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| Ouvertures V.2 (Fiati)
 Italiano
Quintette
Sinfonica Jazz
A cura del quintetto DanziIl barbiere di Siviglia - Tancredi / Quintette
Délais: 2-5 jours - En Stock Fournisseur |
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| Barbiere Di Siviglia
Edizione Critica (Le
barbier de
Séville) [Vocal Score]
RICORDI
Revisione Di A. Zedda Con Prefazione In Italiano E Inglese. Par ROSSINI GIOACHIN...(+)
Revisione Di A. Zedda Con Prefazione In Italiano E Inglese. Par ROSSINI GIOACHINO. Gioachino Rossini (1792-1868) was an Italian composer who is best remembered for his operas. The 1815 masterpiece Il Barbiere Di Siviglia is widely considered the greatest of comic operas. The libretto was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. This Ricordi Critical Edition of the VocalScore is in Italian and English./ Répertoire / Chant et Piano
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| Gioachino Rossini: Una
voce poco fa (from Il
barbiere di Siviglia):
Voice & [Vocal Score]
Schirmer
Gioacchino Rossini's Una Voce Poco Fa from the opera Il Barbiere Di Siviglia f...(+)
Gioacchino Rossini's Una Voce Poco Fa from the opera Il Barbiere Di Siviglia for Coloratura Voice and Piano in the key of E. Edited by Estelle Liebling.
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| Gioachino Rossini: Il
barbiere di Siviglia:
Voice
Piano, Voix
Ricordi
The new reduction of Il barbiere di Siviglia is based on the critical edition of...(+)
The new reduction of Il barbiere di Siviglia is based on the critical edition of the full score by Alberto Zedda that republished in 2009 appeared in turn as a fully revised edition - in the light of new sources and updated philological criteria -of the historic and pioneering critical edition of 1969. The 1969 Barbiere di Siviglia was based on the autograph and on manuscript and printed sources still considered primary: the copies from Giovanni Battista Cencetti (now kept at the New York Public Library at the Bibliomediateca of Santa CeciliaAcademy in Rome at the Biblioteca Palatina in Parma and at the Bibliothèque nationale de France in Paris) the copies from Naples Florence the main score and vocal scores of the time the fi rst printed libretto many manuscript copies ofAureliano in Palmira work in which Zedda recognized the source of the Symphony of Il Barbiere di Siviglia. To these in 2009 were added all the materials found and transcribed by Zedda after the publication of the volume of 1969.In the Appendices of this edition are published for the fi rst time in vocal score all the new materials added between 1969 and 2009 among them: the aria added for Rosina ?Ah se è ver? (Appendix II) an alternative aria for Rosina for the lessonscene ?La mia pace la mia calma? (Appendix III) an alternative aria for Bartolo ?Manca un foglio? (Appendix IV) and the vocal autograph variants for NN. 5 7 16 (Appendix I).In addition to the musical texts there are - both in Italian and in English - an historical Introduction (in the first volume) and a Critical Commentary to the musical text (in the second volume).
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| Gioachino Rossini: Opera
Arias for Mezzo Soprano
and Orchestra: Vocal and
Other
Voix Soprano [Partition + CD]
Music Minus One
Performed by Ivanka Ninova mezzo-soprano Accompaniment: Orchestra of the Sofia ...(+)
Performed by Ivanka Ninova mezzo-soprano Accompaniment: Orchestra of the Sofia National Opera Conductor: Nayden Todorov Here's a collection of eternal classics from the great Gioachino Rossini's pen-including arias from such great operas as Il Barbiere di Siviglia and L'Italiana in Algeri. Mezzo great Ivanka Ninova performs these complete editions for your reference then she steps aside and you take your place alongside maestro Todorov and the orchestra of the world-famous Sofia National Opera. Brava! Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) indigital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.
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| Gioachino Rossini: Una
voce poco fa (from Il
barbiere di Siviglia):
High Voice:
Voix haute, Piano [Partition]
Schirmer
High Voice in F-This extract from Rossini's Il Barbiere Di Siviglia Version for ...(+)
High Voice in F-This extract from Rossini's Il Barbiere Di Siviglia Version for High Voice and Piano in the key of F. Edited by Estelle Liebling this edition also contains inlcudes optional cadenzas.
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| Gioachino Rossini: The
Barber Of Seville: Voice:
Vocal Score
Piano, Voix [Vocal Score]
Dover Publications
The well-known aria announcing the barber's entrance — 'Figaro!… Eh...(+)
The well-known aria announcing the barber's entrance — 'Figaro!… Eh Figaro!' — highlights this comic romp of an opera. Based on Beaumarchais' Le Barbier de Seville Rossini's 1816 classic began as Almaviva or the Useless Precaution in an attempt to avoid confusion with a highly successful Il Barbiere di Siviglia of a half-century earlier. An opening night fiasco and persistent interruptions during the premiere by fans of the older play were but momentary detours on the path of this masterpiece to international fame. With the now-famous overture in place the work reached the operatic capitals of the world becoming the first opera to be sung in Italian in NewYork. Ideal for conductors soloists chorus members and rehearsal pianists this practice and performance vocal score is based on the classic 1900 Schirmer edition. Please note that the lyrics appear in the original Italian only.
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| Gioachino Rossini: Five
Great Overtures - Full
Score: Orchestra: Score
Orchestre
Dover Publications
Renowned for their elegance lively rhythms and beautiful melodies Rossini ove...(+)
Renowned for their elegance lively rhythms and beautiful melodies Rossini overtures are staples of concerts around the world — with or without the operas they introduce. This attractive modestly priced compilation features the overtures from Il barbiere di Siviglia (The Barber of Seville) L’italiana in Algeri (The Italian Girl in Algiers) Il turco in Italia (The Turk in Italy) La Cenerentola (Cinderella) and Il viaggio a Reims (The Journey to Reims). Reproduced from authoritative early scores.
Délais: En Stock |
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| Gioachino Rossini: Il
barbiere di Siviglia:
Opera: Libretto
Schirmer
The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest...(+)
The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatistBeaumarchais considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win thelovely Rosina in the process outwitting her ward Dr. Bartolo who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Scoreand is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling. This is the Schirmer edition of the Libretto in Italian with an English translation byRuth and Thomas Martin.
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| Gioachino Rossini: Il
Barbiere Di Siviglia
Ricordi
14.75 GBP - vendu par Musicroom GB |
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| Gioachino Rossini:
Overture Il Barbiere Di
Siviglia: Wind Ensemble:
Score &
Compusic
19.99 GBP - vendu par Musicroom GB |
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| Gioachino Rossini: Ecco
ridente in cielo da Il
Barbiere di Siviglia:
Tenor:
Italiano
Voix Tenor, Piano
CARISCH
Ecco ridente in cielo da Il Barbiere di Siviglia
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| Gioachino Rossini: Il
Barbiere di Siviglia:
Concert Band: Score
Orchestre d'harmonie
Mitropa Music
Sinofinia dall'opera-La première du Barbier de Séville de Gioacchino Rossini c...(+)
Sinofinia dall'opera-La première du Barbier de Séville de Gioacchino Rossini connut un échec retentissant. Dès le lendemain Rossini remplaça l?ouverture nouvellement composée par l?une de ses compositions précédentes l?ouverture d?Aureliano in Palmiro un opéra peu connu. Le 18 août 1816 à Bologne la création de la nouvelle version du Barbier de Séville reçut un accueil triomphal. Un succès jamais démenti depuis.
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| Gioachino Rossini: Il
Barbiere di Siviglia:
Concert Band: Score &
Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Mitropa Music
Sinofinia dall'opera-La première du Barbier de Séville de Gioacchino Rossini c...(+)
Sinofinia dall'opera-La première du Barbier de Séville de Gioacchino Rossini connut un échec retentissant. Dès le lendemain Rossini remplaça l?ouverture nouvellement composée par l?une de ses compositions précédentes l?ouverture d?Aureliano in Palmiro un opéra peu connu. Le 18 août 1816 à Bologne la création de la nouvelle version du Barbier de Séville reçut un accueil triomphal. Un succès jamais démenti depuis.
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| Rossini Gioachino - Il
Barbiere Di Siviglia.
Ouv. - Orchestra
Breitkopf & Härtel
Composer : Rossini, Gioachino Antonio Edition : ScoreSeparate Parts available on...(+)
Composer : Rossini, Gioachino Antonio Edition : ScoreSeparate Parts available on demand
Délais: Sur commande |
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| Gioachino Rossini: Four
Famous Melodies For Bb
Clarinet And Piano:
Clarinet:
Ricordi London
Guglielmo Tell Assedio Di Corinto Barbiere Di Siviglia
Délais: En Stock |
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| Le Barbier De
Séville (Il
barbiere di Siviglia)
 En Français
Livret
Billaudot
La référence LV0153 de l'éditeur Billaudot dont l'auteur célèbre est Rossin...(+)
La référence LV0153 de l'éditeur Billaudot dont l'auteur célèbre est Rossini Gioacchino, qui a pour titre LE BARBIER DE SEVILLE, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livret
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| Operatic Anthology Vol.5
- Basse Et Piano
Voix basse, Piano [Partition] - Intermédiaire/avancé
Schirmer
Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ' A un dottor della mia...(+)
Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ' A un dottor della mia sorte (Il Barbiere di Siviglia) ' Cornelius: Mein Sohn (Der Barbier von Bagdad) ' Smetana: Kezal's Aria (The Bartered Bride) ' Puccini: Vecchia zimarra (La Boheme) ' Mussorgsky: I have attained to power (Boris Godunov) ' Varlaam's Song (Boris Godunov) ' Pimen's Tale (Boris Godunov) ' Verdi: Dormiro sol nel manto mio regal (Don Carlo) ' Infelice! e tuo credevi (Ernani) ' Infin che un brando vindice (Ernani) ' Come dal ciel precipita (Macbeth) ' Il lacerato spirito (Simon Boccanegra) ' Di due figli vivea, padre beato (Il Trovatore) ' Mozart: Madamina! il catalogo e questo (Don Giovanni) ' Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ' Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ' Se vuol ballare, signor Contino (Le Nozze di Figaro) ' Non piu andrai (Le Nozze di Figaro) ' In diesen heil'gen Hallen (Die Zauberflöte) ' O Isis und Osiris (Die Zauberflöte) ' Donizetti: Ah, un foco insolito (Don Pasquale) ' A tanto amor (La Favorita) ' Dalle stanze, ove Lucia (Lucia di Lammermoor) ' Tchaikovsky: Gremin's Aria (Eugene Onegin) ' Gounod: Vous qui faites l'endormie (Faust) ' Le veau d'or (Faust) ' Beethoven: Hat man nicht auch Gold daneben (Fidelio) ' Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ' Mein Herr und Gott (Lohengrin) ' Nun hort und versteht (Pogner's Address) (Die Meistersinger) ' Tatest du's wirklich' (Tristan und Isolde) ' Ponchielli: Ombre die mia prosapia (La Gioconda) ' Meyerbeer: Piff, Paff (Les Heugenots) ' Gluck: De noirs pressentiments (Iphigenie en Tauride) ' Halvey: Si la rigueur (La Juive) ' Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ' Massenet: Epouse quelque brave fille (Manon) ' Flotow: Lasst mich euch fragen (Porter Song) (Martha) ' Thomas: De son coeur j'ai calme la fievre (Mignon) ' Dargomyzhsky: The Miller's Song (Rusalka).
Délais: Sur commande |
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| HENRIK WIESE - THE
PICCOLO AUDITION
Flûte traversière
UNIVERSAL EDITION
Henrik Wiese once again draws on his wealth of experience as a flutist and pedag...(+)
Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book “The Piccolo & Alto Flute Audition“, he has compiled a total of 207 audition excerpts in a carefully edited and clearly arranged compendium. In alphabetical order, it contains standard passages from orchestral works of various genres throughout music history, both common and less frequently requested. This up-to-date collection is a reliable companion and indispensable for optimal preparation for international auditions of all kinds at the opera, with symphony or chamber orchestras.
Easy-to-read, uniform and modern layout make the edition convenient to use. The critical report and chronological list of audition excerpts for quicker stylistic classification make the editor a comprehensive coach for flutists. Numerous other tips and remarks gained by Wiese from his practical experience and exchange with colleagues and students complete the book. International demand is fulfilled by the texts being in three languages (German, French, English), thus making “The Piccolo & Alto Flute Audition“ the equivalent of the already established edition “The Flute Audition“.
Bartók Béla: III. Pe loc aus Rumünische Volkstänze
Bartók Béla: III. Elegia aus Concerto for Orchestra
Bartók Béla: V. Finale aus Concerto for Orchestra
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 5
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 9
Berg Alban: 1. Akt, 4. Szene aus Wozzeck
Berg Alban: 2. Akt, 2. Szene aus Wozzeck
Berlioz Hector: 3. Teil, Szene XII. Meuet des Follets aus La damnation de Faust
Berlioz Hector: V. Songe d'une nuit du Sabbat aus Symphonie fantastique
Bizet Georges: 1. Akt, Nr. 2 Marche et choeur des gamins aus Carmen
Bizet Georges: 3. Akt, Nr. 18 Introduction aus Carmen
Borodin Alexander: Allegro vivo und Presto aus Polowetzer Tänze
Brahms Johannes: Variation V aus Variationen über ein Thema von Haydn
Brahms Johannes: Variation VIII aus Variationen über ein Thema von Haydn
Brahms Johannes: 4. Satz aus Klavierkonzert Nr. 2
Brahms Johannes: 3. Satz aus Symphonie Nr. 4
Britten Benjamin: II. Sunday Morning aus Four Sea Interludes
Britten Benjamin: IV. Storm aus Four Sea Interludes
Britten Benjamin: Variation A aus The Young Person's Guide to the Orchestra
Britten Benjamin: Fugue aus The Young Person's Guide to the Orchestra
Delibes Léo: 2. Akt, Nr. 11 Musique des automates aus Coppélia
Donizetti Gaetano: Sinfonia aus Don Pasquale
Donizetti Gaetano: Nr. 7 Scena e Quartetto aus Don Pasquale
Dukas Paul: Scherzo, Poco animando und Vif aus L'Apprenti sorcier
Dvorák Antonín: 3. Satz aus Symphonie Nr. 6
Dvorák Antonín: 1. Satz aus Symphonie Nr. 9
Händel Georg Friedrich: 1. Akt, Nr. 11 Aria Augelletti, che cantate (Almirena) aus Rinaldo
Hindemith Paul: II. Marsch und Pastorale aus Nobilissima Visione
Holst Gustav: III. Merkur aus Die Planeten
Holst Gustav: Dance of the spirits of water aus der Ballettmusik The Perfect Fool
Ippolitov-Ivanov Michail: Nr. 4 Procession of the Sardar aus Suite Nr. 1 Caucasian Sketches
Janácek Leoš: 3. Satz The Queen's Monastery, Brno aus Sinfonietta
Kodály Zoltán: Marosszéker Tänze
Kodály Zoltán: Tänze aus Galánta
Ljadow Anatoli: VII. Dancing Song aus Acht russische Volkslieder
Mahler Gustav: III. Von der Jugend aus Das Lied von der Erde
Mahler Gustav: IV. Urlicht aus Symphonie Nr. 2 Auferstehung
Mahler Gustav: V. Der große Appell aus Symphonie Nr. 2 Auferstehung
Mozart Wolfgang Amadeus: 2. Akt, Nr. 13 Aria Alles fühlt der Liebe Freuden (Monostatos) aus Die Zauberflöte
Ponchielli Amilcare: 3. Akt Danza delle Ore, Finale aus La Gioconda
Prokofieff Sergei: I. The Birth of Kijé aus der Suite Leutnant Kishe
Prokofieff Sergei: IV. Troika aus der Suite Leutnant Kishe
Puccini Giacomo: Suor Angelica
Puccini Giacomo: 3. Akt, 1. Szene aus Turandot
Ravel Maurice: II. Malagueña aus Rapsodie espagnole
Ravel Maurice: IV.Feria aus Rapsodie espagnole
Ravel Maurice: II. Petit Poucet aus My mère l'Oye
Ravel Maurice: III. Laideromette, Imperatrice des Pagodes aus My mère l'Oye
Ravel Maurice: Lever du jour aus der Suite Daphnis et Chloé
Ravel Maurice: Pantomime aus der Suite Daphnis et Chloé
Ravel Maurice: Danse générale aus der Suite Daphnis et Chloé
Ravel Maurice: Boléro
Ravel Maurice: 1. Satz aus Klavierkonzert G-Dur
Ravel Maurice: 3. Satz aus Klavierkonzert G-Dur
Rimski-Korsakow Nikolaj: 3. Satz The Young Prince and The Young Princess aus Sheherazade
Rimski-Korsakow Nikolaj: 4. Satz Festiva at Baghdad aus Sheherazade
Rossini Gioachino: Sinfonia aus der Ouverture zu La scala di seta
Rossini Gioachino: Sinfonia aus der Ouverture zu L'Italiana in Algeri
Rossini Gioachino: 1. Akt, Nr. 2 Cavatina Largo al Factotum (Figaro) aus Il barbiere di Siviglia
Rossini Gioachino: 1. Akt, Nr. 8 Finale 1, Stretta aus Il barbiere di Siviglia
Rossini Gioachino: Sinfonia aus der Ouverture zu La gazza ladra
Rossini Gioachino: Sinfonia aus der Ouverture zu Semiramide
Rossini Gioachino: Sinfonia aus der Ouverture zu Wilhelm Tell
Schönberg Arnold: Nr. 18 Der Mondfleck aus Pierrot lunaire
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 7
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 4. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 5. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 15
Sibelius Jean: III. Alla marcia aus der Suite Karelia
Smetana Bedrich: Vivacissimo aus Die verkaufte Braut
Sousa Filipe de: March aus The Stars and Stripes Forever
Strauß Johann (Sohn): Ouverutre aus Die Fledermaus
Strawinsky Igor: Variation de l'oiseau de feu aus der Suite L'Oiseau de Feu
Strawinsky Igor: Ronde des princesses (Khorovode) aus der Suite L'Oiseau de Feu
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 4. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 2. Akt, Nr. 12 Divertissement, c) Le thé (Danse chinoise) aus Der Nussknacker
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 6
Verdi Giuseppe: 2. Akt Ballabile aus der Oper Aida
Verdi Giuseppe: 1. Akt Coro Fuoco di goia aus der Oper Otello
Verdi Giuseppe: 3. Akt Ballettmusik aus der Oper Otello
Verdi Giuseppe: 1. Akt, 2. Teil aus der Oper Falstaff
Verdi Giuseppe: 1. Akt, Nr. 2 Introduzione aus der Oper La traviata
Verdi Giuseppe: 1. Teil, 1. Szene, Nr. 4 Coro di Zingari e Canzone aus der Oper Il trovatore
Verdi Giuseppe: 3. Akt, Nr. 13 Scena, Terzetto e Tempesta aus der Oper Rigoletto
Wagner Richard: 3. Szene aus der Oper Das Rheingold
Wagner Richard: 3. Akt, 2. Szene Feuerzauber aus der Oper Die Walküre
Holst Gustav: V. Saturn, the Bringer of Old Age aus Die Planeten
Holst Gustav: VII. Neptun, the Mystic aus Die Planeten
Ravel Maurice: 1. Teil Danse religieuse aus Daphnis et Chloé
Ravel Maurice: 1. Teil Danse générale aus Daphnis et Chloé
Ravel Maurice: 2. Teil Danse guerrière aus Daphnis et Chloé
Ravel Maurice: 3. Teil Lever du jour aus Daphnis et Chloé
Ravel Maurice: 3. Teil Pantomime aus Daphnis et Chloé
Ravel Maurice: 3. Teil Danse générale aus Daphnis et Chloé
Strawinsky Igor: 1. Teil L'Adoration de la terre aus Le sacre du printemps
Strawinsky Igor: 1. Teil Danses des adolescentes aus Le sacre du printemps
Strawinsky Igor: 1. Teil Rondes printanières aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Introduction aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Cercle mystérieux des adolescentes aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Action rituelle des ancêtres aus Le sacre du printemps / Partitions classique / Bois / Flûte traversière / UNIVERSAL EDITION
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