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SKU: CF.CPS240F

ISBN 9781491157879. UPC: 680160916474. 9 x 12 inches.

Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, itas like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it's like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it’s like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia.  The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through.  As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country.  The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape.  The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix.  Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion.  Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.

SKU: CF.CPS240

ISBN 9781491157862. UPC: 680160916467. 9 x 12 inches.

Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, itas like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it's like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it’s like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia.  The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through.  As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country.  The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape.  The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix.  Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion.  Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.

SKU: HL.1105200

UPC: 663961058895. 18.5x17.0x7.5 inches.

Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx12 is a premium 12-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 12-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style” EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style” EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British” desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q” or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go.

SKU: HL.1105202

Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx24 is a premium 24-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 24-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style” EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style” EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British” desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q” or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go.

SKU: HL.392324

UPC: 716408504483. 17.25x44.25x0.667 inches.

The Gator GBE-ELECT economy electric guitar gig bag is made to fit your instrument, lifestyle, and budget. The worst thing you can do is leave your guitar exposed to dangerous elements such as humidity and dust or leaving it available to curious hands. With a rugged exterior and padding, this gig bag protects your instrument from the hazards of backseat transport and environmental damage when you aren't playing – using the GBE-ELECT means you'll be getting to the gig with your guitar in one piece. So whether you're storing your guitar at home or heading out to your weekly gig, you need the affordability, convenience, and uncompromising protection of the Gator GBE-ELECT electric guitar economy gig bag!

SKU: FG.55011-895-9

ISBN 9790550118959.

The Urtext edition (2023) of Jean Sibelius’ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.

Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865–1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu står jul vid snöig port (Now stands Yule at the snowy gate) and Nu så kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]

Contents
Nu står jul vid snöig port • Joulu saapuu portin luo • Now stands Yule at the snowy gate [F major]
Nu så kommer julen • Tervehtii jo meitä joulu armahin • Now is Christmas coming [e minor]
Det mörknar ute • Jo joutuu ilta • O’er hill and dale [F major]
Julvisa • En etsi valtaa, loistoa • Christmas song [G major]
On hanget korkeat, nietokset • Visst drivor höga som skyn vi ha • The shining snows are driving high [F major].

SKU: HL.1291945

ISBN 9798350105742. UPC: 196288169055. 9.0x12.0 inches.

Tiresias, the Blind Prophet of Thebes, is on a walk, and along comes Orlando, the title character from Virginia Woolf's novel. Orlando, who is of noble birth, has only recently been changed - inexplicably - during seven mysterious days of unbroken sleep - from a man to a woman, and is crossing this plane heading from Constantinople back to England, his homeland. Tiresias assumes that Orlando will ask him for advice, and so speaks first.

SKU: BR.KM-2285

ISBN 9790004503133. 9 x 12 inches. German.

Ascolta! (= Listen!) is the name of the ensemble with which the editor played all the pieces in this book: in the classroom, in home music-making, outdoors and at international festivals. Listening is an indispensable precondition of group playing, particularly because the stylistically appropriate performance of folk music requires improvisational abilities. The performance material consists of sheet music that can be used without having to turn pages. This sheet music has also been prepared for instruments in C, B flat and for guitar on the enclosed CD-ROM. The subheading variable ensemble is to be taken literally, for there are practically no limits to the imagination when it comes to the scoring and the execution of the pieces: the classical melody instruments can be supplemented by the accordion, the guitar and percussion. The 14 pieces come from Europe, South America, and from Yiddish folk music. The edition is rounded off by tips and comments on ensemble playing, on the individual pieces, and on the performance of percussion instruments; further, there are free translations of the song texts.

SKU: M7.DOHR-88815

ISBN 9790202098158.

On the workFor many years I was the director of festive music at our local church in Orpington. I always carried a little music notebook on me for use during the sermons. I remember writing a series of notes, as a challenge to use as a melody when I got home, then I realised it used all twelve notes of the scale. Having been penned during a sermon, I decided to use this as a structure. The tone row became the sermon and the following variations the reactions to this sermon. As a clue to the ideas behind the music, I added sectional headings to each variation. While this is a serious work musically, it is actually meant to be a piece of fun! (Adrian Connell)Duration: 15 minutes.