Matériel : Partition
SKU: HL.1298836
UPC: 810066353633. 14.0x18.0x0.678 inches.
Ringo Starr, George Harrison, John Lennon, and Paul McCartney are taking a walk in the streets of London on this framed print by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298837
UPC: 810066353640. 14.0x18.0x0.684 inches.
The Beatles is one of the grous that left an impact on our history, and you will find their evolution on this framed print by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298842
UPC: 810066353695. 14.0x18.0x0.672 inches.
This framed Alice Cooper print by GB Eye will give your wall a real 70s vibe! Featuring the iconic “School's Out†U.S. tour art. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298845
UPC: 810066353725. 14.0x18.0x0.665 inches.
Pay tribute to Slayer's 1984 EP Haunting the Chapel with this framed print by GB Eye! Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298843
UPC: 810066353701. 14.0x18.0x0.667 inches.
Decorate your wall with one of Alice Cooper's most iconic photos as a framed print! Brought to you by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the covers.
SKU: HL.1298834
UPC: 810066353619. 14.0x18.0x0.632 inches.
Are you a fan of The Beatles? Add a touch of color in your interior thanks to this The Beatles framed print by GB Eye. Printed on photographic paper. Dimensions: 30.5 40.6 cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the covers.
SKU: HL.1298835
UPC: 810066353626. 14.0x18.0x0.69 inches.
You will find the famous photography of The Beatles crossing Abbey Road on this framed print by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298844
UPC: 810066353718. 14.0x18.0x0.698 inches.
Celebrate Slayer's sixth studio album with this framed print by GB Eye featuring the epic cover art. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the covers.
SKU: HL.1298839
UPC: 810066353664. 13.75x17.75x0.75 inches.
Be a part of a 'Trooper Eddie' gang with this Iron Maiden mascot framed print by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298840
UPC: 810066353671. 14.0x18.0x0.676 inches.
Be ready and honor the battle with the Iron Maiden's iconic “Senjutsu†framed print of the warrior Eddie on your wall by GB Eye. Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.1298838
UPC: 810066353657. 14.0x18.0x0.681 inches.
If you've wondered how your favorite songs were written and recorded, then this framed print by GB Eye of The Beatles is made for you! Printed on photographic paper. Dimensions: 30.5 x 40.6cm. Frame width: 25mm. Shatter proof styrene. Packaging: plastic film with protective plastic on the corners.
SKU: HL.142694
UPC: 888680050238. 12.25x12.25x0.62 inches.
12'' x 12'' colorful, framed print with Cheryl Lavender's inspirational quote, The fact that children can make beautiful music is less significant than the fact that music can make beautiful children. Illustration by J. Stuart Hill. Frame is black plastic with glass front.
SKU: GI.001172
UPC: 641151011721. English.
This frameable prayer is perfect to give to all parish families on Thanksgiving Day, new parishioners in a welcome packet‚ newly married couples, parishioners who remodel their homes, people who prepare food for community events, or to people who bake bread for the Eucharist. Hang framed copies in the kitchens of parish halls, school lunchrooms, and teacher lounges. Give framed copies to restaurants in your community as a gift from the parish. Sell in the parish bookstore or at Christmas boutiques. Use as a parish fundraising item. 8.5 x 11.
SKU: CA.3113600
ISBN 9790007171636. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part.
SKU: CA.3105819
ISBN 9790007136208. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.
SKU: HH.HH011-KBD
ISBN 9790708024286.
From Tartini's third compositional period, this concerto in three movements has been prepared using the primary source of Tartini's autograph. A beautiful central Larghetto for violins alone is framed by the vivacious opening Presto and the buoyant Allegro assai. An historically important concerto published for the first time.
SKU: UT.CH-106
ISBN 9790215315921. 9 x 12 inches.
The first impulse to compose these 3 Little Suites for Guitar came from the desire to offer very young students compositions not framed by the usual features of â??music for childrenâ?? but, rather, meant to introduce into their musical horizon sonorities, rhythms, and expressive modalities not generally experienced in the more â??traditionalâ?? courses of study. As the compositions developed, the project underwent some slight modifications, so that in the end one could say that the three suites became progressively more difficult, though remaining, in their deep essence, quite â??simpleâ??.I would recommend paying careful attention to the titles of the pieces and to the expressive markings. Although it was not my intention to write â??descriptiveâ?? music, I have tried to handle these pieces like stage scripts, giving each a specific â??characterâ??. For this purpose my long experience as a composer of theatre music has been very helpful.It would give me great satisfaction if guitarists of every age would enjoy performing these suites. I would like teachers to find in them cues for proposing to their pupils further refinements concerning both technique and expression, never forgetting how inexpressible music truly is.(Carlo de Nonno).
SKU: CY.CC2718
The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.
SKU: CA.3113613
ISBN 9790007208134. Text language: German/English.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.
SKU: BR.OB-32120-16
ISBN 9790004350485. 10 x 12.5 inches.
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.
SKU: BR.EB-32120
ISBN 9790004187272. 7.5 x 10.5 inches.
SKU: XC.HRMG1737
UPC: 785147101451. English.
This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices, at the discretion of the director. Â .
SKU: BA.BA10648
ISBN 9790006566273. 30 x 23 cm inches. Preface: George A. Speckert.
In this edition George Speckert has depicted an entire menagerie of small animals in 12 movements. Framed by an overture and epilogue, ten animals/species make an appearance. These easy little character pieces can be played in any order by two violins, viola and cello, either one or more to a part. It is a fun-to-play collection especially suited for children and invites them to expand on these pieces by adding little tales, pictures or scenes.
SKU: UT.OAN-4
ISBN 9790215323490. 9 x 12 inches.
The Codex J.II.9 is a volume of 159 large-framed folios of richly decorated parchment. It is composed of 302 pieces, polyphonic for the most part, belonging to very different types in both the sacred and secular fields. The present volume offers diplomatic transcriptions of the first 30 virelais and rondeaus of the last booklet of J.II.9. Although the exact date of the compilation of the pieces in this codex is not known, we do know that it was probably part of the dowry provided by Anne de Lusignan for her marriage to Louis de Savoie in 1434. Cyprus was then under french domination and the style of the songs that we find here often evoke the style of the Burgundian songs of the first third of the 15th century.This manuscript has the particularity of having no attributions or concordances: all the pieces are unicae and anonymous. The musical styles of the songs are varied, alternating pieces of simple construction in the manner of the 3 part Burgundian song of the first third of the 15th century, with examples of the most refined and elaborate types that can exist.
