| God Is the Lord of Everything (Choral Score) Chorale SATB - Intermédiaire MorningStar Music Publishers
SATB choir, optional congregation, keyboard, handbells - Intermediate SKU: MN...(+)
SATB choir, optional
congregation, keyboard,
handbells - Intermediate
SKU: MN.50-7067
Composed by John A.
Behnke. Catholic Year C
Christ the King; Catholic
Year C Thanksgiving Day;
Year C Thanksgiving; Year
C Reign of Christ;
Catholic Year A
Thanksgiving Day. Lent,
Easter Season, 21st
Century, Music. Choral
score. MorningStar Music
Publishers #50-7067.
Published by MorningStar
Music Publishers
(MN.50-7067). UPC:
688670570674. The
wonderful Simple Gifts
melody joined with an
original text, which
tells the story of
salvation. Each stanza
ends with the wonderful
refrain:Come sing your
praises to the Lord. Join
your vocal and handbell
(3-5 octave) choirs
together for a colorful
song of praise. Includes
a reproducible page for
congregation. $2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jesus Loves Even Me Chorale 2 parties SoundForth
(A Children's Choir Collection). Choral. For 2-part choir, piano, reproducible. ...(+)
(A Children's Choir
Collection). Choral. For
2-part choir, piano,
reproducible. Choral
collection. Sacred,
choral. Director's score,
piano score, and
reproducible vocal parts.
Published by SoundForth
$21.95 - Voir plus => Acheter | | |
| Again I Say Rejoice Chorale SATB SATB Integrity Music
Celebrating the Songs of Israel Houghton. By Israel Houghton. Arranged by Bj Dav...(+)
Celebrating the Songs of
Israel Houghton. By
Israel Houghton. Arranged
by Bj Davis/Bradley
Knight/Harold Ross/J.
Daniel Smith. (SATB).
Integrity Choral. 142
pages. Published by
Integrity Music.
(3)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale SATB SATB [Conducteur] Hal Leonard
Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages...(+)
Arranged by Mac Huff.
(SATB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) - 2 Part Chorale 2 parties [Conducteur] Hal Leonard
Arranged by Mac Huff. (2-part score). Broadway Choral. Size 9x12 inches. 96 page...(+)
Arranged by Mac Huff.
(2-part score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
(1)$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale [Conducteur] Hal Leonard
Arranged by Mac Huff. (SAB score). Broadway Choral. Size 9x12 inches. 96 pages....(+)
Arranged by Mac Huff.
(SAB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) (Singer's Edition) - SATB
Chorale SATB SATB [Conducteur] - Intermédiaire Hal Leonard
Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and s...(+)
Arranged by Mac Huff.
SATB Score for SATB
chorus. With vocal score,
lyrics and spoken text.
55 pages. Published by
Hal Leonard.
(16)$5.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lord Of Everything Chorale SATB SATB, Orchestre [Conducteur et Parties séparées] Shawnee Press
By Joseph M. Martin. Arranged by Stan Pethel. For SATB choir and orchestra. Scor...(+)
By Joseph M. Martin.
Arranged by Stan Pethel.
For SATB choir and
orchestra. Score and set
of parts. Text language:
English. 67 pages
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Everything Within Me Worships You with Fairest Lord Jesus (Orchestration) Chorale SATB Lillenas Publishing Co.
SATB choir - Moderate SKU: LP.765762150706 Arranged by Marty Parks. Anthe...(+)
SATB choir - Moderate
SKU:
LP.765762150706
Arranged by Marty Parks.
Anthems. Praise & Worship
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762150706).
UPC:
765762150706. Compl
ete parts for
accompaniment by live
orchestra. Includes full,
transposed conductor's
score and parts for
instruments which you may
photocopy (for your
church's use only). $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| ARKA - 3 Rituale (Full Score) Voix basse, Piano Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| God of Grace and God of Glory CD Chorale Hope Publishing Company
Choir SKU: HP.C5537C Arranged by Joel Raney. Piano with Optional B-Flat I...(+)
Choir SKU:
HP.C5537C Arranged by
Joel Raney. Piano with
Optional B-Flat
Instrument, Handbells,
Organ, Percussion,
Timpani, Trumpet,
Windchimes. Hope's Recent
Best Sellers Series.
Hymntune, Celebration,
Commemoration,
Dedication, General
Worship, Commitment,
Discipleship, Guidance,
Kingdom, Wisdom, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5537C.
Published by Hope
Publishing Company
(HP.C5537C). UPC:
763628955373. Matthew
3:2, Matthew 4:17,
Matthew 7:21, James 1:5,
1 Chronicles 22:13, 1
Chronicles 28:20, 2
Chronicles 32:7, Acts
4:13, Acts 4:29,
Deuteronomy 31:6-7,
Deuteronomy 31:23,
Ephesians 2:8-9, Esther
4:14, Hebrews 3:6, James
1:5,
Joshua. Classic
hymn Joel Raney pairs
the text of this profound
hymn with his own
original melody and
additional words to
capture the power and
glory of God's grace. The
essential elements of
this stately anthem call
for SATB choir and piano
accompaniment, but the
addition of organ,
handbells, 3 trumpets and
percussion makes this an
ideal selection for any
festive service of
praise. The appearance of
the hymn tune, CWM
RHONDDA, pulls everything
together along with the
deeply felt refrain:
Grant us hearts and hands
for service, Lord. On
your people pour your
holy power! The
Instrumental Parts
contain a Conductor's
Score and parts for
Organ, 3-5 octave
Handbells, 3 Trumpets in
B-flat, and Percussion
(Timpani, Suspended
Cymbal & Windchimes). $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| God of Grace and God of Glory Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
Arranged by Joel Raney. (SATB). Scripture References: Matthew 3:2 -- Matthew 4:...(+)
Arranged by Joel Raney.
(SATB). Scripture
References: Matthew 3:2
-- Matthew 4:17 --
Matthew 7:21 -- James
1:5. Celebration,
Commemoration,
Commitment, Dedication,
Discipleship, Guidance,
Hymntune, Kingdom,
Wisdom, Hymntune and
Sacred. Print Music
Single (SATB). 12 pages.
Published by Hope
Publishing Company.
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| St Luke Passion: The Passion of Our Lord Jesus Christ According to Luke Boosey and Hawkes
Chamber Orchestra, Children's Choir, Choral, Organ Accompaniment (Study Score) <...(+)
Chamber Orchestra,
Children's Choir, Choral,
Organ Accompaniment
(Study Score) SKU:
HL.48024549 SATB,
Children's Choir, Organ,
and Chamber
Orchestra. Composed
by James Macmillan.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 236 pages.
Boosey & Hawkes
#M060134487. Published by
Boosey & Hawkes
(HL.48024549). ISBN
9781784543808. UPC:
888680916671. 8.25x11.5
inches. Scored for
chorus, children's choir,
organ and chamber
orchestra, St. Luke
Passion adopts a
pared-back focus on
choral voices over its
75-minute span. Seeking a
more spiritual, inward
approach to match Luke's
text, the composer
eschews settings of
interpolated texts as
arias and the customary
Evangelist and Christ
soli: everything is sung
by choral forces. A
children's choir grants a
measure of innocence to
Christ as the sacrificial
lamb, emphasising aspects
of otherness, sanctity
and mystery.
The
Passion narrative is
framed by a Prelude
exploring the
Annunciation and a
Postlude taking us beyond
the Crucifixion to the
Resurrection and
Ascension. These
incorporate Gospel texts
where Luke explains the
Kingdom of God. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Thousand Tongues to Sing Your Praise - Orchestral Score and Parts Medallion Music
Orchestra, rhythm SKU: LO.30-3565MD Composed by Marty Parks. Choral. Sacr...(+)
Orchestra, rhythm SKU:
LO.30-3565MD Composed
by Marty Parks. Choral.
Sacred Anthem. Orchestral
score and parts.
Medallion Music
#30/3565MD. Published by
Medallion Music
(LO.30-3565MD). UPC:
000308149753. With
Psalm 150:6 (“Let
everything that has
breath praise the
Lord!â€) as its
foundation and adapted
from Charles
Wesley’s O For a
Thousand Tongues to Sing,
this offering from Marty
Parks is praise-filled
and God-centric. A
thousand tongues could
not proclaim the glories
of Your matchless
name.. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lobgesang Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited...(+)
(Symphonie-Kantate).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Douglass Seaton. For SST
vocal soli, SSAATB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, 2
violins, viola, cello,
contrabass, organ.
Stuttgart Urtext Edition.
Score available
separately - see item
CA.4007600. Praise and
thanks. Level 3. Complete
orchestral parts.
Language: German/English.
Composed 1840. Op. 52.
Duration 65 minutes.
Published by Carus Verlag
$426.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymn of Praise, MWV A 18 - Intermédiaire Carus Verlag
Orchestra SST Voices, SSAATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb,...(+)
Orchestra SST Voices,
SSAATB Choir, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Level 3
SKU: CA.4007604
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Douglass
Seaton. Carus plus:
Innovative practice aids;
Sacred vocal music; Carus
sheet music series: Vocal
scores XL; Stuttgart
Editions (Urtext):
Stuttgart Mendelssohn
Edition; occasions:
Praise and thanks.
Stuttgart Urtext Edition:
Mendelssohn. XL in large
print. Innovative
practice aids, Sacred
vocal music, Praise and
thanks. Vocal score.
Composed 1840. MWV A 18,
Op. 52. 104 pages.
Duration 65 minutes.
Carus Verlag #CV
40.076/04. Published by
Carus Verlag
(CA.4007604). ISBN
9790007240912. Language:
German/English. Men
delssohn describes to his
friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mendelssohn: Hymn of Praise. Carus Choir Coach - Intermédiaire Carus Verlag
Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Ti...(+)
Orchestra Soli SST, Coro
SSAATB, 2 Fl, 2 Ob, 2
Clt, 2 Fg, 4 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb, Org - Level 3 SKU:
CA.4007694
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Carus Choir Coach. Mp3,
Practice-CD, basso.
Sacred vocal music.
Compact Disc. Composed
1840. MWV A 18, Op. 52.
Duration 62 minutes.
Carus Verlag #CV
40.076/94. Published by
Carus Verlag
(CA.4007694).
German/English.
Mendelssohn describes to
his friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mendelssohn: Hymn of Praise. Carus Choir Coach - Intermédiaire Carus Verlag
Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Ti...(+)
Orchestra Soli SST, Coro
SSAATB, 2 Fl, 2 Ob, 2
Clt, 2 Fg, 4 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb, Org - Level 3 SKU:
CA.4007693
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Carus Choir Coach. Mp3,
Practice-CD, tenore.
Sacred vocal music.
Compact Disc. Composed
1840. MWV A 18, Op. 52.
Duration 62 minutes.
Carus Verlag #CV
40.076/93. Published by
Carus Verlag
(CA.4007693).
German/English.
Mendelssohn describes to
his friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymn of Praise, MWV A 18 Orgue - Intermédiaire Carus Verlag
Orchestra SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SST vocal soli,
SSAATB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4007698
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Douglass
Seaton. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
Lobgesang,
Symphonie-Kantate (Kart).
Innovative practice aids,
Sacred vocal music,
Praise and thanks.
Critical commentary.
Composed 1840. MWV A 18,
Op. 52. 60 pages.
Duration 65 minutes.
Carus Verlag #CV
40.076/98. Published by
Carus Verlag
(CA.4007698). ISBN
9790007217334. Language:
German/English. Men
delssohn describes to his
friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mendelssohn: Hymn of Praise. Carus Choir Coach - Intermédiaire Carus Verlag
Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Ti...(+)
Orchestra Soli SST, Coro
SSAATB, 2 Fl, 2 Ob, 2
Clt, 2 Fg, 4 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb, Org - Level 3 SKU:
CA.4007691
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Carus Choir Coach. Mp3,
Practice-CD, soprano.
Sacred vocal music.
Compact Disc. Composed
1840. MWV A 18, Op. 52.
Duration 62 minutes.
Carus Verlag #CV
40.076/91. Published by
Carus Verlag
(CA.4007691).
German/English.
Mendelssohn describes to
his friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mendelssohn: Hymn of Praise. Carus Choir Coach - Intermédiaire Carus Verlag
Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Ti...(+)
Orchestra Soli SST, Coro
SSAATB, 2 Fl, 2 Ob, 2
Clt, 2 Fg, 4 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb, Org - Level 3 SKU:
CA.4007692
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Carus Choir Coach. Mp3,
Practice-CD, alto. Sacred
vocal music. Compact
Disc. Composed 1840. MWV
A 18, Op. 52. Duration 62
minutes. Carus Verlag #CV
40.076/92. Published by
Carus Verlag
(CA.4007692).
German/English.
Mendelssohn describes to
his friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|