| Four Trumpet Tunes Orgue Paraclete Press
By Aaron David Miller. For Organ. General. Medium. Sheet music. Published by Par...(+)
By Aaron David Miller.
For Organ. General.
Medium. Sheet music.
Published by Paraclete
Press
$16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Trumpet Tunes Orgue MorningStar Music Publishers
Composed by David Lasky. For organ. Non Hymn-Based. 21st Century. Moderately Eas...(+)
Composed by David Lasky.
For organ. Non
Hymn-Based. 21st Century.
Moderately Easy.
Published by MorningStar
Music Publishers
$10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Four Advent Trumpet Tunes Orgue - Facile MorningStar Music Publishers
Organ solo - Early Intermediate SKU: MN.10-219 Composed by Jerry Westenku...(+)
Organ solo - Early
Intermediate SKU:
MN.10-219 Composed by
Jerry Westenkuehler.
Advent, Hanging of the
Green, Lessons and
Carols. Instrumental
part. MorningStar Music
Publishers #10-219.
Published by MorningStar
Music Publishers
(MN.10-219). UPC:
688670102196. This
useful collection takes
four well-known Advent
tunes and features each
as a unique and energetic
trumpet tune. These
pieces can be used in a
variety of ways and are
particularly effective
postludes.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Trumpets Tunes For Organ Hal Leonard
| | |
| Easter Fantasy Orgue et Quatuor de cuivre Hinshaw Music Inc.
By John Gardner. Arranged by John Gardner. For Organ and Brass Quartet. Organ an...(+)
By John Gardner. Arranged
by John Gardner. For
Organ and Brass Quartet.
Organ and Sacred. Level:
Medium Advanced Adult.
Duration 6 min, 30 sec.
Published by Hinshaw
Music Inc.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite on American Hymn Tunes - Débutant GIA Publications
Organ, trumpet 1 in B-flat, trumpet 2 in B-flat, trombone 1, trombone 2 - Beginn...(+)
Organ, trumpet 1 in
B-flat, trumpet 2 in
B-flat, trombone 1,
trombone 2 - Beginning
SKU: GI.G-2447
Composed by Robert J.
Powell. Sacred.
Instrumental part(s). 16
pages. GIA Publications
#2447. Published by GIA
Publications (GI.G-2447).
UPC:
785147244790. Score
d for two trumpets, two
trombones and organ, this
suite of four movements
by Robert Powell features
hymn tunes from both
Kentucky Harmony and
Sacred Harp. The open
harmonies and rustic
sound give this work an
idyllic and distinctly
American charm. A
recording of this suite
is available on
Gaudeamus! Music for
Brass with Organ and
Timpani, (CD-503)
featuring The Concord
Brass Ensemble. Contents:
salvation •
foundation •
protection •
exhortation •
exhilaration. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Melodious Accord Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Schirmer
By Alice Parker. Choral. For SATB, solo SATB, Piano and/or Organ or Brass and Ha...(+)
By Alice Parker. Choral.
For SATB, solo SATB,
Piano and/or Organ or
Brass and Harp. Published
by E.C. Schirmer
Publishing.
(2)$11.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037812
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Single Part, Viola.
Composed 1970. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
10.378/12. Published by
Carus Verlag
(CA.1037812). ISBN
9790007190927. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score and part available
separately - see item
CA.1037800. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037813
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Single Part, Cello.
Composed 1970. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
10.378/13. Published by
Carus Verlag
(CA.1037813). ISBN
9790007190934. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score and part available
separately - see item
CA.1037800. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037809
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Composed 1970. 12 pages.
Duration 21 minutes.
Carus Verlag #CV
10.378/09. Published by
Carus Verlag
(CA.1037809). ISBN
9790007190903. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score and parts available
separately - see item
CA.1037800. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037800
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. This edition:
Paperbound. German title:
Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Full score. Composed
1970. 44 pages. Duration
21 minutes. Carus Verlag
#CV 10.378/00. Published
by Carus Verlag
(CA.1037800). ISBN
9790007077624. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian
language. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037811
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Single Part, Violin.
Composed 1970. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
10.378/11. Published by
Carus Verlag
(CA.1037811). ISBN
9790007190910. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score and part available
separately - see item
CA.1037800. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Krippenspiel aus Koroshegy Carus Verlag
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins, SKU:
CA.1037805
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Choral Score. Composed
1970. 12 pages. Duration
21 minutes. Carus Verlag
#CV 10.378/05. Published
by Carus Verlag
(CA.1037805). ISBN
9790007110819. Language:
German/English/French. I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score available
separately - see item
CA.1037800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Festival of Hymns - Facile GIA Publications
Trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn i...(+)
Trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in F, trombone 1,
trombone 2, timpani,
violin 1, violin 2,
viola, cello, bass, organ
- Early intermediate
SKU: GI.G-7657
Composed by Carl Glaser,
John Hatton, and Lowell
Mason. Arranged by Robert
J. Powell. Tune Name:
Duke Street, Azmon, Wer
Nur Den Lieben Gott,
Diademata. Sacred. 24
pages. GIA Publications
#7657. Published by GIA
Publications (GI.G-7657).
UPC:
785147765790. A
wonderful suite for
organ, brass (and/or
strings), and timpani of
arrangements of four
classic hymn tunes. The
suite consitsts of a
flowing setting of duke
street in 6/8 followed by
a march-like treatment of
azmon with some imitative
writing, then a
transition to the minor
key and more austere
character of wer ner den
lieben gott, and finally
a fanfare-like
introduction to a grand
setting of diademata.
This piece would be a
great prelude for a hymn
festival or
concert. . $40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|