SKU: TM.01110SC
Solo in sc.
SKU: BA.BA05231-74
ISBN 9790006506668. 32.5 x 25.5 cm inches. Key: D minor.
All eight concertos are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords. All of Bach's solo harpsichord concertos are now available with theUrtextof the New Bach Edition.
SKU: BR.PB-4311
The present work originated in Leipzig between 1730 and 1733. It is Johann Sebastian Bach's best-known harpsichord concerto and, from a technical point of view, may be considered as his most typical harpsichord concerto.
ISBN 9790004202494. 9 x 12 inches.
SKU: HL.51487380
UPC: 840126932881. 6.75x9.5x0.251 inches.
Bach's harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of violin technique to the keyboard with such ingenuity that most of today's pianists also include these concerti in their standard repertoire. The first concerto in D minor is perhaps the most popular - not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach's harpsichord concerti, G. Henle Publishers presents a piano reduction and study edition (score) of the D-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51481381
UPC: 196288019442. 9.25x12.25x0.16 inches.
Johannes Umbreit (piano reduction); Michael Schneidt (fingering) Two copies needed for performance It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. The outer movements of the second concerto, in E major, probably written around 1738, sparkle with joy, while the expressive melodic lines of the middle movement, the Siciliano in C-sharp minor, transport the listener to the realm of his Passion music. G. Henle Publishers presents this repertoire standard in an Urtext edition with an extensive commentary. The study edition (HN 7381) features the complete orchestral score; the piano reduction (HN 1381) contains the solo part as well as a very playable piano reduction of the score prepared by Johannes Umbreit for practical use.
SKU: HL.14023645
ISBN 9780711983281. 9.0x12.0x0.162 inches.
These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.
SKU: HL.50600807
SKU: BA.BA05146
ISBN 9790006566761. 32.5 x 25.5 cm inches. Key: G minor. Preface: Fischer, Wilfried.
This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach’s arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056).The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord.The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.MR-2195B
A variable solo concerto in A minor
ISBN 9790004488423. 9 x 12 inches.
The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.A variable solo concerto in A minor.
SKU: BR.OB-4792-12
ISBN 9790004321621. 10 x 12.5 inches.
The present edition is derived from the justified assumption that Bach's Harpsichord Concertos BWV 1052-58 are original arrangements of solo concertos for other instruments, and can be reconstructed back to their original work form on the basis of the characteristics found in the solo parts. The editor of the present concerto chooses the oboe - an instrument that often plays characteristically exposed roles in Bach's cantatas - as the solo for his transformation of the Harpsichord Concerto in f minor BWV 1056, whereby the work was transposed one whole-tone higher. The Sinfonia of the Cantata BWV 156 Ich steh mit einem Fuss im Grabe provides the editor with an orientation in his reconstruction of the slow middle movement.
SKU: HL.51480736
ISBN 9790201807362. UPC: 884088178505. 9.25x12.25x0.027 inches.
This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (or harpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.
SKU: HL.51480735
ISBN 9790201807355. UPC: 884088178499. 9.25x12.25x0.02 inches.
SKU: HL.51480734
ISBN 9790201807348. UPC: 884088178482. 9.25x12.25x0.023 inches.
