Matériel : Conducteur et Parties séparées
SKU: MB.95077M
ISBN 9780786686773. 8.75 x 11.75 inches.
In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing guitar solos on 24 gospel favorites. Each song is shown with a melody part in notation and tablature, lyrics, an accompaniment part in tablature and a stirring flatpicking solo in notation and tablature. The audio recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times at least. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. This recording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Includes access to online audio and video.     .
SKU: LP.765762083103
UPC: 765762083103.
South ern gospel enthusiasts rejoice! Here is an outstanding collection of your gospel favorites. These are songs of testimony fellowship and the hope of heaven - vital components for each of us in our walk of faith. Features Easy 2 Excel Flexible choral format for choirs of all sizes; Includes a complete Keyboard Accompaniment Edition; Pieces from today's most trusted (and revered) gospel arrangers. Choirs will find this book to be a staple in their choral diet and a refreshing addition to their customary worship collection. Southern Gospel Favorites is an ideal resource for summer choirs revivals camp meetings or any gathering place where southern gospel music is loved!
SKU: HL.49019403
ISBN 9783795746551. 7.5x11.0x0.163 inches. German. Christa Estenfeld-Kropp.
Al l melodies are very easy arrangements for beginners and can be played at home, school or in an ensemble. The arrangements can be played as solos or duets. Contents: Down by the Riverside * Glory Hallelujah * Go down Moses * O Happy Day * Rock My Soul * He's Got the Whole World in His Hands * Nobody Knows the Trouble I've Seen * Swing Low * and many more. Edition with CD.
SKU: HL.49019404
ISBN 9783795746544. 7.5x11 inches. German. Christa Estenfeld-Kropp.
Al l melodies are very easy arrangements for beginners and can be played at home, school or in an ensemble. The arrangements can be played as solos or duets. Contents: Down by the Riverside • Glory Hallelujah • Go down Moses • O Happy Day • Rock My Soul • He's Got the Whole World in His Hands • Nobody Knows the Trouble I've Seen • Swing Low • and many more.
SKU: BT.DHP-1002125-070
ISBN 9789043133098.
A medley of well-known gospel melodies. Contains: Go DownMoses, Swing Low Sweet Chariot, Nobody Knows and He’s Got theWhole World. Vier der bekanntesten, beliebtesten Gospelsongs in einer gelungenen Bearbeitung für vierstimmig variables Bläserensemble. Sommaire : Go Down Moses • Swing Low • Nobody Knows • He’s Got The Whole World.
SKU: LP.765762076327
UPC: 765762076327.
Stere o accompaniment CD trax for use on performance. Note - does not include rehearsal (internal) internal CD points.
SKU: LP.765762076129
UPC: 765762076129.
Split -channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.
SKU: LP.765762076525
UPC: 765762076525.
Bulk pack of ten performance demo CDs, each in a paper sleeve; useful as an aid for choir members learning music. Value-priced.
SKU: BT.DHP-1145564-050
English-German-French- Dutch.
The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan. De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan. Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.Th e Gospel Mass messe pour chÅ“ur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan. Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette Å“uvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.
