effective package.
Pu blished by the Bishopric of Mainz on behalf of the Arbeitsgemeinschaft of the Ämter/Referate für Kirchenmusik der Diözesen Deutschlands (AGÄR) and the German Allgemeiner Cäcilien-Verband (ACV).
Editors: Mechthild Bitsch-Molitor (chair), Lutz Brenner, Wolfgang Bretschneider, Christian Dostal, Thomas Drescher, Tobias Dulisch, Regina Engel, Melanie Jäger-Waldau, Richard Mailänder, Godehard Weithoff, Dan Zerfaß
C ontents:Tagzeiten mit dem Gotteslob. Choral collection 1: Advent / Christmas (Carus 19.021)Tagzeiten mit dem Gotteslob. Choral collection 2: Seasons (Carus 19.022)Tagzeiten mit dem Gotteslob. Choral collection 3: Lent / Easter (Carus 19.023)
SKU: MN.21-404
UPC: 688670214042.
Four stanzas of this Easter text are set to the 10-measure hymn tune ST. ALBINUS. This arrangement is stately and straightforward. After a brief introduction scored for the brass only, the four stanzas are given varied treatments. Only the final stanza presents any real challenges to the brass players, and those are not daunting; otherwise their parts are quite manageable.
SKU: MN.20-453
UPC: 688670204531.
A setting of GAUDEAMUS PARITER (AVE VIRGO VIRGINUM) written to enhance the congregation's singing of this tune. A lively introduction is followed by four verse settings. Solid brass writing and a fun, florid organ part.
SKU: WD.080689156472
UPC: 080689156472.
Marve lous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.
SKU: WD.080689413094
UPC: 080689413094.
SKU: WD.080689159473
UPC: 080689159473.
SKU: WD.080689666322
UPC: 080689666322.
SKU: BT.DHP-1053796-010
English-German-French- Dutch.
Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung. Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. L’effet de double chœur ainsi créé donne la pièce un caractère varié et divertissant. Fantasia di Pasqua, basata su melodie tradizionali, utilizza un quartetto, che riveste un ruolo fondamentale nello sviluppo del brano. Sono possibili varie combinazioni, come ad esempio un quartetto di ottoni e/o legni, come anche un coro di tromboni). Fantasia di Pasqua è scritta in uno stile simile alla musica rinascimentale, una scelta che si spiega con il fatto che la maggior parte delle melodie corali datano di questo periodo. Queste melodie danzanti, interpretate dal quartetto, segnano la trama del brano. La bellezza del doppio coro conferisce al brano un carattere variegato e divertente.
SKU: BT.DHP-1053796-020
Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung. Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. L’effet de double chœur ainsi créé donne la pièce un caractère varié et divertissant.
SKU: BT.DHP-1053796-040
