Matériel : Partition
/ Violoncelle Et Guitare / Partition
SKU: BT.DHP-0950627-010
This great song, spectacularly arranged in big band style, describes the beautiful Spanish city of Granada. Dit aanstekelijke lied in een indrukwekkend arrangement in bigbandachtige stijl gaat over de Spaanse stad Granada. Dem japanischen Arrangeur Kazuhiro Morita gelang eine Bearbeitung des Klassikers vom mexikanischen Musiker und Komponist August n Lara, die vor Energie und südamerikanischem Temperament überschäumt. Eine gelungene Zugabenummer! Cette chanson merveilleuse, arrangée de manière spectaculaire dans un style big band, décrit la magnifique ville espagnole de Granada.
SKU: HL.44013433
UPC: 888680926151.
This great song, spectacularly arranged in big band style, describes the beautiful Spanish city of Granada.
SKU: HL.34307011
UPC: 888680099947. 12.0x9.0x0.051 inches.
SKU: HL.44013432
SKU: DB.01-00387
ISBN 9790012187417.
1. Originale Floh-Polka / 2. Gestatten, mein Name ist Floh! / 3. Wackelstein / 4. Am gelben Fluss / 5. Barbie's Disco / 6. Blattlaus-Polka / 7. Kanon mit Spiegelei / 8. An einem Pussta-Brunnen / 9. Floh im Ohr / 10. Tastenprofis erster Hit / 11. Dreirad-Express / 12. Herbstnebel, / 13. Nur keinen Sack mit Flohen huten / 14. Oase bei Nacht / 15. Kokiriko Bushi / 16. Palmen im Wind / 17. Nachmittag eines Regenwurms / 18. Software fur mein Klavier / 19. Quiet Night / 20. Country Dance & Grosses Preisratsel / 21. Toi, toi, toi / 22. Pajarito blanco - Pajarito negro / 23. Blues vom glucklichen Huhn / 24. Scaborough Fair / 25. Alter Floh erzahlt aus seiner Jugend / 26. Stolperstein / 27. Wo geht's denn hier nach Trinidad? / 28. Floh nach Rio / 29. Spatzen-Dixie / 30. Flohmarkt in Granada / 31. Ab mit der Post / 32. In den Anden landen / 33. Mo li hua / 34. Keine Flohe mehr / 35. Alpenfloh im Alpenzoo / 36. Canario / 37. Kleines Nichts / 38. Fremder Adler / 39. Kuhe sind nicht lila / u.v.a.
SKU: BO.B.3292
English comments: This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music criticComentari os del Espanol:Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.
SKU: HL.49047364
ISBN 9798350124866. UPC: 196288207610.
Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William ShakespeareÂ?s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originallywritten for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoÂ?s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which LorcaÂ?s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out.
SKU: BT.MUSUMP16782
Angelita is a Tango dance for solo Piano by Angel Barrios , probably written at some point in the first decade of the 20th century. It smoothly blends Iberian melodies and enthusiasm with exotic late Romantic harmonies, creating an exciting and catchy work. Angel Barrios (1882-1964) was a Spanish composer and classical guitarist. Born in Granada, he studied in Madrid and Paris, initially learning the Violin before switching to Guitar, becoming a formidable concert performer. He wrote many works for opera, which were performed in both Madrid and Granada, as well as orchestral pieces, dances, and solo works for Piano and for Guitar.
