This study score is based on the critical edition of The Barber Of Seville edited by Patricia B. Brauner and published in 2008 as part of the series Works of Gioachino Rossini . But who needs a new critical edition of The Barber Of Seville The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars andperformers.Thus the famous overture which Rossini had already used in his earlier opera Aureliano in Palmira differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in Aureliano in Palmira ) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera The Barber Of Seville (with just one flute one oboe and no timpani).A series of appendices contain music and information which have been included in no other edition of the opera to date.- Takes into account all original sources also including five manuscripts with Rossini s autograph ornamentation.- Takes into consideration the full extent of Rossini s personal notational characteristics.- With a detailed foreword (Eng/Ital)
SKU: VD.ED28940
ISBN 9790202019405. 11.69 x 8.26 inches.
SKU: M7.DOHR-12638
ISBN 9790202026380.
Beim der Cavatine Du Barbier de Séville de Rossini (erschienen 1878) besteht die Leistung von Louis Mayeur in der tongetreuen Übertragung der berühmten Cavatine der Rosina aus dem ersten Akt von Gioachino Rossinis (1792-1868) Oper Il barbiere di Siviglia (Der Barbier von Sevilla; 1816). Lediglich die Melodie der Coda überträgt Mayeur - abweichend vom Original - zusätzlich dem Saxophon.
SKU: BT.DHP-1084435-140
9x12 inches. English-German-French-Dut ch.
Italian composer Gioacchino Rossini is undoubtedly best known forhis opera The Barber of Séville. This opera features the sopranoaria ‘Una voce poco fa’, which has been performed by many divasincluding Maria Callas, Teresa Berganza and Kathleen Battle. Thistranscription by Gerard Posch has been written for alto saxophoneand concert band, however the saxophone solo can also be sungby a soprano - as in the original aria Una Voce Poco Fa ist eine der großen Soloarien aus Der Barbier von Sevilla, Rossinis wohl berühmtester Oper, die er in nur 19 Tagen schrieb und der er doch bis heute den meisten Ruhm verdankt. In der Originalversion der Oper von der weiblichen Hauptfigur im Mezzosopran gesungen, verhilft Gerard Poschs Bearbeitung der Arie für Blasorchester dem Altsaxophon zu einem glanzvollen Soloauftritt. Alternativ kann anstelle des Saxophonsolos auch die Originalarie von einem Sopran gesungen werden.Le Barbier de Séville est l'opéra le plus célèbre de Rossini. Écrit en peine treize jours, Rossini y mène le genre de l’opéra bouffe la perfection avec, au passage, quelques joyaux comme la cavatine Una voce poco fa, affectionnée par les divas telles que Maria Callas, Kathleen Battle ou Teresa Berganza. Cette version de Gerard Posch est écrite pour Saxophone alto solo (ou voix de soprano) et Orchestre d’Harmonie.
SKU: BT.DHP-1084435-010
SKU: HL.49041858
ISBN 9783795780166.
