Hidden Away

SKU: HH.HH433-FSP

ISBN 9790708146391.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his four-movement motet Ite, procul abite, maestitiae (‘Go, begone, sadness’) for soprano, two violins and continuo is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. This exciting and technically challenging work, full of exquisite touches, reaches the heights of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: BR.MR-1542

ISBN 9790004482353. 9 x 12 inches.

Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.

SKU: HH.HH434-FSP

ISBN 9781910359419.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his five-movement motet O fideles, modicum sustinete tempus (‘O ye faithful, pause a short while’), for alto (contralto), two violins and continuo, is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. Like the four-movement Ite, procul abite, maestitiae (Edition HH, December 2016), this is a vibrant, technically challenging work full of exquisite touches that reaches the level of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: HH.HH435-FSP

ISBN 9790708146414.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his three-movement Christmas motet Totus orbis, umbra canit (‘The whole world, the darkness sings’), scored for soprano, two violins and continuo, is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. Like its predecessors in the series (Edition HH, Dec. 2016 & Jan. 2017), this is a vibrant, technically challenging work full of exquisite touches that reaches the level of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: BR.MR-1551

ISBN 9790004482445. 9 x 12 inches.

Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.

SKU: PR.114420410

UPC: 680160687015.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: PR.11442041L

UPC: 680160687039.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: PR.11442041S

UPC: 680160687022.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: WD.080689565175

UPC: 080689565175.

With a script and songs delivering a musical full of faster-than-the-speed-of- light-fun and an out-of-this-world, Biblically-based message, STAR QUEST...Search for the Stolen Scriptures is the latest and greatest from Kidz Choir pros Christy and Daniel Semsen.

Catapult your next Kidz Choir program into hyperspace with this new, space-age, scripture memory musical for Kidz!
In a galaxy far away, and in a future not too distant, the crew of spaceship J-316 is on a mission: trekking through the galaxy, bringing the Word of God to people everywhere! In the future, all written communication is now sent and stored digitally–nothing is written on paper. The Bible is stored on the Intergalactic Bible Data Base, allowing all people access to God’s Word. But there is a radical plot underway by a misguided, power-hungry ruler who is steadily erasing scriptures from the database. The crew of J-316 has just landed on a planet whose inhabitants still employ the age-old practice of Bible memorization. With the Word of God hidden in their hearts, they offer to go back to the ship with the crew to help restore the lost scriptures. But will they be able to stop the plot to steal scriptures away? Time is of the essence, and nothing in this world or beyond could be more important than making sure God’s Word remains available to people throughout the galaxy!

With a laser-focused script, galactically-cool songs, sonically-rad tracks, and a droid-friendly DVD, STAR QUEST...Search for the Stolen Scriptures, will take your kids on the most adventurous, farthest-travelled, fastest-paced missionary trip in history as they memorize God’s Word through fun and song. Set Backdrops, Fun Kits, and T-shirts are available to enhance your presentation of STAR QUEST!

SKU: HL.1142643

Features: • Multi-layered semi-rigid construction with weather-resistant 10000D grey nylon exterior fabric and soft interior lined with grey micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keying clip stores cables, strings, and other accessories; 17.5 x 14.5″ (445/368mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 51.5/1308mm (L) x 17″/432mm (W) x 6″/152mm (H), net weight: 10.8 lbs./5 kg • Interior dimensions: 48″/1219mm (overall length) x 12.2″/310mm (upper bout) x 13.8″/351mm (middle bout) x 15″/381mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142641

Features: • Multi-layered semi-rigid construction with weather-resistant 10000D blue nylon exterior fabric and soft interior lined with blue micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keying clip stores cables, strings, and other accessories; 17.5 x 14.5″ (445/368mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 51.5/1308mm (L) x 17″/432mm (W) x 6″/152mm (H), net weight: 10.8 lbs./5 kg • Interior dimensions: 48″/1219mm (overall length) x 12.2″/310mm (upper bout) x 13.8″/351mm (middle bout) x 15″/381mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142650

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior fabric and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142637

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring click stores cables, strings, and other accessories; 17.5 x 6″ (445/152mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 48″/1219mm (L) x 19″/483 (W) x 6″/152mm (H), net weight: 11.2 lbs./5.1 kg • Interior dimensions: 44.5″/mm (overall length) x 14.2″/361mm (upper bout) x 15.4″/391mm (middle bout) x 17″/432mm (lower bout) x 6″/152mm (headstock width) x 3.5″/89mm (body height).

SKU: HL.1142639

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D khaki nylon exterior and soft interior lined with khaki micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring click stores cables, strings, and other accessories; 17.5 x 6″ (445/152mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 48″/1219mm (L) x 19″/483 (W) x 6″/152mm (H), net weight: 11.2 lbs./5.1 kg • Interior dimensions: 44.5″/mm (overall length) x 14.2″/361mm (upper bout) x 15.4″/391mm (middle bout) x 17″/432mm (lower bout) x 6″/152mm (headstock width) x 3.5″/89mm (body height).

SKU: HL.1142649

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D blue nylon exterior fabric and soft interior lined with blue micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142652

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D khaki nylon exterior fabric and soft interior lined with khaki micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identificati on • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).