Matériel : Octavo
SKU: CA.1900799
ISBN 9790007112929.
The Companion CD of the Gregorian Chant collection (CV 19.007) presents a cross section of the collection, with special attention to combinations of chants with hymns and choral setting. CD and collection are also available as a set (CV 19.007/20). Score available separately - see item CA.1900700.
SKU: GI.G-CD-984
This recording of Gregorian Chant from the Gloriæ Dei Cantores Schola celebrates the Feast of the Resurrection, which is rooted in the earliest centuries of Christian worship. This celebration of celebrations is a time for rebirth, and this recording reflects that sense of personal renewal and joy. The Chants of Easter includes the Propers of Easter Day and Gregorian chants for the octave of Easter---daily services that are part of the week-long celebration of the Easter miracle. These chants are conveyed with careful attention to subtleties in the ancient Gregorian notation, inviting listeners to share the experience of Christ's resurrection in all its richness.
SKU: GI.G-CD-983
UPC: 709887005121.
Glori æ Dei Cantores Schola presents The Chants of Angels. Using the ancient melodies and texts of the early church, each Gregorian chant depicts a new aspect or story of these heavenly guardians, guides and friends, from the most intimate plea to our own guardian angels, to the great announcement made to the Virgin Mary by the Archangel Gabriel. For those who are new to Gregorian chant and for seasoned scholars, The Chants of Angels allows listeners to simply close their eyes, and be surrounded by these songs of prayer and comfort -- just as they are surrounded by angels.
SKU: SU.27100010
Nine pieces of varying length based on Gregorian Chants, one for each season of the church year (Advent, Christmas, Epiphany, Lent etc.) Written chiefly as service music, several would also serve well as recital material, some meditative and some celebratory.Organ Composed: 2021 Published by: Alan MacMillan.
SKU: GI.G-1003
UPC: 709887078729.
Each CD in this two-volume set, with chants from the 10th to the 17th centuries, contains the best of the Monks of Solesmes—including the Te Deum, Stabat Mater, Ave Maria, chants for the liturgical year from Advent to Pentecost, hymns from the service of compline, chants de- voted to Our Lady and the Blessed Sacrament, as well as the Mass of the Angels. Each piece is taken from the Liber Cantualis and the corresponding reference number in the Cantualis is provided for each track, as well as the respective place in the service and/or litur- gical calendar.
SKU: FG.55011-888-1
Jyrki Linjama (b. 1962) composed Chants and Spirituals for brass quintet in winter 2022/2023 for the Finnish Radio Symphony Orchestra’s chamber music series. The title of the work points in two directions: to Gregorian chant and to American negro spirituals. The serious antiphon Apud Dominum meets summer chamber jazz vibes - as well as skillful polyphony and fanfares.This product includes the score and the set of parts.Duration: 20’Instruments :Trumpet 1 in BbTrumpet 2 in BbHornTromboneTubaMovements:I CantusII Spiritual 1III Spiritual 2IV Pastoral.
SKU: GI.G-2589E
ISBN 9782852742635.
Lati n Chants for the Ordinary of the Mass, with Chants for other occasions. The Constitution on the Sacred Liturgy of Vatican II asks that care should be taken in preparing the books of Gregorian Chant - #117 care should be taken in the production of editions to include simple melodies for use in small parish churches. The first edition of the Liber Cantualis was published in 1995 and has been re-edited mainly to achieve a good English translation of the texts. It contains the most familiar chants of the Mass, and four examples of the Alleluias. A second part contains chants for the sprinkling of Holy Water at Sunday Masses, seven easy to sing settings of the Ordinaries (Kyrie, Gloria, Sanctus, Agnus) two Credo (Creeds), Mass for the Dead, and the best known Sequences: Victimae Paschali Laudes, Veni Sancti Spiritus, Ecce Panis (Lauda Sion), Stabat Mater, a third part includes various chants in honor of the Blessed Sacrament, Our Lady and also chants for different liturgical Seasons, Gospel texts (magnificat, etc.), a few psalms and the complete Office of Compline. Many different countries and parishes use pieces in Latin and Gregorian Chant. This little book, with an English translation, may be of great help.
SKU: HL.44010846
UPC: 884088561376. 9x12 inches. English-German-French-Dut ch.
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature! From Ancient Times is een mijlpaal in het oeuvre van Jan Van der Roost. Doorgaans vinden zijn werken hun oorsprong veelal in de Vlaamse vocaalpolyfonie uit de renaissancetijd. Maar met gregoriaans gezang en middeleeuwse dansen grijpthij nu terug naar nog eerdere tijden. De basis voor dit grootse werk mag dan in 'ancient times' liggen, de toonspraak is dat zeer zeker niet..!From Ancient Times ist ein Meilenstein in Jan Van der Roosts Oeuvre, das vor allem von der Musik aus der Zeit der flamischen Vokalpolyphonie inspiriert ist. Mit gregorianischen Reminiszenzen und einem mittelalterlichen Tanz wird jedoch auch auf noch altere Musik zuruckgegriffen: Grundlage dieses grossartigen Werkes sind wahrlich alte Zeiten (ancient times), die Tonsprache hingegen ist vorwiegend modern. From Ancient Times est une oeuvre de grande envergure, qui puise dans la musique franco-flamande de la Renaissance. La trame s'appuie sur quelques principes et techniques d'ecriture caracteristiques de cette ecole qui a profondement transforme la musique occidentale. On y trouve egalement des reminiscences gregoriennes et une danse medievale, mais le langage sonore reste essentiellement moderne. From Ancient Times est un sublime hommage aux maitres des temps anciens.From Ancient Times e un brano di grande impatto che attinge nella musica rinascimentale franco-fiamminga. La trama si appoggia su principi e tecniche di scrittura caratteristici di questa scuola che ha profondamente trasformato la musica occidentale. Si colgono anche reminescenze gregoriane e una danza medioevale, ma il linguaggio sonoro resta moderno. From Ancient Times e un omaggio ai grandi maestri dei tempi antichi.
SKU: BT.DHP-1094715-120
9x12 inches. English-German-French-Dut ch.
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ancient times; while the tonal language is of a much more modern nature! From Ancient Times is een mijlpaal in het oeuvre van Jan Van der Roost. Doorgaans vinden zijn werken hun oorsprong veelal in de Vlaamse vocaalpolyfonie uit de renaissancetijd. Maar met gregoriaans gezang en middeleeuwse dansen grijpthij nu terug naar nog eerdere tijden. De basis voor dit grootse werk mag dan in ‘ancient times’ liggen, de toonspraak is dat zeer zeker niet..!From Ancient Times ist ein Meilenstein in Jan Van der Roosts Oeuvre, das vor allem von der Musik aus der Zeit der flämischen Vokalpolyphonie inspiriert ist. Mit gregorianischen Reminiszenzen und einem mittelalterlichen Tanz wird jedoch auch auf noch ältere Musik zurückgegriffen: Grundlage dieses großartigen Werkes sind wahrlich alte Zeiten (ancient times), die Tonsprache hingegen ist vorwiegend modern. From Ancient Times est une oeuvre de grande envergure, qui puise dans la musique franco-flamande de la Renaissance. La trame s'appuie sur quelques principes et techniques d'écriture caractéristiques de cette école qui a profondément transformé la musique occidentale. On y trouve également des réminiscences grégoriennes et une danse médiévale, mais le langage sonore reste essentiellement moderne. From Ancient Times est un sublime hommage aux maîtres des temps anciens.From Ancient Times è un brano di grande impatto che attinge nella musica rinascimentale franco-fiamminga. La trama si appoggia su principi e tecniche di scrittura caratteristici di questa scuola che ha profondamente trasformato la musica occidentale. Si colgono anche reminescenze gregoriane e una danza medioevale, ma il linguaggio sonoro resta moderno. From Ancient Times è un omaggio ai grandi maestri dei tempi antichi.
SKU: BT.DHP-1094715-140
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature! From Ancient Times is een mijlpaal in het oeuvre van Jan Van der Roost. Doorgaans vinden zijn werken hun oorsprong veelal in de Vlaamse vocaalpolyfonie uit de renaissancetijd. Maar met gregoriaans gezang en middeleeuwse dansen grijpthij nu terug naar nog eerdere tijden. De basis voor dit grootse werk mag dan in ‘ancient times’ liggen, de toonspraak is dat zeer zeker niet..!From Ancient Times ist ein Meilenstein in Jan Van der Roosts Oeuvre, das vor allem von der Musik aus der Zeit der flämischen Vokalpolyphonie inspiriert ist. Mit gregorianischen Reminiszenzen und einem mittelalterlichen Tanz wird jedoch auch auf noch ältere Musik zurückgegriffen: Grundlage dieses großartigen Werkes sind wahrlich alte Zeiten (ancient times), die Tonsprache hingegen ist vorwiegend modern. From Ancient Times est une oeuvre de grande envergure, qui puise dans la musique franco-flamande de la Renaissance. La trame s’appuie sur quelques principes et techniques d’écriture caractéristiques de cette école qui a profondément transformé la musique occidentale. On y trouve également des réminiscences grégoriennes et une danse médiévale, mais le langage sonore reste essentiellement moderne. From Ancient Times est un sublime hommage aux maîtres des temps anciens.From Ancient Times è un brano di grande impatto che attinge nella musica rinascimentale franco-fiamminga. La trama si appoggia su principi e tecniche di scrittura caratteristici di questa scuola che ha profondamente trasformato la musica occidentale. Si colgono anche reminescenze gregoriane e una danza medioevale, ma il linguaggio sonoro resta moderno. From Ancient Times è un omaggio ai grandi maestri dei tempi antichi.
SKU: BT.DHP-1094715-020
SKU: BT.DHP-1094715-010
SKU: GI.G-CD-821
From renowned chant expert and scholar Anthony Ruff, OSB, comes an incredible collection of Gregorian chant for choirs. The book contains 100 hymns and antiphons with psalm verses for every season and occasion. Word-by-word English translations of the Latin responses are provided to aid the singers’ understanding. The psalm verses are in Latin and English on facing pages with easy-to-follow pointing to match the psalm tones. The English psalm verses are from the Revised Grail Psalms. A demonstration recording of chants from Canticum novum is also available. This disc provides a very helpful model of singing these chants, while representing the broad range of chants in the complete collection. This groundbreaking work is sure to become a foremost resource for teaching and learning chant.
SKU: GI.G-CD-982
UPC: 709887005527.
Glori æ Dei Cantores Men's Schola sings these Gregorian chants of love and devotion to Mary, the Mother of God, the Theotokos, the Star of the Sea. While our names for her are as varied as the traditions that surround her being, one thing remains constant: she invariably points us to her own Son, teaching us to greet Him with that same yes by which she opened herself to Him, body, soul and spirit. May we all receive the blessing of her example, told through these ancient songs of faith. This SACD features the Stabat Mater, the Marian antiphons for Compline, and selected propers from the Feasts of the Immaculate Conception, the Nativity of Mary, the Annunciation, the Visitation, and the Assumption.
SKU: BT.DHP-1074334-050
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, where Benedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements of Cantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the other texts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the three movements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor: For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never sounds together with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensional performance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir could also sing from a gallery. With layouts like this, working with two conductors is advisable. Cantica de Sancto Benedicto ist ein dreisätziges Werk für gemischten Chor, Sopran-Solist, sinfonisches Blasorchester und Orgel ad lib. - zu lateinischen Texten über das Leben des Heiligen Benedikt. Es entstand im Auftrag der italienschen Stadt Nursia, dem Geburtsort von Benedikt. Jacob de Haan benannte die Sätze von Cantica de Sancto Benedicto nach der Heiligen Dreifaltigkeit: der Vater (Gloria Patri), der Sohn (Gloria Filio) und der Heilige Geist (Gloria Spiritui Sancto). Der Text zur Hymne Gemma Caelestis (der wie die übrigen Texte ursprünglich aus dem Gregorianischen Choral stammt) wird vom Chor gesungen. Zu diesem Zweck komponierteJacob de Haan neue choralartige, homophone Musik. Der Abschnitt Laeta Quies wird vom Sopran vorgetragen; die Strophen (die sich über alle drei Sätze verteilen) wechseln sich mit denen von Gemma Caelestis ab. Das Werk endet mit einem eindrucksvollen großartigen Finale, in dem Texte aus dem Proprium aus der Messe zu Ehren des Feiertags des Heiligen Benedikt (11. Juli) verwendet werden.Link zur Partitur: DHP 1074334-140Link zum Blasorchesterset: DHP 1074334-010 La partie de Soprano solo peut être confiée l’ensemble des sopranos du Chœur. Une autre alternative serait de faire chanter la partie de Soprano, partiellement ou entièrement, par un Ténor.Pour faciliter le travail ( domicile) des choristes, le compositeur tient leur disposition des fichiers audio de chaque partie vocale. Pour obtenir ces fichiers, il suffit de consulter le site www.jacobdehaan.com.Ca ntica de Sancto Benedicto (Cantate de saint Benoît) est une œuvre en trois mouvements pour Soprano, Chœur mixte, Orchestre d’Harmonie et Orgue (ad lib.). Basée sur des textes en latin relatant la vie de saint Benoît, cette cantate est uneœuvre de commande pour la ville de Nursie en Italie, ville natale du moine.Benoît de Nursie ou saint Benoît (vers 480-547) est considéré comme l’initiateur de la vie monastique dans l’Église catholique romaine. Son immense influence est essentiellement liée la rédaction d’une règle de vie : la Règle monastique de saint Benoît (Regula Benedicti).Jacob de Haan a choisi de donner le nom des trois personnes de la Sainte-Trinité aux trois mouvements de l’œuvre : le Père (Gloria Patri/ Gloire au Père), le Fils (Gloria Filio/ Gloire au Fils) et le Saint-Esprit (Gloria Spiritui Sancto/ Gloire au Saint-Esprit).Le texte de l’hymne Gemma Caelestis (utilisé dans le chant grégorien l’instar des autres textes) est chanté par le Chœur sur une musique de nature homophonique laquelle le compositeur a donné un style choral. La séquence Laeta Quies est chantée par la Soprano. La prose de la séquence est répartie sur les trois mouvements en alternance avec le texte de l’hymne latine. Le finale de l’œuvre est impressionnant. Il développe des textes du Propre de la Messe en l’honneur de la Saint-Benoît, célébrée le 11 juillet.
SKU: BT.DHP-1135481-020
This work is based on the 13th Century Dies irae (Day of Wrath) attributed to Thomas von Celano. Many famous composers have already employed this originally Gregorian chant in their works, including Berlioz, Saint-Saëns, Mahler and Lizst. In Jan de Haan’s Song of David - the title of which is taken from the third line of the Dies Irae text - the theme is presented in unison initially and then reappears in various guises. Dit werk is gebaseerd op het 13e eeuwse Gregoriaanse Dies Irae zoals we dit ook kennen uit werken van Berlioz, Saint-Saëns, Mahler en Liszt. Voor de titel van dit werk waarin hij het thema verschillende gedaantes meegeeft, haalde Jan de Haan zijn inspiratie in de derde zin van het Dies Irae, waarin verwezen wordt naar David. Dieses Werk basiert auf dem Dies Irae (Tag des Zorns) aus dem 13. Jahrhundert, das Thomas von Celano zugeschrieben wird. Bereits mehrere berühmte Komponisten, wie Berlioz, Saint-Saëns, Mahler und Liszt, haben den ursprünglichen gregorianischen Choral in ihren Werken verwendet. In Jan de Haan Song of David, dessen Titel auf die dritte Textzeile von Dies Irae verweist, wird das Thema zunächst einstimmig präsentiert und erscheint dann in verschiedenen Gewändern.Cett e Å“uvre s’inspire du Dies Irae attribué Tomaso da Celano, que l’on considère comme l’auteur de la version définitive de ce poème écrit au XIIIe siècle. Plusieurs compositeurs célèbres tels que Berlioz, Saint-Saëns, Mahler et Liszt, ont intégré des passages de chant grégorien dans leurs Å“uvres. Dans sa composition Song of David, dont le titre fait référence la troisième ligne du texte original, Jan de Haan présente un thème l’unisson qui sera repris ensuite dans différentes couleurs orchestrales.Ques to brano si ispira a Dies Irae attribuito a Tommaso da Celano, considerato l’autore della versione de_x001E_finitiva di questo poema scritto nel XIII secolo. Numerosi celebri compositori quali Berlioz, Saint-Saëns, Mahler e Liszt hanno integrato passaggi di questo canto gregoriano nelle loro opere. In Song Of David (il titolo fa riferimento alla terza strofa del testo originale), Jan de Haan presenta un tema all’unisono ripreso in seguito con diverse dinamiche.
