Halt Hoch Dich Über Dem Leben

/ Choeur De Femmes A 1 A 5 Voix, Flûte A Bec Soprano, Flûte A Bec Alto (Flûte Traversière), Instruments A Cordes Et Piano (Tanztrommel Ad Libitum)

/ Choeur De Femmes A 1 A 5 Voix, Flûte A Bec Soprano, Flûte A Bec Alto (Flûte Traversière), Instruments A Cordes Et Piano (Tanztrommel Ad Libitum)

/ Choeur De Femmes A 1 A 5 Voix, Flûte A Bec Soprano, Flûte A Bec Alto (Flûte Traversière), Instruments A Cordes Et Piano (Tanztrommel Ad Libitum)

/ Choeur De Femmes A 1 A 5 Voix, Flûte A Bec Soprano, Flûte A Bec Alto (Flûte Traversière), Instruments A Cordes Et Piano (Tanztrommel Ad Libitum)

/ Choeur De Femmes A 1 A 5 Voix, Flûte A Bec Soprano, Flûte A Bec Alto (Flûte Traversière), Instruments A Cordes Et Piano (Tanztrommel Ad Libitum)

The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword, a Critical Commentary, and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk's Liebe zur Orgel. This reference book by the late Romantic composer, which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of organ building and organ playing in Germany during the first half of the 20th century, has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk's organ works- Edited by the composer's grandson- Detailed foreword and Critical Commentary for each volume (Ger/Eng)- Many facsimiles and illustrationsContents'Wilhelmus van Nassouwe en Choral? 'Nun danket alle Gott?'Kleine Fantasie über C.H.D.B.? for organ or pianoChorale prelude 'Wachet auf, ruft uns die Stimme? (trio for 2 manuals and pedals)37 short chorale improvisations for liturgical use / Orgue

70 beliebte traditionelle und moderne Weihnachtslieder mit Noten, Texten und Akkorden - ganz einfach zu begleiten mit der Gitarre. Viele Lieder können schon mit 2 oder 3 Akkorden gespielt werden. Für Stücke mit Barré-Griffen gibt es eine Kapodaster-Version mit offenen Akkorden. Schwer zu singende Pop Christmas-Songs sind in zwei Stimmlagen arrangiert.Weitere Highlights:- Übersichtliches Layout- Praktische Stay-Open-Bindung- Handliches Liederbuchformat- Alle Akkorde mit Griffbildern- Begleitmuster für alle LiederAus dem Inhalt: Last Christmas - Rockin' Around The Christmas Tree - Jingle Bell Rock - Stille Nacht - O du fröhliche - und viele mehr!Auch für Gesang und Ukulele erschienen. / Voix Et Guitare

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Johann Sebastian Bach?s arrangements of the ?69 Sacred Songs? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bach?s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the ?69 Sacred Songs? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bach?s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes online access to PDFs of the ?Scores in their Original Keys,? and stand-alone ?Guitar Accompaniment,? and ?Bass Parts".