Franz Schubert: Mass No. 5

SKU: HL.49032816

ISBN 9783795703387. German.

Immer ist Musik - auch solche, die aus modischen Grunden vorgibt, auf der Hohe ihrer Zeit zu stehen und um der Avanciertheit ihrer Mittel willen mit der Tradition brechen mochte - historisch bestimmt. Geschichtlichkeit ist ihr wesensmassig auf Grund des Gewachsenseins vom tonenden Material eingeschrieben. Geschichtlich ist sie auch hinsichtlich ihrer gesamten Erscheinung als Tonkunst innerhalb einer gewachsenen Gesellschaft. In dieser Sammlung von Aufsatzen geht es indessen weniger um die Geschichtlichkeit von Musik in diesem eher allgemeinen Sinn, als vielmehr um die Darlegung konkreter Ruckbeziehungen von zeitgenossischer Musik auf zwei Komponisten der Vergangenheit, die auf Grund ihrer Eigenheiten im kompositorischen Denken die Musik der achtziger Jahre nachhaltiger als viele andere beeinflusst haben. Reflektiert und gebrochen lebt die Musik von Franz Schubert und Gustav Mahler in der Musik des 20. Jahrhunderts fort, und der Leser wird bei Betrachtung der auf Schubert und Mahler ruckbezogenen Werke uber die Beiden mindestens ebensoviel erfahren wie uber diejenigen, die sich deren Musik aneignend angenahert haben.Die Beitrage sind aus der Hochschularbeit heraus entstanden und wollen in ihrer Disparatheit weniger ein komplettes System als vielmehr so etwas wie ein Beziehungsgeflecht dar- und herstellen.

SKU: AP.36-A271647

ISBN 9798892704007. UPC: 659359638589. English.

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the Mass in G, and it remains the best known of the three shorter settings titled Mass. Composed in 1815, it was originally scored for choir, string orchestra, organ, and the soloists and remained one of the composer's less-noted works, not even being printed until 1845. But the Mass's later popularity also led Franz' brother Ferdinand to add winds and timpani after Franz' death. And a 1980s discovery of a set of parts that include trumpets and brass, in addition to some minor changes, suggests that Schubert intended something grander than the original scoring. The current edition may be played with the original strings and organ only or with the addition of the oboe/clarinets, bassoons, trumpets, and timpani. Apart from some passages for the soprano, this Mass has only modest solo passages, and it is written in a devotional mood. Instrumentation: 0.2(opt.subCl).0.2(opt): 0.2(opt).0.0: Timp(opt): Org: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. Vocal score and choral score available separately.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: BR.OB-5285-19

ISBN 9790004332191. 10 x 12.5 inches.

Up to now, Schuberts most popular early mass has often been performed with strings alone. The wind parts added to the autograph by Ferdinand Schubert at a later date were considered inauthentic. Today, over a century later, the set of parts written by Franz Schubert himself has been rediscovered in Klosterneuburg. It contains parts for trumpet and timpani which are thus clearly authorized by the composer. There is also a figured organ part, which guarantees that the continuo can now be realized without misinterpretation.Eine hochst interessante Variante! Das ausfuhrliche Vorwort informiert genau uber die Entstehungsgeschichte des Werkes. (RB, Musica Sacra)Es lohnt sich, dieses weitgehend unbekannte Werk einmal aufzufuhren. (Das Liebhaberorchester)
Until the late 20th century, Franz Schubert's most popular early mass was often performed with strings alone. However, a set of parts written by Schubert himself was discovered in the 1980s in Klosterneuburg.

SKU: BR.OB-5285-26

ISBN 9790004332207. 10 x 12.5 inches.

Up to now, Schuberts most popular early mass has often been performed with strings alone. The wind parts added to the autograph by Ferdinand Schubert at a later date were considered inauthentic. Today, over a century later, the set of parts written by Franz Schubert himself has been rediscovered in Klosterneuburg. It contains parts for trumpet and timpani which are thus clearly authorized by the composer. There is also a figured organ part, which guarantees that the continuo can now be realized without misinterpretation.Eine hochst interessante Variante! Das ausfuhrliche Vorwort informiert genau uber die Entstehungsgeschichte des Werkes. (RB, Musica Sacra)Es lohnt sich, dieses weitgehend unbekannte Werk einmal aufzufuhren. (Das Liebhaberorchester)
Until the late 20th century, Franz Schubert's most popular early mass was often performed with strings alone. However, a set of parts written by Schubert himself was discovered in the 1980s in Klosterneuburg.

SKU: BR.OB-5285-15

ISBN 9790004332177. 10 x 12.5 inches.

Up to now, Schuberts most popular early mass has often been performed with strings alone. The wind parts added to the autograph by Ferdinand Schubert at a later date were considered inauthentic. Today, over a century later, the set of parts written by Franz Schubert himself has been rediscovered in Klosterneuburg. It contains parts for trumpet and timpani which are thus clearly authorized by the composer. There is also a figured organ part, which guarantees that the continuo can now be realized without misinterpretation.Eine hochst interessante Variante! Das ausfuhrliche Vorwort informiert genau uber die Entstehungsgeschichte des Werkes. (RB, Musica Sacra)Es lohnt sich, dieses weitgehend unbekannte Werk einmal aufzufuhren. (Das Liebhaberorchester)
Until the late 20th century, Franz Schubert's most popular early mass was often performed with strings alone. However, a set of parts written by Schubert himself was discovered in the 1980s in Klosterneuburg.

SKU: BR.CHB-5242-02

Until the late 20th century, Franz Schubert's most popular early mass was often performed with strings alone. However, a set of parts written by Schubert himself was discovered in the 1980s in Klosterneuburg.

ISBN 9790004411810. 7.5 x 10.5 inches.

Up to now, Schuberts most popular early mass has often been performed with strings alone. The wind parts added to the autograph by Ferdinand Schubert at a later date were considered inauthentic. Today, over a century later, the set of parts written by Franz Schubert himself has been rediscovered in Klosterneuburg. It contains parts for trumpet and timpani which are thus clearly authorized by the composer. There is also a figured organ part, which guarantees that the continuo can now be realized without misinterpretation.Eine hochst interessante Variante! Das ausfuhrliche Vorwort informiert genau uber die Entstehungsgeschichte des Werkes. (RB, Musica Sacra)Es lohnt sich, dieses weitgehend unbekannte Werk einmal aufzufuhren. (Das Liebhaberorchester)
Until the late 20th century, Franz Schubert's most popular early mass was often performed with strings alone. However, a set of parts written by Schubert himself was discovered in the 1980s in Klosterneuburg.