Matériel : Vocal Score
Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go but it wasn’t until I foundthe Andrew Marvell poem Music’s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry but in fact it is both charming and dramatic and it is also apt in that it canbe set for both solo voice and chorus.The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964 the year the bank was founded and this piece is alsoincluded in the celebratory concert. So I wanted to include some homage to HP as well.Marvell’s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might haveset had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly and I have used thecountertenor. Purcell himself sang countertenor in many of his own pieces and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell’s music and the countertenor so writing thispiece was really a labour of love.It is scored for countertenor mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know but one in which I’m sure he would haverevelled in given the opportunity. It is about ten minutes in duration.
SKU: HL.14002765
Lyrics by Louis MacNiece.
Written for unaccompanied mixed choir.
SKU: HL.14005410
'Acquainted with Night', is a cycle of six songs, for alto and strings, harp and timpani. The texts are all concerned with different aspects of night. The first song, 'Lullaby' to a poem by Beaumont and Fletcher, seeks to evoke the 'care-charming' powers of sleep. The second, a setting of Robert Frost's 'Acquainted with the night', is concerned with the lonely world of a strange city at night and the music is characterised by an insistently repeated figure in the accompaniment. The third song contrasts the calmness of the night with the turbulence in a lover's mind - the poem is by the Earl of Surrey. 'Out in the dark' a poem by Edward Thomas, is the text of the fourth song. It is in the form of a scherzo and deals with the mystery and strangeness of night, and, as the poet puts it, the 'might' of night. It is, as the poet says, a hymn to night and the chordal nature of the accompaniment suggests this quality. This song leads directly into the last, which is in fact a reprise of the opening 'Lullaby' so completing the cycle.
