SKU: GI.G-10986
English. Text Source: Trad. Latin, 13th c., tr. anon.
SKU: GI.001174
English.
These colorful prayer sheets feature the traditional text of The Hail Mary‚ along with a border of original artwork by Brother Michael O'Neill McGrath. Inexpensively priced for quantity purchases. Great to give to Catechumens and candidates for initiation‚ First Communicants‚ those to be confirmed‚ all parishioner families on Mother's Day or a feast of Our Lady‚ Blue Army/Legion of Mary members‚ Altar and Rosary Society Members‚ or all who attend a May Crowning event.  8.5 x 11.
SKU: GI.G-008601
UPC: 641151086019.
This ethereal setting for two-part voices with organ accompaniment give the familiar Hail, Mary text a distinctive interpretation. The subtly shifting harmonies underscore the movement of the text to great effect. Its flexibility also lends the piece to a variety of voicings. Though particularly suitable for Marian-focused Advent celebrations, you will keep this gem handy year-round.
SKU: GI.G-3135
Translation: Various. Scripture: Luke 1:28, 42.
This edition presents five Marian texts set to plainchant, which can be sung in unison without accompaniment, but an accompaniment for organ or keyboard is included. An assembly card is also available for download, D-3135A. Text sources and uses include: Luke 1:28, 42, Council of Ephesis, Marian anthems at compline, Advent until Lent, during Lent, during Eastertime, and Trinity Sunday until Advent. Â
SKU: GI.G-6585G
UPC: 785147658573. English, Latin. Text Source: 'Hail Mary,' trad., alt. MB, 'Sing of Mary,' Roland F. Palmer, SSJE, 1891-1985, 'O Sanctissima,' Stimmen der Völker in Liedern, 1807. Text by Roland Ford Palmer.
SKU: GI.G-6585
UPC: 785147658504. English, Latin. Text Source: Hail Mary, trad., alt. MB, Sing of Mary, Roland F. Palmer, SSJE, 1891–1985, O Sanctissima, Stimmen der Völker in Liedern, 1807. Text by Roland Ford Palmer.
SKU: GI.G-2030
UPC: 785147203001.
Two-p art equal or SATB.
SKU: CA.4017160
ISBN 9790007063733.
Scor e available separately - see item CA.4017100.
SKU: PL.0017
This extended work sets the Martin text (Hail Mary, O Source of Life) from Hildegard von Bingen (12th cent.). Its use of much divisi creates a rich sound that reflects the ecstatic quality of the text. The shape of the long phrases is reminiscent of the motets of Bruckner. There is a lovely soprano duet at the words O dulcissima and the Gloria Patri is set in a fugal style, building to a dynamic climax and followed by a long decrescendo on the final Amen. This moving work is appropriate for Marian feasts and for concerts.
SKU: GI.G-003028
The second volume in this series that follows Feet Don’t Fail Me Now! Attractive and accessible, these organ pieces incorporate basic pedal for the advancing organist. The trio format helps the player acquire independence of hands-on separate manuals and the chant melodies are useful for the entire church year. Includes: Adoro Te Devote (Heavenly We Adore Thee), Attende Domine (Draw Near, O Lord), Ave Maria (Hail Mary), Creator Alme Siderum (Creator of the Stars of Night), Divinum Mysterium (Of the Father’s Love Begotten), O Filii et Filiae (O Sons and Daughters), Pange Lingua (Sing My Tongue), Parce, Domine (Sing my Tongue), Puer Natus Est in Bethlehem (A Child is Born in Bethlehem), Veni Creator Spiritus (Come, Creator Spirit), Veni, Emmanuel (O Come, O Come, Emmanuel), and Victimae Paschali Laudes (Praise the Paschal Victim).
SKU: HL.978474
ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.
This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.
