Harmonicity

SKU: SU.27180040

A contemplative piece for string quartet that explores a lucious soundscape filled with harmonics, glissandi, and pizzicati.String Quartet Duration: 6' Composed: 2020 Published by: Brodack Music.

SKU: CF.MXE55

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

SKU: CF.MXE55F

ISBN 9781491153895. UPC: 680160911394.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

SKU: GI.G-4955AH

English.

These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon. 100 extra Harmonic Answer Sheets. .

SKU: GI.G-4955SM

English.

These two tests are designed to serve as objective aids to teachers in assisting their students to improvise music by providing them with appropriate opportunities and instructions. When used with judgment and wisdom, these tests will: 1. Help determine objectively whether individual students have the necessary harmonic and rhythmic readiness to learn to improvise, 2. Indicate what types of general instruction in improvisation are most beneficial for individual students, and 3. Assist teachers in adapting instruction to each student’s individual needs. Each test is less than 20 minutes long and can be machine scored. The extensive manual includes information on how to score and interpret test results. These new tests mark a major new achievement in music testing, developed by the principal leader in music testing, Edwin E. Gordon. 1 harmonic & 1 Rhythmic test scoring mask. .