Matériel : Conducteur et Parties séparées
SKU: FT.FM495
ISBN 9790570483945.
Ernest Tomlinson always enjoyed the music of the English 18th century composer, Thomas Arne, and felt that his music was unjustly neglected. In the early 1950s he made an orchestral suite using keyboard pieces by Arne which he called A Georgian Suite. Later, he was asked by one of his publishers to produce some background music in the Georgian style and he composed a suite which he called Georgian Miniatures. (He also later composed an individual orchestral piece called A Georgian Miniature just to add to the confusion!) When his daughter, Hilary, asked him if he had any suitable pieces that could be arranged for her flute quartet he immediately thought of his Georgian Miniatures suite and arranged it for her. The suite was first performed at a concert in Settle, Yorkshire, by four flautists from Settle Orchestra, and remains a firm favourite. If played by a group of four flautists of similar ability it is fun to change part for each movement, as was done in the first performance, so that each player gets a turn at playing tune and harmony parts. © Copyright 1963 by Cavendish Music Co Ltd This arrangement © Copyright 2017 by Ole Media Management L.P. d/b/a Cavendish Music Reproduced by permission of Ole Media Management L.P. d/b/a Cavendish Music.
Erne st Tomlinson always enjoyed the music of the English 18th century composer, Thomas Arne, and felt that his music was unjustly neglected. In the early 1950s he made an orchestral suite using keyboard pieces by Arne which he called A Georgian Suite. Later, he was asked by one of his publishers to produce some background music in the Georgian style and he composed a suite which he called Georgian Miniatures. (He also later composed an individual orchestral piece called A Georgian Miniature just to add to the confusion!) When his daughter, Hilary, asked him if he had any suitable pieces that could be arranged for her flute quartet he immediately thought of his Georgian Miniatures suite and arranged it for her. The suite was first performed at a concert in Settle, Yorkshire, by four flautists from Settle Orchestra, and remains a firm favourite. If played by a group of four flautists of similar ability it is fun to change part for each movement, as was done in the first performance, so that each player gets a turn at playing tune and harmony parts. © Copyright 1963 by Cavendish Music Co Ltd This arrangement © Copyright 2017 by Ole Media Management L.P. d/b/a Cavendish Music Reproduced by permission of Ole Media Management L.P. d/b/a Cavendish Music.
SKU: HL.49044195
ISBN 9790001190879. UPC: 840126933604. 9.0x12.0x0.065 inches.
The melodies from George Gershwin's (1898-1937) musicals, from 'Porgy and Bess', from orchestral pieces like 'Rhapsody in Blue' or 'An American in Paris', we all know them! But the career of the young musician started as a pianist in a music publishing house where he was to encourage customers to buy music by playing it. Soon he began to compose music himself and caught the attention of the Broadway, which paved the way to his international career. Inspired by Frederic Chopin's 24 Preludes, he began to write his own 'Preludes' for the piano in the mid-1920s: Of the five preludes composed by him, he used two for the violin composition 'Short Story' and presented the other three at a concert on 4 December 1926. These 'Preludes' combine classical moments and jazz elements into an effective whole and can be played individually or as a little jazz sonata (fast - slow - fast). Thanks to the present arrangement, the charming miniatures are now available in a version for solo instrument and piano accompaniment.
SKU: HL.49044196
ISBN 9790001190886. UPC: 888680784737. 9.25x12.0x0.06 inches.
SKU: TL.TCL016218
ISBN 9780857365743.
SKU: TL.TCL016058
ISBN 9780857365583.
Sele cted pieces for Trinity College London clarinet exams for 2017-2020, expertly graded and edited by leading music educators. This item contains the clarinet part only.
