SKU: HP.1971
UPC: 763628019716. By Giovanni Pergolesi. 1 Timothy 1:17, Luke 2:14.
Hymn tune by Giovanni Pergolesi Giovanni Pergolesi's original work has been set here for 3-4 octaves of bells and optional 3 octaves of handchimes and keyboard. The keyboard picks up the sixteenth-note figures while the bells ring the melody backed up by chordal texture. The handchimes part is made up of quarter and half-note chords, however, there are some chords tied across the bar line. Level two pieces with this full sound should be welcome by directors of those choirs.
SKU: WD.080689557231
UPC: 080689557231.
Angelic and divine, this Matt Redman/Jonas Myrin song continuously builds a feeling of heavenly worship and adoration, lifting glory to the Lord, the highest Name of Heaven! Complete your Christmas service with Glory to You in the Highest.
SKU: HP.AP451B
UPC: 763628251185. 1 Timothy 1:17, Luke 2:14.
Original anthem Allen Pote's original festival anthem for Easter, On the Third Day, is one of the 'classics' in the Hope choral catalog. Allen has brought that same rousing excitement to his recent Christmas composition, Glory to God in the Highest. This Christmas Day anthem for mixed choir and keyboard, with optional brass, timpani and handbells, is truly full of joy.
SKU: CA.3111709
ISBN 9790007048662. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and parts available separately - see item CA.3111700.
SKU: WD.080689488238
UPC: 080689488238.
This enchanting anthem, made popular by gospel group Canton Junction, and memorably arranged by Marty Hamby, invites your choir and congregation to enter into the presence of our newborn King with humility, tenderness, and praise. Hallelujah, Glory to God in the highest! The words of the prophets have been fulfilled. More than a Babe, He is the King! Sing with the angel choir!
SKU: CA.3111749
ISBN 9790007048716. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.
SKU: CA.3111707
ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
SKU: CA.3111713
ISBN 9790007048693. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
SKU: CA.3111711
ISBN 9790007048679. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
SKU: CA.3111700
ISBN 9790007048631. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections.
SKU: CA.3111712
ISBN 9790007048686. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
SKU: HP.C6042C
UPC: 763628960421. Jay Althouse. Luke 2:14, I Chronicles 16:29.
Original anthem Here is a bright, exuberant anthem proclaiming glory to God suitable for many uses throughout the church year. A rhythmic pulse is the most prominent feature of the opening melody with a contrasting middle section incorporating an a cappella verse of the doxology, Praise God from whom all blessings flow. A powerful return to the proclamation of praise completes the work.
SKU: CA.3111705
ISBN 9790007048655. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
SKU: CA.3111719
ISBN 9790007136666. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.