Matériel : CD-ROM
SKU: HL.35027753
UPC: 884088539009. 5x5 inches. J. Paul Williams/Joseph M. Martin/Douglas Nolan.
Uses: Communion, Maundy Thursday, Holy Week, generalScriptu re: Luke 22:19The upper room is the scene for this tender song for communion or Maundy Thursday. A winsome solo creates intimacy and the rich choral response is an emotional call to purpose for the banquet of grace. Available for the first time with its orchestration and individual track, this pull-out from the celebrated cantata Song of the Shadows is essential repertoire for the sanctuary choir.
SKU: HL.49003005
ISBN 9780901938787. UPC: 073999922370. 6.5x10.0x0.214 inches. English.
Alleluia (Mozart) * Alleluia (Boyce) * Cedit Hiems Eminus * Christ is Risen Again * Death and Darkness * Early Morning * Easter Eggs * Easter Morning * Good Christian Men * Good Joseph had a Garden * Hail, Easter Bright * Hilariter * I Danced in the Morning * Jesus Christ is Risen Today * Jesus, Life and Comfort Given * Let the Merry Church Bells Ring * Let the Song be Begun * Let us Sing this Easter Morning * Lord of the Dance * Now the Green Blade Riseth * O Sons and Daughters * Ring the Bell, Ring it Well * Slowly Winter Fades Away * The Angel rolles the Stone away * The Drums of Calvary * The Glory of our King * The Lamb's High Banquet * The Whole Bright World * They were Beating as he dragged himself * The World itself keeps Easter day * This joyful Eastertide * Tomorrow shall be my dancing day * While Christ lay dead * Ye choirs of New Jerusalem.
SKU: GI.G-007589
If you or someone you know struggles with forgiveness and absolution, then this album of Father Jim's preaching and music is for you. Father Jim takes us on a personal journey to be free with forgiveness. His message is also for anyone who wants to explore the meaning of forgiveness.
SKU: JK.00014
Psalm 38:18.
Arranged for mixed chorus (SATB) and piano. Soprano high note: F.Composer: Lynn S. Lund Lyricist: Mabel Jones Gabbott Difficulty: Medium / medium acc. Performance time: 4:20Reference: Psalm 38:18.
SKU: BT.RSK200075
ISBN 9781789360110. English.
Learn to play rock and pop with Rockschool. These Specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Drums Grade 1 contains eight of the biggestrock tracks from the past five decades arranged for you to play in your Grade 1 exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Performance Certificate.
Featur ing:
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SKU: HL.2500189
ISBN 9781575603339. UPC: 073999196351. 9x12 inches. Joe Charupakorn Book/Online Audio.
Discover the basics of playing bass as you learn hands-on how to play more than 35 Metallica songs. Features instruction by Joe Charupakorn and audio tracks with complete demonstrations of every lesson. Songs include: Battery â?¢ Blackened â?¢ The Call of Ktulu â?¢ Damage, Inc. â?¢ Enter Sandman â?¢ Eye of the Beholder â?¢ Fade to Black â?¢ Fuel â?¢ Hero of the Day â?¢ Mama Said â?¢ Master of Puppets â?¢ One â?¢ Ride the Lightning â?¢ Seek and Destroy â?¢ The Unforgiven â?¢ Until It Sleeps â?¢ and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
About Hal Leonard Guitar Method
The world-famous Hal Leonard Guitar Method is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. The Hal Leonard Guitar Method provides a complete system to playing success which includes three levels of instruction and a myriad of play-along supplemental songbooks that let students play great songs while they're still learning to play.
SKU: KJ.WB542F
UPC: 084027053454.
Using chamber music textures contrasting with passionate tutti passages to exemplify the ideas of honor and forgiveness, Mark Camphouse has composed a strong centerpiece for your next concert or festival.
SKU: KJ.WB542
UPC: 084027053430.
SKU: CF.CAS114F
ISBN 9781491151709. UPC: 680160909209. 9 x 12 inches.
Canarios is a movement taken from the Suite Espanola for guitar by Gaspar Sanz, a leading composer of Spanish Baroque music.? Deborah Baker Monday presents this delightful arrangement in D major which engages all sections of the ensemble in the interplay between 6/8 and 3/4.? The rich and resonant texture makes this piece a great concert or festival selection.
Gaspar Sanz lived from ca.16401710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:
1 Espanoletas
Gaspar Sanz lived from ca.1640a1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
A A 1 EspaA+-oletas
Gaspar Sanz lived from ca.1640-1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS114
ISBN 9781491151334. UPC: 680160908837. 9 x 12 inches. Key: D major.
SKU: HL.14034403
English.
Twelve To Remember, Twelve To Come for Trombone and Ensemble was composed by Peter Bruun in 2001. Commisioned by Jesper Juul Sorensen Written for Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen, provided with funds from the Danish State Art Foundation. Programme note: The trombone concerto has been given the slightly cryptic title Twelve to remember twelve to come. The title refers to twelve irregular beats that are struck at the start of the piece by the percussionist on three clanging bottles. The figure 12 later becomes the most important building-block in the rhythm of the piece, and the twelve beats from the beginning return right at the end. The concerto waswritten for the trombone virtuoso Jesper Juul Sorensen, originally for trombone and large chamber ensemble. It was given its first performance in 2001 by Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen. Later the piece was reworked for trombone and orchestra - a version given its first performance by Jesper Juul Sorensen and the Aarhus Symphony Orchestra in 2003. Peter Bruun. Twelve To Remember, Twelve To Come for Trombone and Ensemble was composed by Peter Bruun in 2001.Commisioned by Jesper Juul Sorensen Written for Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen, provided with funds from the Danish State Art Foundation.Prog ramme note:The trombone concerto has been given the slightly cryptic title Twelve to remember twelve to come. The title refers to twelve irregular beats that are struck at the start of the piece by the percussionist on three clanging bottles. The figure 12 later becomes the most important building-block in the rhythm of the piece, and the twelve beats fromthe beginning return right at the end. The concerto was written for the trombone virtuoso Jesper Juul Sorensen, originally for trombone and large chamber ensemble. It was given its first performance in 2001 by Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen. Later the piece was reworked for trombone and orchestra - a version given its first performance by Jesper Juul Sorensen and the Aarhus Symphony Orchestra in 2003.Peter Bruun.
SKU: CF.BF120
ISBN 9781491149836. UPC: 680160907335. 9 x 12 inches.
Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player.Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come.
SKU: HL.134549
Author: Lutoslawski.
The music form of ''Les Espaces du Sommeil'' is determined to a high degree by the form of Robert Desnos' poem which imposed its division on phrases and a one-piece structure. ''I think that I owe the unusually clear form of music to the splendid composition ofthe text.'' [Witold Lutoslawski, RM no. 8, 1980]. The music fully respects the surrealistic and symbolist integrity of Desnos' poem.Lutoslawski was always behaving this way, but never before had he given precedence to a poet to such a degree. Such an impression isgiven by considerable parts of the text sung on one or a few neighbouring sounds and therefore resembling an ordinary recitation. [Tadeusz Kaczynski].
