I Have Seen Jesus in You

This uplifting collection features 40 contemporary Christian songs of Christmas including: All My Heart Rejoices - Angels We Have Heard on High - Breath of Heaven (Mary's Song) - Celebrate the Child - Emmanuel - First Day of the Son - Gloria - Holy Child - Jesus Born on This Day - Love Has Come - No Eye Had Seen - One King - A Strange Way to Save the World - This Baby - This Little Child - To the Mystery - When Love Came Down - and more.

Here is one single product that will work beautifully for your choir year-round. This will become a staple in your library that you will pull out again and again featuring outstanding hymn arrangements and selections forChristmas Easter and patriotic services.Titles include: America the Beautiful; Beneath the Cross of Jesus; Crown Him with Many Crowns; Go Tell It on the Mountain; God of Our Fathers; Holy Holy Holy; Hosanna LoudHosanna; I Stand Amazed in the Presence (My Savior's Love); Joy to the World; Mine Eyes Have Seen the Glory; Near the Cross; O Little Town of Bethlehem; The Old Rugged Cross; There Is a Fountain; 'Tis So Sweet to Trust inJesus. Available separately: SATB ChoirTrax CD Preview CD Preview Pak.

Rosephanye Powell has created a new spiritual for Christmas that sounds like we have been singing it for years. The basic melody is carried by a small group or solo voice and the choral parts serve as the accompaniment and sometimes as a response to the melody. The pace is quick and energetic and as always Rosephanye's rhythms are a joy to sing.

Don Besig and Nancy Price have woven the traditional songs “Lonesome Valley ” and “Nobody Knows the Trouble I've Seen ” with adapted and new words into an ethereal Lent and Holy Week meditation. The useof optional flute (part provided in the octavo) enhances the airy quality of the piece. There's also an opportunity for an optional solo and a cappella portions. First telling of Jesus and his pending fate in the lonesome valley the message moves on to remind us that “nobody knows the trouble and pain like Jesus.” Finally we all have our “lonesome valleys” to walk but He will not let us walk alone. This easy-to-learn anthem willprove to be very effective.

The follow-up to the hugely successful Essential Acoustic Playlist, this companion volume features another 70 classic tunes for the acoustic guitar.This book focuses on classic indie hits from the 80s, 90s and beyond. With names like Pulp, Manic Street Preachers, Supergrass, Radiohead, Blur and The Verve all represented, acoustic indie fans need look no further. The book also features a couple of tracks rarely seen in print, such as the classic 'Shine On' from The House Of Love and Jeff Buckley's beautiful version of 'Lilac Wine'.Each song is presented very simply, with lyrics and chord symbols, sothere's no need to be able to read music. As with all products on this site, the arrangements are guaranteed accurate and have been checked by an experienced editor. The chord shapes given are authentic and sound great on an acoustic guitar. The book features simple 'lyrics and chords' format; authentic and easy chord shapes given for every song; includes capo and tuning information where appropriate.Songlist: (I'm Gonna) Cry Myself Blind (Primal Scream); A Design For Life (Manic Street Preachers); A Little Like You (Grand Drive); A Man Needs To Be Told (The Charlatans); A Minha Meninha (The Bees); Ain't That Enough (Teenage Fanclub); All Together Now (The Farm); Alright (Supergrass); Am I Wrong (Mull Historical Society); American English (Idlewild); Average Man (Turin Brakes); Beetlebum (Blur); Buy It In Bottles (Richard Ashcroft); Can You Dig It? (The Mock Turtles); Caught By The River (Doves); Coffee And TV (Blur); Come Away With Me (Norah Jones); Come Back To What You Know (Embrace); Common People (Pulp); Crazy Beat (Blur); Creep (Radiohead); Distant Sun (Crowded House); Don't Let Me Down Gently (The Wonder Stuff); Don't Think You're The First (The Coral); Everlong (Foo Fighters); Fallen Angel (Elbow); Fastboy (The Bluetones); Forget About Tomorrow (Feeder); Getting Away With It (Electronic); Go To Sleep (Radiohead); Grace (Supergrass); Here's Where The Story Ends (The Sundays); High And Dry (Radiohead); History (The Verve); Hooligan (Embrace); I Need Direction (Teenage Fanclub); I Will (Radiohead); In A Room (Dodgy); It's True That We Love One Another (The White Stripes); Just When You're Thinkin' Things Over (The Charlatans); La Breeze (Simian); Lilac Wine (Jeff Buckley); Live In A Hiding Place (Idlewild); Long Distance (Turin Brakes); Lucky (Radiohead); No Surprises (Radiohead); Only Happy When It Rains (Garbage); Out Of Time (Blur); Painkiller (Turin Brakes); Pass It On (The Coral); Personal Jesus (Johnny Cash); Pineapple Head (Crowded House); Poor Misguided Fool (Starsailor); Road Rage (Catatonia); Seen The Light (Supergrass); Seven Nation Army (The White Stripes); Shine On (The House Of Love); Silence Is Easy ( Starsailor); Sk8er Boi (Avril Lavigne); Stay Away From Me( The Star Spangles); The Final Arrears (Mull Historical Society); There There (Radiohead); Thinking About Tomorrow (Beth Orton); This Is How It Feels (Inspiral Carpets); Wake Up Boo! (The Boo Radleys); Words (Doves); Yoshimi Battles The Pink Robots (The Flaming Lips); You're So Pretty, We're So Pretty (The Charlatans); You've Got Her In Your Pocket (The White Stripes)

Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray’s sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the “North Country Noel Coward”. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a “shabby little country girl” completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray’s telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) – Thackray’s portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: “Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem.” My carol of the same name adapts a similar approach to telling Mary’s story. Musically I have only thinly veiled my affection for Peter Warlock’s miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë’s novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary’s plight in Thackray’s story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and

This value-priced collection features over 90 selections for various occasions during the church year. / Musique religieuse / Recueil / Piano

Facile à lire simplifiée des arrangements de certains des hymnes plus aimés du monde, y compris ' Mon berger du Seigneur ', ' Louange À the Saints ' et ' Rock Of Ages '. / Piano/Vocal/Guitare (PVG) / Partition

Thirty-one of the best known hymns, with suggested registrations for each song and keyboard chord chart. / Paroles Et Accords