Fuga No. 01

SKU: HL.14026062

ISBN 9788759853733. International (more than one language).

Franz Syberg's Praeludium, Intermezzo and Fugato from 1934 for solo Organ.

SKU: HL.44006366

ISBN 9789043102957. UPC: 884088084677. International (more than one language).

The sound of these compositions recalls the zest for life, the passion for adventure and the romance of the pioneer spirit that was young America. 17 songs: Passepied * Trumpet Voluntary * Fuga 1 * Voluntary 1 * Voluntary 2 * Festival Voluntary * Fuga a 3 Voce * Voluntary 3 * Impromptu * Fuga 2 * Legende * Gigue * Fughetta * Trumpet Tune * Postlude * Adeste Fideles * Variations on a Sicilian Folksong.

SKU: BO.B.3176

ISBN 9788480202343.

Come ntarios del Espanol:
Se trata de una coleccion de dos piezas breves para violonchelo y piano de dificultad media-alta. Fantasia y fuga es una obra compuesta en 1953 y esta dedicada al violonchelista Joaquim Guerin. La fantasia consta de dos fragmentos diferenciados por el contraste melodicorritmico y de tempo (andante, quasi lento y doppio mosso). La fuga, un allegretto mosso, es de una gran claridad ritmica. La obra entera tiene una duracion aproximada de 5'. Danza triste fue compuesta en 1945. Presenta un tema lirico en re menor que se va desarrollando. Tiene una duracion aproximada de 5'05.

SKU: HL.48184680

UPC: 888680844967. 10.0x13.0x0.02 inches.

Johann Philipp Krieger: Preludio, Ricercar, Fuga e Passacaglia (Maitres No.58) (Organ).

SKU: HL.50013560

UPC: 73999159400. 9.0x12.0x0.47 inches.

Contents: Fantasia con Fuga in C K.394 * Fantasia II * Fantasia III * Fantasia No 4 in C Minor * Sonatas Nos. 12 thru 19.

SKU: HL.48184689

UPC: 888680845490. 10.0x13.0x0.017 inches.

Heinrich Scheidemann: Praeambulum et Fuga in D minor (Maitres classiques No.67) (Organ).

SKU: HL.48184691

UPC: 888680845698. 10x13 inches.

Samuel Scheidt: Fuga contraria (Maîtres classiques No.69) (Organ).

SKU: FG.55011-577-4

ISBN 9790550115774.

Prob ably of folk song origin, the Swedish hymn Den blomstertid nu kommer was first time published in the 1695 Swedish Hymnal. The Finnish version is traditionally sung in the end of the school year. The rhytmic toccata, followed by the joyful variations and an uplifting fuga by Lars Karlsson is based on this tune which strongly associates with the beginning of summer.

SKU: HL.48188437

Fugain Vidalin Chansons De Notre Temps Pj454 Le Printemps 3 Or 4 Part.

SKU: UT.NAP-4

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

SKU: HL.49002063

ISBN 9790001022170. UPC: 884088097813. 9.0x12.0x0.098 inches.

Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music * in the truest sense of the word * consisted of a sequence of loose movements with free forms and dance movements alternat-ing in varied succession. The divertimento comprised five to six movements. Genzmer kept to all these facts but he brought new life into the old forms. Though he did not compose in the old style, he respected certain rules of the traditional form. Ouverture * Allegro (Fugato) * Adagio * Presto (on an Old French dance) * Finale (on an English dance movement).

SKU: BT.MUSM570367313

English.

Hortus Musicae - Book 2 by Robert Saxton for solo Piano. Composed and published in 2016. Duration: 35 minutes. 1: The Flowers appear on the Earth 2: Light on the Water Garden 3: The Garden of Changing Perspective 4: Beech Bank (a la recherché)… 5: Light in the hedge garden 6: The Garden at twilight 7: Hortus Animae Alis Fugacis [The Garden of the Swift-Winged Spirit] Hortus Musicae Book 2 was premiered by Clare Hammond at the 2016 Presteigne festival, with funds provided by the RVW Trust.