Matériel : Vocal Score
For SATB Divisi Chorus Unaccompanied-Drop Drop Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir Drop Drop Slow Tears is an updated choral setting of a 17th century poem by Phineas Fletcher. Graham Ross is an acclaimed composer and director who takes great pleasure in reviving forgotten or lesser-known works for a contemporary audience. The sheet music for this piece provides the parts for Soprano Alto Tenor and Bass voices as well as a Piano accompaniment for rehearsal purposes. Drop Drop SlowTears is a divine choral piece with beautifully poetic lyrics set to glorious harmonies. Your audiences will love the gorgeous melody of Graham Ross's expert composition.
SKU: HL.14027846
UPC: 884088594046. 6.75x9.75x0.05 inches.
For SATB choir divisi. Ross won the first National Youth Choir Composition Prize in association with Novello for his imaginative and original setting for mixed voices.
SKU: CA.334650
ISBN 9790007185756. Key: C major. Language: German. Text: Gerhardt, Paul.
SKU: CA.333370
ISBN 9790007184605. Key: C major. Language: German. Text: Gerhardt, Paul.
SKU: CA.333850
ISBN 9790007185039. Key: C major. Language: German. Text: Gerhardt, Paul.
SKU: HP.C5043O
UPC: 763628144708. By Graham Kendrick. 1 John 3:16, Isaiah 53:3-4, John 3:16, Luke 7:43, Matthew 18:32.
Popular praise song by Graham Kendrick This popular Graham Kendrick praise song about the sacrifice of Christ features extended melodic phrases which create exciting musical tension. Master arranger, John F. Wilson, and symphonic orchestrator, Mark Kellner, have made it both powerful and accessible. Ideal for the Lenten and Easter season or any occasion.
SKU: SU.27020085
Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:.
