Heart Strings

SKU: HL.14013789

ISBN 9781847723499.

An anthem arranged for ATB voices, SATB chorus and strings taken from Volume 14-Sacred Music, Part II. Edited by Lionel Pike.

SKU: HL.14026391

ISBN 9781847723505.

An anthem arranged for ATB voices, SATB chorus and strings taken from Volume 14-Sacred Music, Part II. Edited by Lionel Pike.

SKU: CF.YAS150

ISBN 9781491143568. UPC: 680160901067. Key: G major.

A heartfelt piece that is dedicated to the memory of a lost student, the music is both emotional and beautiful. It is meant to depict the life of the person lost, not the sadness. In typical Larry Clark fashion, the piece has memorable melodies, interesting lush harmonies and is well-scored. This will be a great vehicle to improve the musicianship of your students.
Heartstrings began its life as the main musical material for a piece I wrote called Forever Climbing. It was a concert band work that was commissioned by the Boulder Creek High School Band under the direction of James O'Haloran. It was dedicated to the memory of Trevor Crouse who died tragically in a climbing accident. When Ifinished that piece, I just knew that I was not finished with the main musical ideas and decided it would work very nicely for strings.Certainly in the face of losing a loved one it would pull on your heartstrings, but when I was composing this piece I also wanted to bring about the love that we have for our close friends and family members. I hope that you will hear love in the piece along with a touch of sadness. Certain harmonic choices and dissonances in the melody to the harmonies were used to bring about this emotional feeling. I take great pride in writing music for young people that stretches their musicianship. When I work with students, I ask them to put their emotions into the music stretch phrasing, push lines,and giving things shape; make the music more than what is on the page. Bring it to life and make the audience feel something with their performance. It is my sincere hope that it will inspire them to do so and expand their musical horizons. I continue to honor the memory of Trevor and the memory of those loved ones I have lost as well.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2016.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: CZ.9798396293144

ISBN 9798396293144.

Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.
With Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.
To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.
From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.
Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) and let the music of America inspire you.

SKU: CF.YAS220

ISBN 9781491162682. UPC: 680160921430. Key: E minor.

Heart of Gold (A Greensleeves Fantasy) is a fresh take on a traditional favorite, drawing its name from the lyrics of the original secular song, “Greensleeves was my delight, Greensleeves was my heart of gold.” The piece starts with an introduction that flows into the familiar poignant melody, using beautiful and unexpected harmonies for a contemporary sound. The Second Violins and Viola have an opportunity to shine as well as they take over the theme with a wonderful swelling crescendo leading to the heart of the piece. A Solo Violin and Solo Cello restate the melody against the pizzicato accompaniment motif established in the beginning. The Optional Piano part adds magic and enhances the orchestration throughout.Performance Notes: Start the introduction very quietly. Exaggerate the dynamics throughout. Make the pizzicato nice and full while staying under the melody in the first violins. At measure 13, this countermelody in the first violins should be felt and not obscure the Greensleeves melody played by the second violins and violas, so make sure to balance it accordingly. At measure 20, exaggerate the crescendo and once forte is reached, maintain that intensity all the way to the decrescendo at measure 36. The solo violin line should be played with lots of expression and soar above the pizzicato figures. Pizzicato figures should be light and full, played closer to the fingerboard. At measure 45, the cello solo should be strong and connected singing high above the rest of the sections. Make sure the arco strings in this section do not overpower the cello line.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: CF.YAS220F

ISBN 9781491163023. UPC: 680160921775. Key: E minor.

Heart of Gold (A Greensleeves Fantasy) is a fresh take on a traditional favorite, drawing its name from the lyrics of the original secular song, “Greensleeves was my delight, Greensleeves was my heart of gold.” The piece starts with an introduction that flows into the familiar poignant melody, using beautiful and unexpected harmonies for a contemporary sound. The Second Violins and Viola have an opportunity to shine as well as they take over the theme with a wonderful swelling crescendo leading to the heart of the piece. A Solo Violin and Solo Cello restate the melody against the pizzicato accompaniment motif established in the beginning. The Optional Piano part adds magic and enhances the orchestration throughout.Performance Notes: Start the introduction very quietly. Exaggerate the dynamics throughout. Make the pizzicato nice and full while staying under the melody in the first violins. At measure 13, this countermelody in the first violins should be felt and not obscure the Greensleeves melody played by the second violins and violas, so make sure to balance it accordingly. At measure 20, exaggerate the crescendo and once forte is reached, maintain that intensity all the way to the decrescendo at measure 36. The solo violin line should be played with lots of expression and soar above the pizzicato figures. Pizzicato figures should be light and full, played closer to the fingerboard. At measure 45, the cello solo should be strong and connected singing high above the rest of the sections. Make sure the arco strings in this section do not overpower the cello line.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: CL.CTS-8045-01

Chorale Prelude: Rejoice Ye Pure in Heart is a dramatic and beautiful setting of the well-known hymn Rejoice Ye Pure in Heart. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-8045-00

Chorale Prelude: Rejoice Ye Pure in Heart is a dramatic and beautiful setting of the well-known hymn Rejoice Ye Pure in Heart. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.011-3971-01

When searching for a musical, emotional ballad for your young band, look no further than this stunningly beautiful chorale by Matt Conaway. Utilizing rich, comfortable scoring and lush, simple melodies, this exquisite setting provides your band a wonderful opportunity to touch the hearts of every member of your audience. Equally at home on the concert or festival stage, this is a composition you’ll want to share with your students for years to come. Absolutely gorgeous!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CA.3116913

ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SKU: CA.3116909

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.

SKU: CA.3116912

ISBN 9790007209339. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SKU: CA.3116911

ISBN 9790007209322. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SKU: CA.3116914

ISBN 9790007209353. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.