Happy Birthday In Style

A Bright Birthday Serenade In Style Of Mozart. Par PAUL DIETRICH. Cette serenade Joyeux anniversaire, composée dans le style de Mozart et arrangé par Paul Dietrich, utilise les chansons connues anniversaire ' Happy Birthday to You ' (thème 1) et ' Hoch soll er leben' (thème 2). Initialement écrite pour le piano et maintenant fixé pour les chaînes par l'arrangeur expérimenté, Wolfgang Birtel, cette pièce est agréable et amusant pour tous les amateurs de Mozart - et convient aussi comme un morceau d'encore dans les concerts./ Répertoire / Quatuor à Cordes ou Contrebasse Ad Libitum

Founded in 1770 by Bernhard Schott in Mainz, the Schott music publishing house celebrates its 250th anniversary in 2020. The anniversary?s motto is ?Joy of Music? because Beethoven?s Symphony No. 9, published by Schott in 1826, is one of the most important works in music history, with Schiller?s famous final chorus ?Ode to Joy?. In 'Happy Birthday, Schott Music!' top arranger Carsten Gerlitz devotes himself to arranging the perhaps most popular melody by Beethoven and nine other treasures from the Schott programme. He interprets a selection of original works by Wagner, Humperdinck and the like with great care and respect in his unmistakeable, atmospheric lounge style. (Includesdownloadable audio tracks.)

Fondée par Bernhard Schott en 1770 à Mayence, la maison d'édition Schott, célèbre son 250e anniversaire en 2020. Comme devise pour l?anniversaire, Schott a choisi « Joy of Music » parce qu?en 1829, Schott a publié la Symphonie no. 9 de Beethoven, une des ?uvres les plus importantes de l'histoire de la musique, avec le célèbre ch?ur final de Schiller « Ode à la joie ». Dans « Happy Birthday, Schott Music », l'arrangeur renommé Carsten Gerlitz se consacre à cette mélodie peut-être la plus populaire de Beethoven et à neuf autres trésors du programme de Schott. Avec soin, charme et beaucoup de respect, il interprète des ?uvres originales de Wagner, Humperdinck et Cie dans son style lounge caractéristique. Contient des pistes audio en téléchargement.
Ode an die Freude
In Trutina
Liebesleid
Gassenhauer
Salut d'amour
Siegmunds Liebeslied
Heinzelmännchens Wachtparade
Ave Maria
Zorbas Dance
Abendsegen / Partitions classique / Piano - instruments à clavier / Piano / SCHOTT

Everyone has a birthday to celebrate?now there?s a special book of Piano arrangements that you can usejust for the occasion! This book provides unique arrangements of ?Happy Birthday? in different styles including sing-along waltz and jazzier renditions. The arrangements draw from the stylistic settings from popularrepertoire/composers: Für Elise  Beethoven Liebestraum Liszt Canoeing Amy Beach Sonata in C Mozart Revolutionary Etude Chopin Jesu Joy of Man?s Desiring Bach Gymnopedie Satie Waltz Durand These delightful arrangements will bring joy to any party and are an excellent addition to anypianist?s repertoire. Includes access to online audio featuring Gail Smith's performance of each piece...

Evergreens. Par CORNICK MIKE. Play with style using Mike Cornick's Style Collection. Thirteen old favourites - all with everlasting appeal and in a variety of styles, have been arranged for the middle-grade pianist to play and enjoy. Includes Summertime, Give my Regards to Broadway, Maple Leaf Rag, Plaisir D'Amour. The CD provides the option of playing along as part of an ensemble which is both confidence-building and fun, while the demonstration tracks for listening are not only inspiring but hugely entertaining. • Old favourites that have stood the test of time arranged for the intermediate-level pianist • An enjoyable and rewarding way to become acquainted with a variety of styles and extend your pianistic skills • Play along in your own ensemble using the CD minus-one tracks - a pleasure on your own and when entertaining others / Evergreen / Etude / Piano

Ten Easy Arrangements Of Well-Known Pieces From The Last Five Centuries. Le recueil réunit dix pièces de différentes époques qui permettront aux débutants de concevoir leur propre programme. Sélectionnées et arrangées avec soin par les membres du quatuor de saxophones Pindakaas, les pièces sont le plus souvent destinées à un effectif de deux altos, un ténor et un baryton. La partie de baryton peut aussi être assurée par un ténor, selon les possibilités techniques du groupe ou les instruments disponibles. Les oeuvres ont été choisies non seulement pour développer les aptitudes techniques et la maitrise de l'instrument, mais aussi pour favoriser une interprétation d'ensemble et l'apprentissage de la musique de chambre. On pourra travailler, au seins du groupe, les fondamentaux stylistiques des différentes époques musicales - en étudiant le style et la structure de chaque morceau, chacun aboutira à sa propre interprétation. / Niveau : Facile / Recueil / 4 Saxophones AATB / AATT

arranged for Harp. Par HILL MILDRED J. / WOODS SYLVIA (Arr.). Sylvia Woods (née en 1951 dans le Tennessee) est une harpiste et compositrice américaine, peut-être plus connue pour son rôle dans la renaissance mondiale de la harpe celtique, ou cláirseach. Elle a commencé à vendre et à écrire de la musique pour les harpes celtiques dans les années 1970, alors que l'instrument était peu connu aux États-Unis, contribuant ainsi à une vague d'intérêt pour la harpe et la musique celtique. Constatant un manque de répertoire et de ressources pour la harpe folk, Sylvia a commencé à écrire et à arranger de la musique spécifiquement pour la harpe folk (ou harpe à levier) en 1978. Le premier livre de Mme Woods, Teach Yourself to Play the Folk Harp, est sans doute l'ouvrage d'apprentissage le plus connu pour la harpe à levier, et a servi d'introduction à la harpe à des milliers de musiciens. Elle a depuis publié plus de 80 livres et arrangements de partitions pour la harpe celtique, englobant une grande variété de styles musicaux, du folk au classique en passant par la pop. Découvrez dès maintenant tous les nouveaux titres disponibles tels que : Le Magicien d'Oz, Stairway to Heaven ou Marry Me et bien plus encore. / Date parution : 2021-11-03/ Répertoire / Harpe

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages) and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part Song forms a moment of contemplation and the birthday presents are unwrapped by the percussion section in the fourth part Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.

Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages) and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part Song forms a moment of contemplation and the birthday presents are unwrapped by the percussion section in the fourth part Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.

Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages) and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part Song forms a moment of contemplation and the birthday presents are unwrapped by the percussion section in the fourth part Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.