Getting Into Guitar Improvising

For all guitarists interested in improvising the material in this method can apply to any style of music. This integrated approach to soloing provides numerous musical examples promotes an understanding of the theory behindimprovising and also promotes better visualization of shapes on the fingerboard through the use of fingerboard diagrams. The material presented in this comprehensive book ranges from fundamental concepts such as understandingmodes and scale and chord relationships to the application of various scales arpeggios and chromaticism. In addition more advanced areas are explored such as combining scales using extensions and superimposing. Includesstandard notation and tablature as well as fingerboard diagrams. The audio download available online demonstrates many of the examples in the book.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : All Styles Series : Getting Into Number of pages : 104 Getting Into Guitar Styles is the guitarist's guide to playing different musical styles. The styles that are covered include Blues, Rock, Country, Funk, R & B, Latin, Reggae, Fingerstyle, and Classical as well as different styles of Jazz such as Traditional Jazz, Contemporary Jazz, and Fusion. The musical elements and techniques that are used in different styles of music are looked at. The book not only looks at and demonstrates different musical styles, but in the process it shows the practical application of scales and other musical elements. Many of the examples on the companion CD are played with the written guitar part and also without the written part so you can play the written part with the rhythm tracks or improvise your own part. The book has standard notation and tablature as well as fingerboard diagrams. The companion audio CD is included.

Par JACKIE KING. Ce livre fournit le guitariste de jazz aspirant une connaissance approfondie des techniques compositionnelles et performance du jazz grâce à une compréhension de la musique de clés-Centre, improvisation et relation visual-tactile avec la guitare. Ecrit dans un style décontracté, conversationnel, Jackie vous emmène à travers des exemples, etudes et exercices combinant l\'utilisation de chromatisme, Arpèges, échelles et modes. Vous explorerez efficaces, de nouveaux concepts qui permettront de surprendre et de vous inspirer. Le CD de jeu-le long du compagnon comprend une section rythmique \' live \'. Ecrit en tablature et notation standard. / Niveau : Débutant à Intermédiaire / Jazz - Methods / Tablatures / Guitare Tablatures

Par GRIEVE STEVE. Destiné à début aux joueurs de niveau intermédiaires, ce didacticiel de guitare blues propose des leçons progressives chords, compilation, échelles, de phrasé et improviser solo. Nombreux exemples musicaux et les airs du livre sont écrites en notation standard et de tablatures de guitare ainsi que dans les grilles de corde lorsque cela est justifié. Tous les exemples apparaissent sur CD de compagnon du livre, enregistré à la guitare électrique uniquement. Conseils pratiques utiles et des suggestions de lecture et d'écoute sont fournies. L'auteur a méthodiquement introduit l'étudiant aux blues authentique styles et techniques, se référant à des artistes spécifiques, des enregistrements et des périodes dans le développement et l'évolution du jeu de guitare blues moderne. La relation entre les accords et de l'isolation est examinée, comme c'est le rôle de la guitare dans les ensembles de blues et d'enregistrements. Egale mettant l'accent est mis sur la corde de compilation, improvisant et liés à la théorie. Dès la fin du livre, l'étudiant doit être compétent dans l'exécution d'un large éventail de formes de blues un... / Niveau : Débutant à Intermédiaire / Blues - Methods / Tablatures / Guitare Tablatures

Par BECKER DAVID. Ce merveilleux projet porte sur l'utilisation de formes de corde (principalement les triades) dans la construction d'un solo de ligne unique. Elle s'ouvre également une partie du mystère de l'idéogramme en montrant exactement comment l'idéogramme concerne harmonie diatonique sans utiliser la seule note échelles. Non seulement les nouvelles lignes apparaîtra plus faciles, mais voicings corde nouvelle et utilisable apparaîtra également. Ces cordes seront liées à des lignes jouées. Elle aidera également s'éloigner de la position de jouer et d'ouvrir le cou, supprimant les trous noirs. Il y a aussi un coup d'oeil au phrasé et comment rythmiques la compréhension est importante pour le développement harmonique et mélodique amélioration. Companion CD inclus. / Niveau : Intermédiaire / Jazz - Improvisation / Tablatures / Guitare Tablatures

Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing' If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.' ' Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.' ' Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!' ' Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ' in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!' ' Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!' ' Henry Johnson

Media Type : Book/CD Set Level : Beginning Musical Genre : Rock & Blues Number of pages : 42 One of the all-time best selling books on blues lead guitar playing. Playing lead blues-rock guitar depends on mainly two things: 1) what you can hear in your mind, and 2) getting your fingers to the proper sounds on your instrument. This book was written with emphasis on the second idea. There are four blues-rock finger patterns used in this book utilizing all six strings of the guitar with each pattern. These four patterns connect with each other enabling the lead player to use the entire fingerboard and range of the guitar to express his musical ideas. Charts are used to show you how to place these four patterns at the proper place on the neck for improvising in any key. Great rock solos can be played in any one of these for patterns or in any combination of the patterns. Written in box diagram and tablature form (notation also included), this fine text takes the beginning guitarist into solid, funk/rock lead solo playing. Play-along CD included.